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The Passion of David Lynch: Wild at Heart in Hollywood by Martha P. Nochimson
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The Passion of David Lynch: Wild at Heart in Hollywood

by Martha Nochimson (otherwise under Martha P. Nochimson)

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Univ of Texas Pr (1997), Hardcover, 272 pages

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Critical appreciation of Lynch's work, up to and including Lost Highway. Iconoclastic to the point where it almost qualifies as "zany," Nochimson's read on Lynch is that he is not only feminist but also radically empathetic: she claims his films are designed "to bring the greatest consolation to the greatest number of people." Along the way we get lots of stuff about surging energy, living vs. constructed form, and forces beyond rational control. Odd, but never boring—in fact, its weirdness makes it often totally engaging. Recommended. ( )
  jbushnell | May 3, 2007 |
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Amazon.com Product Description (ISBN 0292755651, Paperback)

"This is the best book on David Lynch that has yet been published. Nochimson's book is essential reading for anyone interested in contemporary cinema."

—Brian Henderson, Professor, State University of New York at Buffalo

Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn't know what he is doing. To understand Lynch's films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. In this innovative book, she draws on these strategies to offer close readings of Lynch's films, informed by unprecedented, in-depth interviews with Lynch himself.

Nochimson begins with a look at Lynch's visual influences—Jackson Pollock, Francis Bacon, and Edward Hopper—and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch's films and television productions. These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch's most recent, Lost Highway.

Nochimson's interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible.

(retrieved from Amazon Fri, 24 Apr 2009 07:57:53 -0400)

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