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Sugar by Bernice L. McFadden
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This book is written in rich detail, realistic characterization and superb writing. This writer's ability to capture the look and feel of the 50s Jim Crow south and the people who inhabit this small town are amazing and there is no doubt this is a literary masterpiece. Bernice McFadden has a wonderful writing style where she paces out the story line and everything is just perfect. The story of Sugar is beautiful, tragic, happy, hopeful and sad all at the same time. Well-developed characters and wonderful writing and dialogue. The author is excellent! ( )
  altima313 | Dec 30, 2007 |
I love this book! It was written with perfection. ( )
  Nasbooks | Dec 18, 2007 |
eing a girl raised in the South, and one who was born at the end of the 1950s, I must admit that Bernice McFadden's depiction of southern black life in her debut novel, Sugar , is SURREAL. I have read a lot of compelling novels to date. But, I cannot recall reading one that held me spellbound by its vivid setting, characters, and language laced with southern idioms the way this novel did.
Read More - http://www.thegritsbookclub.com/Revie... ( )
1 vote thegritsdotcom | Nov 29, 2007 |
Two unlikely women develop an unlikely friendship. One is a homemaker who lost her daughter through a heinous murder. The other woman is a prostitute whose presence is not welcomed by the women in this small Arkansas town. Mysteries unfold...

Eloquent writing! She reminds me of Toni Morrison as far as her sophisticated writing style but not as complex.
  firstperson | Jun 18, 2007 |
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Amazon.com Amazon.com Review (ISBN 0452282209, Paperback)

Bernice L. McFadden's first novel begins with the brief, poetic description of a crime so startling that the reader is helplessly drawn in, as if a bright red door stood ajar on a bleak and forbidding house. Pearl Taylor's daughter, Jude, has been found murdered and mutilated near a field at the edge of town. "The murder had white man written all over it," writes McFadden. "But no one would say it above a whisper. It was 1940. It was Bigelow, Arkansas. It was a black child. Need any more be said?" In the years that follow, Pearl catches sight of Jude in so many strangers that when Sugar Lacey comes to town and sets up her unwholesome "business" in the house next door, she doesn't know whether to believe what she sees in Sugar's face: a striking similarity to Jude, dead 15 years. In her sedate but supple prose--rising at times to a light, unforced lyricism in the description of landscape or character--the author perfectly renders the closed and protective society of a small Southern town, the superstitions, gossip, and prying. Although the men of Bigelow are happy enough to have Sugar around, the women do their best to drive her off. Only Pearl is drawn to Sugar, managing to look beyond the rumors surrounding her new neighbor, whose dismal life, she tells Pearl, "had no crossroads." Eventually Pearl shows Sugar the ballerina-topped jewelry box in which she keeps snapshots of her dead daughter.
Sugar lifted the lid and saw herself staring back at her. She jerked as if struck. Her hands were shaking as she lifted the first of many pictures from the box. Jude rolling in the grass, Jude swimming in the lake, Jude sleeping, Jude laughing. Sugar's head was swimming. If someone had brought these pictures to her and said, 'Here you are in the life you can't recall,' she would have believed every word of it and ignored the slight differences that remained between Jude and herself. Jude's smaller nose and thinner lips, her rounder eyes and fuller brow. But the smile was the same; sure and solid. Sugar knew that smile, it was her own.
Slowly, the secret connections between Jude and Sugar unfold against a backdrop of suspense and the return of violence. This is an ambitious and feeling debut from a promising writer. --Regina Marler

(retrieved from Amazon Wed, 06 Jan 2010 01:08:02 -0500)

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