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Londonstani by Gautam Malkani
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Londonstani

by Gautam Malkani

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Jas used to be a geek, but now he has new friends and he's desperate to fit in, rejecting mainstream white British culture in favor of all things Indian and gangsta-rap-related.

Reading this reminded me a lot of reading Trainspotting, not just because they're both written entirely in slang and dialect, though that was the first thing that pinged me as similar. Renton's decision not to "choose life" is very similar to Jas and co's attitude. They've all failed their A levels and would rather get rich stealing phones and spend the money on fancy clothes and stuff than be "productive members of society".

I enjoyed this a lot, though I was unfortuntely spoiled for the ending due to the fact that at one point when I flipped to the back to see how many pages there were, I accidentally saw a very spoilery bit.

It's hard to talk about the book without talking about the spoiler, so I'll just say it's really enjoyable and I liked it a lot. ( )
kyuuketsukirui | May 31, 2009 |  
A little too disturbing but probably closer to being authentic because of it. Here is an excerpt: http://www.purao.net/wiki/Londonstani... ( )
sandeep-purao | Jan 27, 2009 |  
If conflict is what drives a novel, Gautam Malkani's debut, Londonstani, has plenty of fuel. Throw in a narrator who tells the story with perception and humor in an argot comprised of English, Punjabi and urban slang and you're in for an intriguing ride, even if the payoff might leave you skeptical.

Londonstani addresses a variety of internal, generational, racial, religious and societal conflict. The story is told entirely from the viewpoint of Jas, who is in his late teens. He lives in the Hounslow district of London, an area bordering Heathrow Airport with a significant immigrant population, many from India and South Asia. They call themselves "desis," a term stemming from the Indian diaspora. But there aren't just desis. Jas and his cohorts watch out for their blud (blood/kin), bredren (brother), bruv (brother) and bhanjis (sisters). They scorn the goras (whites), coconuts (someone with brown skin who acts like they're white), pendhus (fools) and spods (boring inferiors).

Jas' language is such an admixture that Malkani provides a glossary. While somewhat cumbersome at first, the reader eventually picks up on the flow of the jargon, profanity and patter. And it is in this flow, most often when Jas is in a stream of consciousness, that we find the flashes of humor and insight that expose and explore the conflicts.

At heart, Jas is a perceptive and intelligent nerd. Yet he has quelched those attributes in a successful effort to join a small gang of "rudeboys," the desi version of gangstas who pride themselves on their style and fashion. From the standpoint of his favorite teacher and parents -- and perhaps himself at times -- Jas is throwing away his talents and opportunities to immerse himself in this urban youth culture.

His rudeboy group is led by Hardjit, a Sikh body builder who loves to fight. The other two members are Armit, a Hindu nationalist, and Ravi, who brags about his sexual exploits, seemingly more imagined than real. While subordinate to Hardjit they clearly rank higher than Jas. Yet as tough and independent as they wish to appear, all four still live at home. The classy BMW they ride around in is owned by Ravi's mom. They are part of "the informal economy," reprogramming stolen mobile phones to earn some money here and there.

The rudeboys themselves are an amalgamation of conflicting cultural notions. Their independence leads them to distance themselves from some of their parents' traditions. This inevitably leads to what Jas calls "complicated family-related shit." At the same time, they are proud of their heritage and their "desiness." One of the sad historical legacies they tend to embrace is detest for their Muslim counterparts. Thus, when Hardjit fights it is to stomp a gora for allegedly referring to them as "Pakis" and in a pre-arranged battle with his counterpart in a Muslim rudeboy group.

The latter scene leads an old school teacher to attempt to rescue Hardjit's group, or at least Jas. He hooks the four up with Sanjay, a former desi student who studied economics at Cambridge. Sanjay introduces the group to "Bling Bling economics," takes Jas in particular under his wing and the boys are soon living large as they them move from being menial cogs in the stolen phone trade to relatively significant players.

Sanjay also helps Jas achieve one of his dreams, dating Samira, the fittest (best looking) Muslim girl around. Jas has to hide that relationship from his friends, who believe it wrong to date a Muslim. Samira's brothers take a similar view of Muslim girls going out with non-Muslims. The reelationship eventually becomes fraught with trouble for Jas, his friends and their burgeoning mobile phone enterprise.

Malkani adeptly combines the threads of each of these elemental struggles into a generally workable whole. Readers will undoubtedly have differeing opinions on a surprising plot twist at the end. Some may think it bolsters the novel's impact. Others will see it as not much more than a highly improbable contrivance. I lean toward the former but freely admit there's merit in the latter. Yet even if the end might ring hollow, it does not utterly invalidate Jas' unique voice and perspective on life and conflict in a thoroughly multicultural environment.

Originally posted at http://prairieprogressive.com/2006/07...
PrairieProgressive | Jun 8, 2007 | 1 vote
Author adeptly combines the threads of each of these elemental struggles into a generally workable whole. Book nicely handles variety of internal, generational, racial, religious, and societal conflicts.

more @ http://toogood2read.blogspot.com/2006... ( )
iamyuva | Feb 9, 2007 |  
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Amazon.com Product Description (ISBN 000723175X, Hardcover)

Jas is in trouble. Because of who he is-an eighteen-year-old Asian living in London. Because of the gang he hangs out with. And because of the woman he fancies, Samira, who Jas shouldn't have taken a shining to because she is, as his pals point out, not one of his own. He's in trouble because his education, never mind his career, is going nowhere. And he's fallen into the schemes, games and prejudices of his friends on the streets of the big western city in which he lives. But Jas's main trouble is Jas himself, and he doesn't even know the trouble he's in, and try as hard as he does, he's failing to make sense of what it is to be young, male and what you might say is Indostani in a city that professes to be a melting pot but is a city of racial and religious exclusion zones. Without his parents' aspirations to assimilate, without the gifts of his more academically accomplished contemporaries, Jas is a young man without a survival plan to get by in the big city. He's out of touch, an anachronism posing as young man who's up-to-date, living free-style, making things up as he goes along in suburbs of West London.

Gautam Malkani's extraordinary comic novel portrays the lives of young Muslim, Sikh, and Hindu men in the ethnically charged enclave of one of the biggest western cities, London. A world usually-but wrongly-portrayed as the breeding ground for Islamic militants is, in actuality, a world of money (sometimes), flash cars (usually), cell phones (all the time), rap music and MTV, as well as rivalries and feuds, and the small-time crooks who exploit them. In Malkani's hilarious depiction of multiculturalism, race is no more than a proxy for masculinity, or lack of masculinity, among young men struggling to get by in a remorseless city. Just as Martin Amis and Irving Welsh captured the mood and the ethos of the eighties and nighties, twenty-nine-year-old Gautam Malkani brilliantly evokes the life of immigrants who are not immigrants in Londonstani, bringing an entirely fresh perspective to contemporary fiction as he does so.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:10 -0400)

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