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Biting the Error: Writers Explore Narrative by Gail Scott
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Biting the Error: Writers Explore Narrative

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Coach House Press (2004), Paperback, 250 pages

Member:jbushnell
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Tags:narrative, theory
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Nearly fifty essays compiled by the creators of the online journal, Narrativity. The book promises, in its back cover copy, to represent writers "from Tijuana to Montreal," and sure enough they're there: the overall thrust of the book, however, is Bay Area through and through, and readers' enjoyment of the book will likely vary proportionately to how much mileage they can get out of that particular scumbling-up of aesthetics and theory and personal experience and politics that the San Franciscan literary scene has been reliably producing for a generation now. I tend to enjoy that stuff, but this collection is a mixed bag, in part because of the length restriction: averaging only about five pages apiece (a remnant of their Web origins), many of the pieces are able to squeak out a provocative line of inquiry, but very few develop fruitfully beyond that. This leaves the book feeling like a kind of intellectual snack food: often tasty, but not particularly nourishing.
  jbushnell | May 3, 2007 |
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Product Description

What is the best way to tell a story?

In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson.

Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter.

Brave, energetic and fresh, Biting the Error tells a whole new story about narrative.

Biting the Error is edited by Mary Burger, Robert Gl≈∏ck, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.

About the Author

Gail Scott is the author of the novels Main Brides (Toronto: Coach House, 1993), Heroine (Coach House, 1987; Talon, 1997), and My Paris (Toronto: Mercury Press, 1999), a collection of short stories, Spare Parts (Coach House, 1982), the essay collection Spaces like Stairs (Toronto: Women's Press, 1989), and la théorie, un dimanche (co-authored with Nicole Brossard et al., remue-ménage, 1988). She has been short-listed twice for the QSPELL (Québec English-language fiction) award. A former journalist who has worked for Canada's leading newspapers, she is also a founding editor of the Montréal French-language cultural journal Spirale, and the bilingual journal of women's writing, Tessera. Her translations include France Théoret's Laurence, and The Sailor's Disquiet, and Helen with a Secret, both by Michael Delisle.

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