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The Day the Leader Was Killed by Naguib…
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The Day the Leader Was Killed

by Naguib Mahfouz

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روايه مختلفه عن باقى اعمال نجيب محفوظ يمكن لانه كت​بها حديثا نسبيا ...قصيره نسبيا لكنها مركزه​

احببتها على بساطه فكرتها فكره ربط مصير اشخاص فى بح​ور بلا شواطئ بمصير بلد تغرق ولا منجى لها​

رأى نجيب محفوظ فى السادات صدمنى مكنتش متخيله انه ب​يكرهه للدرجه دى فمثلا ذكر تعليقا على مقتل السادات ​على لسان احد شخصياته ب:القتل انقذه من الجنون​

روايه متلونه بكذا -كعادة محفوظ فى ابراز التناقض فى​ البشر- رأى المتدين و الملحد و من باع نفسه و من رف​ض و الكل يدور كالثور فى ساقيه بلا نهايه​
( )
  Dina_Nabil | Mar 23, 2014 |
See my brief review at Fiction Readings: The Day the Leader Was Killed. ( )
  gefox | Jun 20, 2009 |
The Day the Leader Was Killed is a succinct but significant work in contemporary Egypt. Naguib Mahfouz, through his sober and lyrical prose, has skillfully woven one of the darkest political backdrops in Egyptian history into his novel. Sealing off the seventies and reaching the threshold of a new decade, President Anwar al-Sadat implemented the Infitah, an open-door economic policy that would expedite the country forward to modernization. Like many of Mahfouz's works, this story is told in alternating first-person narratives by three characters--Muhtashimi Zayed, a pious, retired family patriarch; his grandson Elwan Fawwaz Muhtashimi; and Elwan's strong-willed, beautiful fiancée Randa Sulayman Mubarak. The story builds upon around this middle-class family and through the family's perspective zooms a picture of the social, economic, religious, gender and interpersonal aspects of the larger society in Egypt. For the patriarch, who devoted his whole life to prayers and religious rituals, his life was nothing but loneliness. He was especially despondent that the younger generation drifted from the Koran to whose life made a substantial influence. The old man could not forget "the woes of the world" (25) when he thought of his beloved grandson. Randa, like all her female contemporaries, faced gender challenges and the clash between traditional values and modern ideals.
The novelette evokes the assassination of Egyptian president Anwar Sadat on October 6, 1981. Sadat was saluting troops at the annual military parade when a team of assassins began firing weapons and throwing grenades into the reviewing stand. Sadat, along with 20 others was instantly killed in the deadly attack. The underlying cause of the fatal massacre traced back to the Camp David Accords between Israel and Egypt in 1978, which led to a negotiated peace between the two countries in the following year. The historic agreement brought peace to Egypt but no prosperity. The economy still slumped with no trace of a turn-around. Poverty-stricken Muslims and Copts in Egypt rubbed in friction and exploded into some gruesome round of violence in the Cairo slum. This is the very socioeconomic backdrop on which Mahfouz adroitly set his novel. Like the Cairo Trilogy and many of his works, Mahfouz captures and chronicles the most crucial of his own times. ( )
  mattviews | Feb 28, 2006 |
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Little sleep.
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Original Arabic title: Yawm qutila al-za-'im
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Amazon.com Product Description (ISBN 0385499221, Paperback)

AN ANCHOR PAPERBACK ORIGINAL

From the Nobel Prize laureate and author of the acclaimed Cairo Trilogy, a beguiling and artfully compact novel set in Sadat's Egypt.

"[Mahfouz] is not only a Hugo and a Dickens, but also a Galsworthy, Zola and a Jules Romain."--Edward Said

The time is 1981, Anwar al-Sadat is president, and Egypt is lurching into the modern world. Set against this backdrop, The Day the Leader Was Killed relates the tale of a middle-class Cairene family. Rich with irony and infused with political undertones, the story is narrated alternately by the pious and mischievous family patriarch Muhtashimi Zayed, his hapless grandson Elwan, and Elwan's headstrong and beautiful fiancee Randa.  The novel reaches its climax with the assassination of Sadat on October 6, 1981, an event around which the fictional plot is skillfully woven.

The Day the Leader Was Killed brings us the essence of Mahfouz's genius and is further proof that he has, in the words of the Nobel citation, "formed an Arabic narrative art that applies to all mankind."

(retrieved from Amazon Mon, 30 Sep 2013 13:52:20 -0400)

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