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War Requiem by Benjamin Britten

War Requiem (edition 1985)

by Benjamin Britten (Composer), Wilfred Owen (Author), Galina Vishnevskaya (Soprano), Peter Pears (Tenor), Dietrich Fischer-Dieskau (Baritone)4 more, Simon Preston (Organ), Bach Choir (Performers), Highgate School Choir (Performers), London Symphony Orchestra and Chorus (Performers)

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Title:War Requiem
Authors:Benjamin Britten (Composer)
Other authors:Wilfred Owen (Author), Galina Vishnevskaya (Soprano), Peter Pears (Tenor), Dietrich Fischer-Dieskau (Baritone), Simon Preston (Organ)3 more, Bach Choir (Performers), Highgate School Choir (Performers), London Symphony Orchestra and Chorus (Performers)
Info:Decca 414 383-2 (1985), two compact discs, 81 minutes
Collections:Sound recordings
Tags:music, classical music, Britain, Benjamin Britten, requiem, Wilfred Owen, Coventry, Galina Vishnevskaya, Peter Pears, Dietrich Fischer-Dieskau, Simon Preston, Melos Ensemble

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War Requiem [scores and libretti] by Benjamin Britten



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Author nameRoleType of authorWork?Status
Benjamin Brittenprimary authorall editionscalculated
Owen, Wilfredmain authorall editionsconfirmed
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Just printed scores and libretti here, please. There is another heading, War
Requiem [sound recording]
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Amazon.com Product Description (ISBN 0851621988, Paperback)

A timeless expression of humane protest against the butchery of war, the War Requiem was commissioned for the consecration of the Cathedral of St. Michael at Coventry in 1962. The completion of this, the first modern cathedral in England for many years, drew intense national interest. It represented a kind of resurrection of the cathedral itself from the ashes of the medieval building which was almost totally destroyed during World War II. Britten offset the traditional Latin text with the poetry of Wilfred Owen, killed on the Western Front just before the Armistice. Of all the British soldier-poets of World War I, Owen most tersely and disturbingly stripped war of any sense of justice or glory. Owen had declared: "My subject is War, and the pity of War. The Poetry is in the Pity."

Inspired by the acoustical space in which the premiere was to take place, Britten conceived the War Requiem for three spatially and instrumentally differentiated groups, needing two conductors. As well as commenting on some of the great requiems of the past (particularly, in the "Dies irae", those of Mozart and Verdi,) the work draws together many elements of Britten's work from the preceding quarter-century.

(retrieved from Amazon Thu, 12 Mar 2015 18:19:44 -0400)

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