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Elizabeth Costello (original 2003; edition 2004)
Elizabeth Costello by J. M. Coetzee (2003)
Booker Prize (61)
Nobel Price Winners (43)
References to this work on external resources.
Wikipedia in English (1)
Amazon.com Amazon.com Review (ISBN 0142004812, Paperback)For South African writer J.M. Coetzee, winner of two Booker Prizes and the 2003 Nobel Prize for Literature, the world of receiving literary awards and giving speeches must be such a commonplace that he has put the circuit at the center of his book, Elizabeth Costello. As the work opens, in fact, the eponymous Elizabeth, a fictional novelist, is in Williamstown, Pennsylvania, to receive the Stowe Award. For her speech at the Williamstown's Altona College she chooses the tired topic, "What Is Realism?" and quickly loses her audience in her unfocused discussion of Kafka. From there, readers follow her to a cruise ship where she is virtually imprisoned as a celebrity lecturer to the ship's guests. Next, she is off to Appleton College where she delivers the annual Gates Lecture. Later, she will even attend a graduation speech.
Coetzee has made this project difficult for himself. Occasional writing--writing that includes graduation speeches, acceptance speeches, or even academic lectures--is a less than auspicious form around which to build a long work of fiction. A powerful central character engaged in a challenging stage of life might sustain such a work. Yet, at the start, Coetzee declares that Elizabeth is "old and tired," and her best book, The House on Eccles Street is long in her past. Elizabeth Costello lacks a progressive plot and offers little development over the course of each new performance at the lectern. Readers are given Elizabeth fully formed with only brief glimpses of her past sexual dalliances and literary efforts.
In the end, Elizabeth Costello seems undecided about its own direction. When Elizabeth is brought to a final reckoning at the gates of the afterlife, she begins to suspect that she is actually in hell, "or at least purgatory: a purgatory of clichés." Perhaps Coetzee's Elizabeth Costello, which can be read as an extended critique of clichéd writing, is a portrait of this purgatory. While some readers may find Coetzee's philosophical prose sustenance enough on the journey, some will turn back at the gate. --Patrick O'Kelley
(retrieved from Amazon Thu, 12 Mar 2015 18:20:38 -0400)
Elizabeth Costello is a distinguished and aging Australian novelist whose life is revealed through a series of eight formal addresses. From an award-acceptance speech at a New England liberal arts college to a lecture on evil in Amsterdam and a sexually charged reading by the poet Robert Duncan, the author draws the reader toward its astonishing conclusion. The novel is, on its surface, the story of a woman's life as mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling.
(summary from another edition)
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