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The Vicar of Wakefield by Oliver Goldsmith

The Vicar of Wakefield (original 1766; edition 2008)

by Oliver Goldsmith, Arthur Friedman (Editor), Robert L. Mack (Editor)

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1,990323,388 (3.29)123
Title:The Vicar of Wakefield
Authors:Oliver Goldsmith
Other authors:Arthur Friedman (Editor), Robert L. Mack (Editor)
Info:OUP Oxford (2008), Paperback, 256 pages
Collections:Your library, Classic Fiction (pre 1945), To read

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The Vicar of Wakefield by Oliver Goldsmith (1766)



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English (30)  French (1)  All languages (31)
Showing 1-5 of 30 (next | show all)
A proper English novel that was very preachy and it felt like the values of the author were being shoved down my throat. Got through it, but I wouldn't recommend it. ( )
  KamGeb | Apr 4, 2015 |
Curiosity satisfied, but not really worth it. Written in the 1760s, here is the tale of a countryside vicar who falls upon hard times in the footsteps of Job and ... no, that's pretty much it. You've heard the Job story, so you know this one. It's also a satire of its times, so living in the 18th century is strongly recommended for a full appreciation.

The Vicar of Wakefield gets a mention in a ton of 19th century classics so I presumed it was something worth reading. It is, for the sake of sampling some English literature history - if you can tolerate a well-disguised climax that occurs halfway through, a whole lot of sermons, and such an avalanche of coincidences that even Dickens would say yeah, that's too much. There were a couple of funny bits, but today's newspaper probably rates the same amount. I still love the classics but I didn't love this. ( )
  Cecrow | Feb 9, 2015 |
Quite amusing satire of mid-eighteenth century English society. However, I didn't think it was as good as Goldsmith's famous play, "She Stoops to Conquer". ( )
  leslie.98 | Jan 9, 2015 |
This book... well, it was ok. I know the main character is a priest, but he got a little too preach-y for my taste. I understand that he was trying to give his family something to look forward to, but it became so repetitive. Additionally, the ending was just too perfect, and I don't mean in the "I absolutely loved it" sort of way. Everything was wrapped up too nicely. It brought "happily ever after" and "what goes around comes around" to a whole new level; I think Disney would have even said it was too much. What is the likelihood that the vicar ends up in debtor's prison with one of the men who helped his landlord kidnap his oldest daughter? Then also, what is the likelihood that he actually would have schemed ahead (after kidnapping her) so he would have leverage over the landlord? Additionally, how could he know for certain who it was that kidnapped the younger daughter? I could go on and on! As I said before, it's too perfect of an ending. I'm not a fan.

I WILL say this, however: I would definitely recommend this as a reference or, at the very least, a talking point for a philosophy vs. religion or similar essay. There are several chapters within that would easily strengthen one's argument, clarify a point or, at the very least, allow the writer to play devil's advocate, depending on your position. ( )
  cebellol | Nov 24, 2014 |
The Vicar of Wakefield by Oliver Goldsmith is hard to describe. Partly moralistic, partly comic, partly political, and partly I don't know what, this short novel is a strange little animal that is by all accounts no stranger than its author. The story is narrated by a vicar who falls upon hard times and must remove with his family to a much less profitable post. From there, the family's distresses are increased by their intimacy with a local nobleman who eventually seduces the eldest daughter. In the end everything turns around happily after a series of improbable coincidences and exaggerated setbacks. Apparently many of the characters' experiences were drawn from Goldsmith's own life as an indigent wanderer, which was interesting.

The moralistic bits of the novel come in the form of the vicar's musings, while the comic parts come from his attempts (largely ignored) to impart gravity and piety to his family. He's not a dry moralist, however, and often joins in or allows frivolous amusements because he doesn't wish to deny his children pleasure. His wife is also a source of humor, as some of his descriptions of her are somewhat uncomplimentary (and true). He himself is also quite funny in his naivete and fierce devotion to the doctrine of monogamy (yes, random).

I knew nothing about this novel before I picked it up, and am still a bit puzzled by it. Apparently I'm not the only one; the afterword talks about the novel's deficiencies (ridiculous coincidences, stilted dialogue, and one-dimensional characters) as well as its enduring and rather unexplainable popularity. The prose has a graceful, quotable cadence to it, which makes the awkward dialogue even odder. The novel might have been better as a play. Definitely didn't love this one and probably won't reread. ( )
  wisewoman | Aug 25, 2014 |
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Author nameRoleType of authorWork?Status
Goldsmith, Oliverprimary authorall editionsconfirmed
Emslie, MacDonaldmain authorsome editionsconfirmed
Anhava, TuomasTranslatorsecondary authorsome editionsconfirmed
Rowlandson, ThomasIllustratorsecondary authorsome editionsconfirmed
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Sperate miseri, cavete faelices

[Hope, ye wretched, beware, ye prosperous]
First words
I was ever of opinion that the honest man, who married and brought up a large family, did more service than he who continued single, and only talked of population.
The jewels of truth have been so imported by others, that nothing was left for me to import but some splendid things that, at a distance, looked every bit as well.
That virtue which requires to be ever guarded is scarce worth the sentinel.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Product Description (ISBN 0140431594, Paperback)

"The greatest object in the universe, says a certain philosopher, is a good man struggling with adversity."

When Dr Primrose loses his fortune in a disastrous investment, his idyllic life in the country is shattered and he is forced to move with his wife and six children to an impoverished living on the estate of Squire Thornhill. Taking to the road in pursuit of his daughter, who has been seduced by the rakish Squire, the beleaguered Primrose becomes embroiled in a series of misadventures – encountering his long-lost son in a travelling theatre company and even spending time in a debtor’s prison. Yet Primrose, though hampered by his unworldliness and pride, is sustained by his unwavering religious faith. In The Vicar of Wakefield, Goldsmith gently mocks many of the literary conventions of his day – from pastoral and romance to the picaresque – infusing his story of a hapless clergyman with warm humour and amiable social satire.

In his introduction, Stephen Coote discusses Goldsmith’s eventful life, the literary devices used in the novel, and its central themes of Christianity, justice and the family. This edition also includes a bibliography and notes.

(retrieved from Amazon Thu, 12 Mar 2015 18:17:21 -0400)

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A vicar's simple faith sustains him through the trials and tribulations that beset his loved ones.

(summary from another edition)

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