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The Million Dollar Mermaid: An Autobiography…

The Million Dollar Mermaid: An Autobiography

by Esther Williams

Other authors: Digby Diehl

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184464,254 (3.91)5



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Showing 4 of 4
A well-written autobiography of Esther Williams. Titillating tidbits of old Hollywood. ( )
  BookConcierge | Feb 29, 2016 |
  leslie440 | Jan 5, 2012 |
Candid look back "All American Girl"
  AnneliM | Jun 27, 2008 |
There are not enough books about swimming! This one is good. Esther's story is told with a sense of humor. If you didn't respect the things she did in her movies before, you will after reading about some of the things she had to go through to make them.

I loved reading about her childhood and her swimming career as well. ( )
  OpheliaAwakens | Jun 25, 2008 |
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Esther Williamsprimary authorall editionscalculated
Diehl, Digbysecondary authorall editionsconfirmed
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Amazon.com Amazon.com Review (ISBN 0156011352, Paperback)

Her big movies are hard to find these days, and her name doesn't evoke the fan recognition awarded fellow MGM grads Lana Turner and Ava Gardner, yet for more than a decade during Hollywood's age d'or Esther Williams was one of the studio's most bankable leading ladies. An American beauty and swimming champ, she was hired at MGM in 1941 at age 18, and from then on starred in two or three thinly plotted "swimming musicals" a year--movies with titles like Neptune's Daughter, Million Dollar Mermaid, Easy to Love, and Take Me Out to the Ball Game. Her inevitable role was the pinup you could pin up at home, and it seems to have reflected her offstage personality too. Her long (400 pages) memoir is not always a miracle of narrative, but it includes a wealth of juicy gossip: Louis B. Mayer's rolling-on-the-floor tantrums; Gene Kelly's verbal cruelty on the set of Take Me Out to the Ball Game; her three failed marriages, including a long, draining one to Fernando Lamas; Lana Turner's name for Mayer ("Daddy"); Johnny Weismuller's backstage pursuit of her (naked); her own heat for Victor Mature ("unleashed"); and the LSD she tried in 1959 on Cary Grant's recommendation. Like so many other as-told-to books, the memories often feel self-serving, and there are plywood sentences even Lana Turner would choke on delivering. Disappointingly, Williams rarely shares what went on behind her lowered eyes and those buoyant cheekbones. --Lyall Bush

(retrieved from Amazon Thu, 12 Mar 2015 18:07:00 -0400)

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"Now comes Esther Williams's autobiography, all about an eighteen-year-old girl who reluctantly answers the siren call of MGM - at the time, the most powerful and prestigious movie studio in the world - and who soon finds herself launched on a career that will last more than twenty years, during which time she will help to create a genre of film that seems almost unimaginable today, yet which still holds all its original freshness and fascination, and who becomes during those years one of the world's top box office stars."--BOOK JACKET. "Williams calls MGM her "university," and the education she got there was one in how to project glamour and femininity, how to make yourself desirable while always, always playing the lady. No one who went through that university has ever written before with such absolute candor about what it was really like - the affairs, the gossip, the tricks of the trade, the competition, the deals, the fights, and the methods the studios had for keeping their stars in line."--BOOK JACKET.… (more)

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