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Loading... Everyday Stalinism: Ordinary Life in Extraordinary Times: Soviet Russia in…by Sheila Fitzpatrick
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will love Sign up for LibraryThing to find out whether you'll like this book. Dr. Fitzpatrick is a very fine writer on Stalinist Russia, and I recommend all her other work on this topic (see my catalogue). The style is more clinical than outraged, and perhaps all the more illuminating because of it. She cites numerous letters, memoirs and documents, and presents a very intimate picture of what it was like to live in that time and place. no reviews | add a review
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But scholar Sheila Fitzpatrick is famous for letting the common people and the facts speak for themselves, in all their complexity. Her new book on Soviet life in the 1930s--based on research in newly opened archives--does for urbanites what her Heldt Prizewinning Stalin's Peasants did for rural victims. The many witnesses in this fascinating horror story cast doubt on Stalin's notorious 1935 slogan "Life has become better, comrades; life has become more cheerful."
A comment made by a victim of Ivan the Terrible would be more apt: "We Russians don't need to eat; we eat one another and this satisfies us." Famine, caused by bad weather and worse policies, plagued the decade, and life became a chronic struggle to wrest crumbs from an incompetent bureaucracy. Stalin's sly methods of deflecting blame from the state onto allegedly disloyal citizens provoked orgies of denunciation (which could backfire on denouncers). A mad starch factory director forbade comrades to get shaves or haircuts at home--it would have been disloyal to the factory's hairdresser. One kid, Pavlik Morozov, reported his father for grain hoarding in 1937, was murdered by relatives, and became a national hero to kids. Andrei Sakharov's future spouse Elena Bonner was shocked at her 9-year-old brother's response to his father's arrest: "Look what these enemies of the people are like--some of them even pretend to be fathers." The celebrated Moscow Children's Theater put on The Squealer, a drama strikingly like Elia Kazan's On the Waterfront.
Fitzpatrick gives a sense of what it really was like to live under the satanic circus master Stalin: it was beyond Kafka, and it was bloody hard work. --Tim Appelo
(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400)
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The book is focused in particular on the relationship of daily life and the state, with relatively little attention for cultural history. However, making much use of the Harvard Project interviews with Soviet citizens from this period, she offers a compelling and fascinating view into the attitude of Soviet citizens towards the state, towards Stalin, and towards each other. Much more than just a tale of survival under threat of secret police, Fitzpatrick shows how people got by in terms of getting consumer goods, getting ahead, and getting even. Of course the Great Purges are given due attention, but what is particularly interesting is that in this book we see those events, as well as the earlier show trials, from the bottom up: not the political history of Stalin eliminating his enemies, but a struggle for power between the Party elites (largely received with disinterest by the general populace), and subsequently a series of rapid repressive maneouvres that descend onto the unsuspecting middle level.
Fitzpatrick pays excellent attention also to social policy and what effect this had on women, social and ethnic minorities, and so on. The USSR as an "affirmative action empire" has been well chronicled (The Affirmative Action Empire: Nations and Nationalism in the Soviet Union, 1923-1939 (Wilder House Series in Politics, History, and Culture)). Nevertheless, Fitzpatrick's overview is clear and cogent, and we get also get a good idea of the immense advances in literacy, cultural knowledge and general outlook that were made in roughly the period 1927-1937. Whereas in 1926 only 57% of those aged between 9 and 49 were literate, in 1939 81% of the whole population was literate. Similarly, the entire mass of the population learned basic culture such as appreciating poetry, washing regularly, using soap and towels, not leaving cigarette butts everywhere and not spitting on the floor, etc.
Striking is the amount of critical letters and appeals that people kept sending to Party and Politburo leaders in the (often, but not always vain) hope of redress of grievances or changes in policy. This was already a set tradition dating back to Czarist times, but was maintained during the Revolution and post-Revolutionary period in the form of public debate in leftist papers and letters to Lenin (see Voices of Revolution, 1917). This gives us a good indication however of the public opinion in the Stalinist days, to which Fitzpatrick usefully adds the NKVD reports of overheard conversations and the like. This surprisingly indicates that skepticism towards Stalin himself as well as the general system was reasonably widespread, despite the "cult of the personality".
Overall, this is a well written and interesting history of urban life in the Soviet Union during the 1930s. It must be emphasized though (as this is not directly apparent from the book description) that it only deals with urban life, and only the 1930s. Neither WWII nor the post-War Stalinist period is discussed.