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Fasting, Feasting by Anita Desai
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Fasting, Feasting (1999)

by Anita Desai

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This book is more like two novellas than one novel. Connected by being about the same family the first is about the eldest daughter in India and the second about the son who is studying in America. I found the first part the stronger of the two. Uma's life changes after the birth of her brother, taken out of school to help run the family home; unmarried she turns into more of a servant within the family. This part of the story covers a longer time scale so we get more of a picture of the life of the family. Arun's story takes place over one summer vacation that he spends with an American family.

As a picture of life this works but there is also something incomplete about the telling. There are no real conclusions to either part of the story. I wouldn't say that I won't read any more of Anita Desai's work but I'm not going to go out of my way to find another of her novels. ( )
1 vote calm | Apr 14, 2012 |
The basic story follows a middle class family in India, and is in two parts. The first is from the perspective of the eldest daughter, who being neither very pretty nor very bright, is pulled out of school at a young age to help with the housework, and the second part from that of the youngest sibling, the son, the apple of his father's eye and bearer of the family's expectations, who is sent to America to study. Its well written but I think my initial reaction was skewed by the unresolved nature of both parts of the tale. Which perhaps is part of the point. While I was reading it I was quiet absorbed though, and portions of the story have really stayed with me. ( )
  iftyzaidi | Jul 1, 2011 |
For the first half of this book, I was really enjoying the storyline. It had both humour and seriousness captured within it, and the characters were interesting. Their personalities and individual tales were portrayed brilliantly.

However, halfway through the book we sudddenly finish the sister's half of the tale without any actual ending and skip straight to the brother in America. The brother's tale is perhaps drawn as a contrast for the first half of the book, but if so, it is not very well illustrated for this purpose. The brother's tale comes to an abrupt ending too.

So, what started as a well written account of a family and their lives, with enjoyable and clever writing, finished as a disappointingly empty novel. I would definately read other books by this author, because the writing is excellent, it is just the plot and story telling that left much to be desired!

[Review originally written for www.michelleamanda.co.uk] ( )
  MichelleAmanda | Apr 4, 2011 |
A novel I found both fascinating and disturbing. The action is set in both India and the USA. ( )
  Tifi | Jun 22, 2010 |
Not really a novel, but a series of related episodes. Interesting, but unsatisfying. ( )
  MarthaJeanne | Dec 13, 2009 |
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Amazon.com Amazon.com Review (ISBN 0618065822, Paperback)

Anita Desai has long proved herself one of the most accomplished and admired chroniclers of middle-class India. Her 1999 novel, Fasting, Feasting, is the tale of plain and lumpish Uma and the cherished, late-born Arun, daughter and son of strict and conventional parents. So united are her parents in Uma's mind that she conflates their names. "MamaPapa themselves rarely spoke of a time when they were not one. The few anecdotes they related separately acquired great significance because of their rarity, their singularity." Throughout, Desai perfectly matches form and content: details are few, the focus narrow, emotions and needs given no place. Uma, as daughter and female, expects nothing; Arun, as son and male, is lost under the weight of expectation. Now in her 40s, Uma is at home. Attempts at arranged marriages having ended in humiliation and disaster, and she is at MamaPapa's beck and call, with only her collection of bracelets and old Christmas cards for consolation.
Uma flounces off, her grey hair frazzled, her myopic eyes glaring behind her spectacles, muttering under her breath. The parents, momentarily agitated upon their swing by the sudden invasion of ideas--sweets, parcel, letter, sweets--settle back to their slow, rhythmic swinging. They look out upon the shimmering heat of the afternoon as if the tray with tea, with sweets, with fritters, will materialise and come swimming out of it--to their rescue. With increasing impatience, they swing and swing.
Arun, in college in Massachusetts, is none too happily spending the summer with the Pattons in the suburbs: their refrigerator and freezer is packed with meat that no one eats, and Mrs. Patton is desperate to be a vegetarian, like Arun. But what he most wants is to be ignored, invisible. "Her words make Arun wince. Will she never learn to leave well alone? She does not seem to have his mother's well-developed instincts for survival through evasion. After a bit of pushing about slices of tomatoes and leaves of lettuce--in his time in America he has developed a hearty abhorrence for the raw foods everyone here thinks the natural diet of a vegetarian--he dares to glance at Mr. Patton."

Desai's counterpointing of India and America is a little forced, but her focus on the daily round, whether in the Ganges or in New England, finely delineates the unspoken dramas in both cultures. And her characters, capable of their own small rebellions, give Fasting, Feasting its sharp bite. --Ruth Petrie

(retrieved from Amazon Wed, 20 Apr 2011 16:35:11 -0400)

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