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Hos, Hookers, Call-Girls, and Rent Boys: Prostitutes Writing on Life, Love, Work, Sex, and Money by David Henry Sterry
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Hos, Hookers, Call-Girls, and Rent Boys: Prostitutes Writing on Life,…

by David Henry Sterry

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Lots of short pieces, some great and some not, from both happy and devastated sex workers; there’s a lot of correlation between race/class and happiness here, which strikes me as unlikely to be unique to sex work but still to be important in sex work particularly. Here’s a bit I liked a lot, from Sadie Lune:

On the online domination boards, no one can stop talking about power. Where power comes from, which dominatrices wield “natural power,” what a domme’s powerful self has “made” a proud man do, blah blah power-strength blah. But what we talk about, often off the Internet and out of leather, is the power of money. We discuss the fallacy of the “ultimate control” we’re attributed that in reality depends on the humiliation sluts for tuition and childcare payments. More often than not the money tops the scene. Money says it’s strap-on time when we are tired of looking at asses. Money demands slow heavy bondage when all we feel like is smacking a grateful subject around. Money wants to be humiliated in a way that runs contrary to our well-crafted sex-positive communication skills. Money forces us to bring out our diaper-changing mommy personas when we have run dry of emotional presence and support for our friends. … And then, sometimes, we love it. And often we put in the energy and the time and we get well compensated and have a little fun and it’s just about right for a good job. But the biggest trick is really coming to terms with the fact that money is the boss’s boss …. ( )
  rivkat | Dec 10, 2009 |
From the unappealing title, you might think this is a truly trashy paperback. Far from it: it’s an eye-opening, occasionally astonishing, brutally honest and frequently funny collection from those who really have lived on the edge in a parallel universe. Their writing is, in most cases, unpolished, unpretentious and riveting — but don’t worry, their tales are also graphic, politically incorrect and mostly unquotable in this newspaper.
 
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