An important example of the re-creation and reimagining of comics by British authors during the mid eighties, Black Orchid combines Gaiman's mythology with McKean's powerful artistic visions in the series which made their careers.

Like Moore's 'Swamp Thing' or Morrison's 'Animal Man', Gaiman was given the opportunity to place his stamp on a pre-existing hero; and like the others, by betraying cliche and embracing a suitably mystic sense of realism, succeeds admirably. (as an aside, Watchmen was supposed to be such a recreation of old heroes, but was dubbed too far a difference from the original; of course, that decision is questionable as Watchmen is the most well-considered comic there has ever been)

From the very beginning of the three chapter series, Gaiman powerfully informs the reader of his intent to leave behind tradition and embark on a psychological exploration of the limits of the genre. This brave errancy is ably illustrated by the higher art aesthetic of McKean's, whose own sense of both magic and realistic depicion provides Gaiman's words an excellent partner.

In this highly experimental attempt, Gaiman does not fall to the usual high-falutin storylines, which is instead replaced with the vague and spiritual. Likewise, his often choiceless stories become less recognizeable in the emotional and intellectual extremes of Black Orchid.

The story does often move at a vague and paceless rate, and denies the simple morality or causal chain which we are so used to even out of comics. He also moves along a dangerous path: that of the romanticization of ecology and tribal life; however, he does not quite fall to it.

His story is emotional and personal in a way that super hero comics rarely attain, and part of this is because of the absolute denial of standard methods which McKean makes available to him by an alternate artistic representation. If it doesn't look like comics, is it still comics? Gaiman would say yes--so would McCloud--and so do I; but we are all a bit odd for it.

Gaiman also does proud the old comic fan with a score of intertwined heroes and villains of the past, though a reader without the foreknowledge may have to take his word a bit too often. The superior plan is to begin with Alan Moore's aforementioned Swamp Thing before tackling Black Orchid.

Though Sandman will undeniably reign as Gaiman's signature series, it is sometimes preferable to boldly make your 'X' and move along, rather than dither over the serif. In Black Orchid, Gaiman makes his mark. ( )

Beautiful, dark and whimsical.

Black Orchid awakens in a greenhouse with the memories of a murdered women, before she can learn of her origin, her creator also dies leaving her to seek self-knowledge.

Black Orchid is a plant woman created by Doctor Phil Sylvian who fights crime in Gotham City. On the night she is killed one of the other plant women Sylvian is growing reaches maturity and wakes up not understanding who she is and what she is. She has the tangled memories of Susan Linden who Phil grew up with and was in love with. It is her DNA and RNA that makes up the plant women, but as she is no longer around Black Orchid is still no closer to knowing about herself and her origins.

As more and more people she is close to are killed, she goes on a journey which takes her to Arkham Asylum and Louisiana meeting comic book heros and villians in her quest. All the time is is running from Susan's ex-husband who has just been released from jail who is trying to kill her for Susan leaving him, as well as Lex Luthor who wants to own her and dissect her.

It is beautifully drawn and is possibly the best looking comic book I have ever read. This series of three comics dispels the comic book sterotypes and turns superhero battles upside down. It is so much more than others in it's genre, much more than a superhero comic and is more about a voyage of self discovery. Highly recommended to all comic, superhero and fantasy fans. ( )

A new take on the super hero genre. Not sure how I'd missed it till now, but glad that I've read it. Loved puzzling out the refs to other comics characters, Gaiman's always good for that, and the art, as expected, was gorgeous. Loved the use of colour and shadows. ( )

One of the earlier works of Neil Gaiman and Dave McKean. Gaiman tells a different super-hero story about plant-women and the criminals chasing them. Gaiman's story is more humane, and while it touches on several of DC's other superhumans, the emphasis is on the plant-women finding their place in the world.

That said, Gaiman's story is not the thing that elevates this book above the rest of contemporary graphic novels. McKean shows here, once again, that he is one of the most innovative artists in comics. (As well as in many other mediums). His portrayal of almost photo-realistic people in very stylized and artistic compositions and backgrounds in once again striking.

The story and dialog is good, the art is superb. ( )