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The Golden Apples of the Sun by Ray Bradbury
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The Golden Apples of the Sun

by Ray Bradbury

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Showing 1-5 of 8 (next | show all)
Another collection by Bradbury, whose Imagination is matched just by his ability to seize 'the drunkeness of things being various'. A gloriously American writer,. ( )
  marek2009 | Nov 8, 2009 |
Worth it just to have "A Sound of Thunder." All the stories are beautiful and well-written. You can expect no less from any Bradbury story or novel. ( )
  Waianuhea | Aug 20, 2008 |
There are many reasons to read Bradbury, even at this relatively late date. For one, you can't deny his originality; he was amost always there very early, if not exactly first, whether thematically (e.g., the plight of the immigrant, "I See You Never") or conceptually (e.g., the perils of irresponsible time travel, "A Sound of Thunder.") Then, there is his range: from folk tale ("Invisible Boy") to satire ("Sun and Shadow") to comic suspense ("The Fruit at the Bottom of the Bowl"). Primarily, though, there is Bradbury's inimitable use of language: a curious amalgam of plain-spokenness with imprecision that results, if you're reading quickly, which he usually cons you into doing, with a vaguely unsettling sense that you're in an odd world where the dots don't connect. Consider an early sentence in the first story of this collection ("The Fog Horn"), where the narrator is describing the lighthouse where he works -- "And if they did not see our light, then there was always our Voice, the great deep cry of our Fog Horn shuddering through the rigs of mist to startle gulls away like packs of scattered cards and make the waves turn high and foam." While we are likely to pause and appreciate the comparison of frightened sea birds to scattered playing cards, we're subtly discouraged to linger and ask how exactly the sound of a foghorn can make waves rise or foam. Bradbury doesn't want us to ask that question; he is setting us up. He can usually get us every time. ( )
  jburlinson | Jun 22, 2008 |
So many of these "stories" are vignettes or slices of life. While Bradbury's writing quality makes them readable, if you have less than 10 years to live and can only read 50 books a year, skip this one. otherwise, well, it IS Bradbury and there are two above average "stories" in this collection: "The Fog Horn," where a well-written sea monster mates with a lighthouse, and "Sounds of Thunder" involving the "manly" art of hunting (T-rex, in this case). The fact that I cannot remember what the other stories are "about", you will, or their titles, speaks for itself. ( )
  andyray | Feb 1, 2008 |
I enjoyed most of the stories in this book, particularly;

"The Murderer," which I found to be so appropriate to life today! This is one of few stories that hasn't got an initial publication date noted, but I guess it would be early 1950. Even though the technology that drives the main character to "murder" is not exactly as Bradbury imagined it would be, it is close enough to make me go "Wow!"

"Sun and Shadow," which made me feel guilty about the times I've found life that is on the verge of abject poverty "picturesque."

And I also enjoyed;

"The Golden Kite, The Silver Wind," which illustrates zero-sum-game quite nicely all the while pretending to be a fairytale.

"The Fruit at the Bottom of the Bowl," which made me shiver with delighted horror.

"The Great Wide World Over There," which make me quite sad, though filled me with a longing to write letters to strangers who live in remote places.

And one that I couldn't decide if I loved for itself, or just because it features a lighthouse. I moved to Pittsburgh from a seaside town just south of Boston last year and, besides my two adult children, I miss the lighthouses the most. The story is the first in the book, "The Fog Horn." ( )
  Zmrzlina | Nov 10, 2007 |
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References to this work on external resources.

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Butterfly effect in popular culture

Classic Stories 1

The Golden Apples of the Sun

Book description
This short story collection contains: "The Fog Horn", "The Pedestrian", "The April Witch", "The Wilderness", "The Fruit at the Bottom of the Bowl", "Invisible Boy", "The Flying Machine", "The Murderer", "The Golden Kite, the Silver Wind", "I See You Never", "Embroidery", "The Big Black and White Game", "A Sound of Thunder", "The Great Wide World Over There", "Powerhouse", "En la Noche", "Sun and Shadow", "The Meadow", "The Garbage Collector", "The Great Fire", "Hail and Farewell", and "The Golden Apples of the Sun".

Amazon.com Product Description (ISBN 0380730391, Paperback)

Ray Bradbury is a modern cultural treasure. His disarming simplicity of style underlies a towering body of work unmatched in metaphorical power by any other American storyteller. And here, presented in a new trade edition, are thirty-two of his most famous tales--prime examples of the poignant and mysterious poetry which Bradbury uniquely uncovers in the depths of the human soul, the otherwordly portraits of outrÉ fascination which spring from the canvas of one of the century's great men of imagination. From a lonely coastal lighthouse to a sixty-million-year-old safary, from the pouring rain of Venus to the ominous silence of a murder scene, Ray Bradbury is our sure-handed guide not only to surprising and outrageous manifestations of the future, but also to the wonders of the present that we could never have imagined on our own.Ray Bradbury is a modern cultural treasure. His disarming simplicity of style underlies a towering body of work unmatched in metaphorical power by any other American storyteller. And here, presented in a new trade edition, are thirty-two of his most famous tales--prime examples of the poignant and mysterious poetry which Bradbury uniquely uncovers in the depths of the human soul, the otherwordly portraits of outre fascination which spring from the canvas of one of the centurys great men of imagination. From a lonely coastal lighthouse to a sixty-million-year-old safari, from the pouring rain of Venus to the ominous silence of a murder scene, Ray Bradbury is our sure-handed guide not only to surprising and outrageous manifestations of the future, but also to the wonders of the present that we could never have imagined on our own.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:13 -0400)

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