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V for Vendetta by Alan Moore
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V for Vendetta (1988)

by Alan Moore (Writer), David Lloyd (Illustrator)

Other authors: See the other authors section.

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  1. 110
    1984 by George Orwell (aethercowboy)
    aethercowboy: The world of V for Vendetta is very reminiscent of the world of 1984.
  2. 90
    Watchmen by Alan Moore (FFortuna, monktv)
    monktv: These books have the epic storytelling and interesting meaning in common.
  3. 90
    The Handmaid’s Tale by Margaret Atwood (readerbabe1984)
  4. 20
    The Invisibles: Say You Want a Revolution by Grant Morrison (mike_frank)
  5. 11
    Les mythes de Cthulhu by Alberto Breccia (iijjaallkkaa)
  6. 12
    Thirteen by Richard K. Morgan (grizzly.anderson)
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English (101)  Danish (3)  French (2)  Swedish (2)  Indonesian (1)  Portuguese (Brazil) (1)  Spanish (1)  Catalan (1)  All languages (112)
Showing 1-5 of 101 (next | show all)
This is one of my favorite books of all time. I've re-read this at least once a year since its publication, not only because I enjoy the poetry of the language and the art of the drawings, but because I need a reminder now and again that one should never accept the unacceptable. I think this is Alan Moore's crown achievement (although many would argue for Watchmen) because it's not a tale told for entertainment, but grew out of Moore's own personal frustration and anger at a place and time in history - and the story manages to reflect that call to arms, albeit with Moore's usual dry tone and cynical airs. I love it, and will re-read it many, many times, if for no other reason than to remember that sometimes it's indeed better to choose to "die behind the chemical sheds." ( )
1 vote -Eva- | Jun 9, 2013 |
Finally. Finally sat down and read V for Vendetta. Such a fantastic book. A dystopian future, a fascist government keeping tabs on everything it's people do, and a mysterious figure in a Guy Fawkes mask making plans and shaking things up. Just the kind of grim reality I expect from Alan Moore, and does he ever deliver in this one. David Lloyd's art is outstanding as well, makes the world of V that much more dark and visceral.

V is an idea, not a man. And the idea is powerful beyond measure. He's come to put on a show. Are you sitting comfortably? ( )
  regularguy5mb | May 22, 2013 |
I saw the movie a while ago and remembered only one thing from it, really: the scene with Evey with her hair all cut off, reading the note from Valerie. As far as I remember, that whole bit was more or less the same between both the graphic novel and the movie. It's a very very powerful bit, for me, and I imagine it's the bit that's going to stick with me from the book, too.

I hit a certain point with this book, around the end of 'volume one', where I didn't want to stop -- where I had to keep reading all the way. At first I was a little more unsure about it, and I had difficulty telling all the characters apart -- something about the art made it hard for me, I think.

The dystopia is interesting: pretty Orwellian and influenced by Nazism, I think, though I imagine a lifetime of influences went into it, including obviously ideas about anarchy. Despite the fact that the novel's predictions so far haven't come true, dystopian novels don't need to come true to be warnings. I mean, if you don't think 1984 holds a warning for us, Brits, look up how many times a day you appear on CCTV. ( )
  shanaqui | Apr 9, 2013 |
My first thought at holding the copy of the book was disappointment. I had watched the movie and read a glossy 'Watchmen'. The non-glossy pages of paperback US edition,its smudged (colours in the) artwork and the font were the main irritants.

I could not really make much progress owing to this artwork. Soon, when the dystopian theme with an subversive, crazy V surfaces, my irritation with the art work is overcome.

V's methods are clever but seemingly absurd. He has a back story (unlike Rorschach in Watchmen) that explains his motives (though he aims bigger than that). Larkin camp reminded me of Treadstone in Bourne trilogy. In fact, the fascist government of UK reminded of 1984's Big Brother with those screens and that 'voice of the fate'.

What I liked was 'V' is an idea, not a man - something that can be handed down and inspired like 'Night Owl' et al superheroes of Watchmen. A second skimming of book reveals that story can be interpreted in several ways.

Sometimes, it was hard to recognize secondary characters. but, there were few other intriguing features. Every time 'V' scored a goal or made a turning point, a black Guy Fawkes small, circular icon figured at the bottom of page. All chapter names begin with 'V' in a book divided into three clear parts - Background and Introduction of Main Characters, the Moves and Aftermath.

The best feature of the book was to read an old article by Alan Moore how he and David Lloyd arrived at the name of the title, Guy Fawkes looks and the theme.

I recommend reading this after 'Watchmen' it offers a good contrast. Also, I remain firm in my view after reading the book that 'V for Vendetta' movie was as fantastic as it could get, though it doesn't feature any of side stories of secondary characters. ( )
  poonamsharma | Apr 6, 2013 |
This one is fucking awesome!!! And I know who is behind the mask… Is Seth!!! ( )
  Alfonso809 | Apr 3, 2013 |
Showing 1-5 of 101 (next | show all)
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» Add other authors (12 possible)

Author nameRoleType of authorWork?Status
Moore, AlanWriterprimary authorall editionsconfirmed
Lloyd, DavidIllustratormain authorall editionsconfirmed
Berger, KarenEditorsecondary authorsome editionsconfirmed
Craddock, SteveLetterersecondary authorsome editionsconfirmed
Crain, DaleDesignersecondary authorsome editionsconfirmed
Dobbs, SiobhanColouristsecondary authorsome editionsconfirmed
Whitaker, SteveColouristsecondary authorsome editionsconfirmed
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Good evening, London. It's nine o' clock and this is the Voice of Fate broadcasting on 275 and 285 in the medium wave... It is the Fifth of the Eleventh, Nineteen-Ninety-Seven...
Quotations
Good night England. Goodnight Home Service and V for Victory. Hello the Voice of Fate and V FOR VENDETTA. --introduction
And it's no good blaming the drop in work standards upon bad management, either...though, to be sure, the management is very bad. We've had a string of embezzlers, frauds, liars and lunatics making a string of catastrophic decisions. This is plain fact. But who elected them? It was you! You who appointed these people! You who gave them the power to make your decisions for you! While I'll admit that anyone can make a mistake once, to go on making the same lethal errors century after century seems to me nothing short of deliberate. You have encouraged these malicious incompetents, who have made your working life a shambles. You have accepted without question their senseless orders. You have allowed them to fill your workspace with dangerous and unproven machines. You could have stopped them. All you had to say was 'no.' You have no spine. You have no pride. You are no longer an asset to the company
It does not do to rely too much on silent majorities, Evey, for silence is a fragile thing... One loud noise, and it's gone.
Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. We've seen where their way leads, through camps and wars, towards the slaughterhouse.
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Disambiguation notice
Please do NOT combine the novelization of the movie V for Vendetta with the graphic novel V for Vendetta, written by Alan Moore, illustrated by David Lloyd.
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Amazon.com Amazon.com Review (ISBN 0930289528, Paperback)

V for Vendetta is, like its author's later Watchmen, a landmark in comic-book writing. Alan Moore has led the field in intelligent, politically astute (if slightly paranoid), complex adult comic-book writing since the early 1980s. He began V back in 1981 and it constituted one of his first attempts (along with the criminally neglected but equally superb Miracleman) at writing an ongoing series. It is 1998 (which was the future back then!) and a Fascist government has taken over the U.K. The only blot on its particular landscape is a lone terrorist who is systematically killing all the government personnel associated with a now destroyed secret concentration camp. Codename V is out for vengeance ... and an awful lot more. V feels slightly dated like all past premonitions do. The original series was black and white and that added to the grittiness of the feel while the coloring here in the graphic novel sometimes blurs David Lloyd's fine drawing. But these are small concerns. Skillfully plotted, V is an essential read for all those who love comics and the freedom, as a medium, they allow a writer as skilled as Moore. --Mark Thwaite

(retrieved from Amazon Tue, 01 Mar 2011 04:47:07 -0500)

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Graphic novel. Set in an alternate future where Germany has won WWII and Britain becomes a fascist state.

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