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Loading... Tess of the D'Urbervillesby Thomas Hardy
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will love Sign up for LibraryThing to find out whether you'll like this book. One of the greatest English tragic novels, TESS OF THE D’URBERVILLES (1891) is the story of a “pure woman” who is victimized both by conventional morality and its antithesis. Born near Dorchester, Thomas Hardy (1840-1928) set most of his stories in the region between Berkshire and Dorset in the fictional county of Wessex. He was a controversial writer whose work often showed the result of flouting the rigid Victorian moral code — his novel JUDE THE OBSCURE was (allegedly) burned by the Bishop of Wakefield for its shocking content. Hardy was an unflinching observer and in TESS has left us some unforgettable vignettes of rural life in late 19th-century England: the slow death of a flock of wounded pheasants, the monotony of field labour under an iron gray sky, and the itinerant farm worker’s seasonal round. (Summary by Adrian Praetzellis) http://nwhyte.livejournal.com/1211897... I don't believe I'd read a word of Hardy before I started this book. It's not as bad as I feared, though it moves awfully slowly, is annoyingly condescending to people with funny accents, and fails to really challenge gender narratives for today's reader. Hardy no doubt meant well and perhaps even intended to be a bit feminist in his presentation of Tess's story, but it doesn't really work; one wishes that he had let her be more of an actor (before the crime at the end of the book) and that he had shown the men who treat her so badly in a more unforgiving light. I'm not wild about Hardy after reading this, but I won't spurn him either if his books come up in my reading. Tess is one of the more depressive novels I've read lately. My wife will attest to the fact that I have a strange affinity to depressing stories. With that in mind, let me say that I really enjoyed this book. The writing was at times a bit too much for me for the reason that I get annoyed at many 18th and 19th century novels...namely, that Hardy focuses far too much on minute descriptions and in-depth analysis of setting and location. Don't get me wrong, I love a vivid and lush environment and I much prefer a fleshed out character to a flat one. I just sometimes feel that all of the flowery descriptions slow down the story telling element too much. There were a few paragraphs/pages that I tried to skim through in order to get to the next relevant points of plot. Still, I don't know that I'd want to edit out the descriptive text since it does comment on the narrative itself in a metafictional sort of way. The main characters in this book are wonderfully composed. They are absolutely and completely frustrating but they are superbly crafted nonetheless. I wanted to smack each of the main characters on many occasions. Tess is far too willing to simply be acted upon and then to bemoan her fate. Alec is an absolute pig (although towards the end of our experience with him, it's debatable just how awful he truly is). And Angel is far too inconsistent to be liked at all...at first he seems almost lovable...then he deserves to be hated...then he seems slightly adequate...then he becomes repulsive again...he's just far too wishy-washy in his behavior and ideals to ever be fully redeemable. The story itself falls into the realm of realism taken to its extreme. The plot elements felt almost like the Bible story of Job...whatever could go wrong willgo wrong. And even though Tess was generally found to be almost whining about her circumstances rather than trying to make things better for herself, the story was still rather thought provoking since it makes you wonder just how you would handle horrific circumstances and what can truly be done about them. Is it better to try and solve the problem or better to just let fate and happenstance take its toll. Personally, I try to make the best out of any bad situation...perhaps that's why I like "depressing" stories...they make me realize my life could be worse and they help inspire me to always think of the best possible outcome. I'm sure this book won't be for everyone. Those who want a happy fairy-tale romp through a girl's life would do better to stay away. Those who are easily frustrated by fallen characters, will find themselves hating all of the primary roles in this book. The book isn't terribly lengthy (~300-400?) but some of the longer descriptive passages do crawl by at times. Still, I whole-heartedly recommend this book to those who are willing to look imperfection and awful situations square in the face and come away smiling. It's not a happy book. It's not a terribly fast past book (which can also be frustrating...I wanted to shout Just do it to Tess many times). But it is a wonderfully rich book and definitely worth getting into. ***** 4.5 stars (out of 5) 0.262 seconds to build listing no reviews | add a review
Amazon.com Product Description (ISBN 0486415899, Paperback)A ne'er-do-well exploits his gentle daughter's beauty for social advancement in this masterpiece of tragic fiction. Hardy's 1891 novel defied convention to focus on the rural lower class for a frank treatment of sexuality and religion. Then and now, his sympathetic portrait of a victim of Victorian hypocrisy offers compelling reading. (retrieved from Amazon Fri, 24 Apr 2009 07:58:16 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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I found this novel very interesting, separated into seven different books. I seem to always love these life stories that take the reader from the beginning to the end of the life of the protagonist. There were many times I became confused as to the storyline and had to reread portions because I would become distracted, but overall the story is one more intriguing.