Click on a thumbnail to go to Google Books.
Loading... The Bridge (original 1986; edition 1990)by Iain Banks
Work InformationThe Bridge by Iain Banks (1986)
Loading...
Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Must have first read this 20 years ago; liked it less this time but still a good novel despite the "it's all a dream" conceit (not a spoiler as the edition I read this time spells it out in the blurb). The fantasy strand set in the surreal world of the neverending bridge are brilliantly done; the "real life" parts alternate between rushes of time-compressing exposition and somewhat ploddingly recounted pivotal life moments. The author stand-in character, as almost always, is somewhat annoying with his penchant for listing every performance car he buys and sells and all the records he drinks scotch and smokes weed to. But spotting the points of connection between the two worlds, and untangling the strange arc of the Barbarian and his Familiar, are a lot of fun. ( ) I have no idea how to rate this book. I read almost 3/4 and then read a plot summary online. While I wanted to know what happened, I really didn't want to be reading the book any more. It's not exactly bad, it's just not exactly my cuppa. I loved the bridge environment and the amnesiac but everything else was losing me as a reader. Also, the personalities all seemed to dislike women so it was getting irritating to read. I think I'll stick with his Culture books. Two novels for the price of one in this early book by Iain Banks published in 1986. It preceded the first of his science fiction novels which was published the following year. After the Bridge, Banks' literary career diverged into writing science fiction novels and mainstream fiction novels, but today The Bridge reads like a combination of the two. If you enjoy reading about the Scottish socialist, rock music loving heroes struggling to come to terms with the vicissitudes of life in some of Banks' mainstream fiction and also enjoy his flights of fantasy in his alter ego as Iain M Banks the science fiction writer then this might be just the novel for you. The novel starts with a short chapter entitled Coma where we are told of a near fatal car crash from a first person point of view. The next chapter plunges the reader into the mysterious world of the bridge where the unnamed hero who is suffering from amnesia is in consultation with a psychoanalyst (Dr Joyce) who is intent on exploring his dreams. The first time reader may be intrigued by the significance of this as the world that our hero (referred to as John Orr) inhabits is a sort of bridge to nowhere. John Orr becomes increasingly suspicious of the treatment he is receiving and seems to want to explore further the curious world that he inhabits. It is a world that has a resemblance to the Forth bridge in Scotland but takes the form of a city on a bridge. It is a Kafka-esque world where actions are taken for seemingly bureaucratic reasons which are accepted without question by the inhabitants. Orr challenges the treatment he is receiving and finds his privileges in the city summarily removed and decides to escape. Much later in the novel we are told the story of Alex growing up in Scotland, falling in love with Andrea and becoming a successful businessman. This is typical of Bank's mainstream writing at this period of his career. Andrea and Alex grow together, but with Andrea wanting to keep her independence, there is more in her life than Alex and she moves to Paris for a four year period in pursuit of her own career and ambitions. Bank's skilfully builds in links between Alex and John Orrs story and indulges in a third story of a Barbarian who seems to be a participant in a video game. This story is told with a thick Glaswegian accent which takes a little deciphering. The three strands of the story progress towards a final denouement leaving the reader to wonder how they are connected in good mystery writing fashion. The world building of the city on the bridge which is the dominant story in the first two thirds of the novel is handled with panache and Banks creates the atmosphere and feel of a credible alternative world, which has sufficient reference points to make it seem credible. A world of engineers and metalwork and of course trains that should appeal to railway enthusiasts. This contrasts nicely with Alex and Andreas story which has all the realism of growing up in the authors known environment of 1980's Scotland. I found the video game story with its exploration of classical myths the least convincing element to the book, and certainly the most difficult to read, but it works on a certain level even if the novel would not have been any the lesser without it. In my opinion John Orrs escape from the Bridge was the least convincing element to the book. An element of Bank's mainstream novel writing that appeals to me is his use of contemporary cultural references; particularly to music. His characters emphasise their moods and feelings by their choice of music and if the reader has a similar amount of knowledge of popular music; of artists and their songs as does Banks then you can be even more tune with his writing. I am not aware of a writer that uses these seemingly casual references as well as Banks did, it works for me as I can hear the music in the background as I am reading the words on the page. I have not read all of Banks; novels, but I have read many of his science fiction books and some of his mainstream fiction. I particularly enjoy his left wing, music loving heroes, out of step with Thatcher's 1980's Britain and I enjoy the hedonistic atmosphere of his science fiction culture novels. This is not quite a combination of the two, but it does have elements of both. It bursts with ideas and references that may be a bit over ambitious at times, but on the whole it works and is an absorbing read. I rate it as 4 stars. no reviews | add a review
Is contained inInspiredAwardsNotable Lists
The man who wakes up in the extraordinary world of a bridge has amnesia, and his doctor doesn't seem to want to cure him. Does it matter? Exploring the bridge occupies most of his days. But at night there are his dreams. Dreams in which desperate men drive sealed carriages across barren mountains to a bizarre rendezvous; an illiterate barbarian storms an enchanted tower under a stream of verbal abuse; and broken men walk forever over bridges without end, taunted by visions of a doomed sexuality. Lying in bed unconscious after an accident wouldn't be much fun, you'd think. Oh yes? It depends who and what you've left behind. Which is the stranger reality, day or night? Frequently hilarious and consistently disturbing, THE BRIDGE is a novel of outrageous contrasts, constructed chaos and elegant absurdities. No library descriptions found. |
Current DiscussionsNonePopular covers
Google Books — Loading... GenresMelvil Decimal System (DDC)813Literature English (North America) American fictionLC ClassificationRatingAverage:
Is this you?Become a LibraryThing Author. |