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The End of the Affair by Graham Greene
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The End of the Affair (1951)

by Graham Greene

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Showing 1-5 of 60 (next | show all)
My older son raved about this book, so I read it. Graham Greene is one of my favorite novelists, but I could not remember this book, although I know I had read it previously. Oddly, just before I began "The End of the Affair" I came across a quote from Greene which ran something like, "I wish to be known as a novelist who is Catholic rather than as a Catholic novelist." This novel, perhaps even more than "The Power and the Glory", is decidedly a Catholic novel. I prefer that one to "The End of the Affair," as I prefer a number of Greene's other novels over this one. ( )
  nmele | Apr 6, 2013 |
This was a great book to listen to; Colin Firth's voice was very dreamy- although I could say that about most foreign narrators. Right after starting the book I remembered that I had seen the movie. Julianne Moore, who I think is absolutely beautiful, played the role of Sarah Miles. Sarah is a bit selfish and completely unhappy in her marriage to the clueless (??maybe) Henry. She meets Maurice, a writer, and they begin a multi-year passionate affair. What struck me was the strong contradiction between how obsessed and "in love" Maurice is with Sarah with his strong hate and even cruel actions towards her.

I loved the setting of pre- and war time London and Greene writes that oh so well. I felt like I was there during the war and feeling all of the deprivations and anxieties that must of been rampant.

I loved Sarah- she was torn between duty and love. Henry was also very real to me and I wanted him to just go away and do his civil servant business. His neediness was just annoying by the end. I always hope fo the true love outcome and I wanted Maurice and Sarah to have that.

Greene is also talented in bringing forth satellite characters that add enourmous richness to the story. The private detective, Parkis, is one such character, his involvement provides opportunity for pity and hope.

Greene writes about those conflicting feelings that happen when you are in love right on point. The reader feels the strong emotions of love which we all know can easily spin into hate. It was also book of frustrations- wanting something/someone who can never be free.

My only complaint was around the deep religous themes. Maurice (or is it Greene) is so very angry at God and it plays out in the novel in a way that detracts from a great story. I get that he brought religous themes to his writing, but I felt that it was a bit too overdone. I get it, affairs are bad and bad people suffer for their sins.

I still want to read more of his work and if Mr. Firth narrates, that isn't a bad thing. ( )
  MichelleCH | Apr 5, 2013 |
I would give this 4 1/2 stars -- although nominally about the love, jealousy, and hate of a discarded lover for his lover and her husband, this short but powerful novel deals with the struggle of faith & belief (or disbelief) in God in 1940's London. ( )
  leslie.98 | Apr 1, 2013 |
I'd like to give this 3.5 stars. I enjoyed Greene's writing style and want to reread the book to write down all of the memorable quotations because there were a lot of those moments where I just stopped reading to think about something he wrote. However, I wanted more to happen in the book. I felt like the story would just move along at a slow rate and then pow! a big event occurred and I didn't even feel the buildup. (The bomb explosion is a prime example) Also, as the book club knows, I loved that moment after Sarah dies and Henry calls up Bendix to tell him and the conversation pretty much goes as follows:

Henry: "I'm calling to tell you Sarah died."
Bendix: "Wow, that sucks. I'm sorry to hear it."
Henry: "So what are you doing tonight? Wanna come over?"
Bendix: "Sure."

At book club, we talked about how this was one of the reads we WISH we could dissect in school because there are so many themes -- especially the whole religion/belief aspect of the novel.

I know Casey loves this book so I hope she won't stop being my sister for not loving this one but I definitely understand why it is a classic. ( )
  FlanneryAC | Mar 31, 2013 |
Although this dragged a little at times, it still showed Greene's fine understanding of psychology, particularly the psychology of jealousy. ( )
  OshoOsho | Mar 30, 2013 |
Showing 1-5 of 60 (next | show all)
In "The End of the Affair" the splendidly stupid private detective, Alfred Parkis, and his apprentice son, and the maudlin grifter who is the heroine's mother, equal the best of the seedy supernumeraries of his other novels. It is savage and sad, vulgar and ideal, coarse and refined, and a rather accurate image of an era of cunning and glory, of cowardice and heroism, of belief and unbelief.
 
Great romantic novels are about pain and hate, and among the greatest is Graham Greene's searing The End of the Affair. It is one of the most forensic and honest analyses of love you will ever read.
 
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Epigraph
Man has places in his heart which do not yet exist, and into them enters suffering in order that they may have existence.
Leon Bloy
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To C.
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A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.
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Amazon.com Amazon.com Review (ISBN 0142437980, Paperback)

Set in London during and just after World War II, Graham Greene's The End of the Affair is a pathos-laden examination of a three-way collision between love of self, love of another, and love of God. The affair in question involves Maurice Bendrix, a solipsistic novelist, and a dutifully married woman, Sarah Miles. The lovers meet at a party thrown by Sarah's dreary civil-servant husband, and proceed to liberate each other from boredom and routine unhappiness. Reflecting on the ebullient beginnings of their romance, Bendrix recalls: "There was never any question in those days of who wanted whom--we were together in desire." Indeed, the affair goes on unchecked for several years until, during an afternoon tryst, Bendrix goes downstairs to look for intruders in his basement and a bomb falls on the building. Sarah rushes down to find him lying under a fallen door, and immediately makes a deal with God, whom she has never particularly cared for. "I love him and I'll do anything if you'll make him alive.... I'll give him up forever, only let him be alive with a chance.... People can love each other without seeing each other, can't they, they love You all their lives without seeing You."

Bendrix, as evidenced by his ability to tell the story, is not dead, merely unconscious, and so Sarah must keep her promise. She breaks off the relationship without giving a reason, leaving Bendrix mystified and angry. The only explanation he can think of is that she's left him for another man. It isn't until years later, when he hires a private detective to ascertain the truth, that he learns of her impassioned vow. Sarah herself comes to understand her move through a strange rationalization. Writing to God in her journal, she says:

You willed our separation, but he [Bendrix] willed it too. He worked for it with his anger and his jealousy, and he worked for it with his love. For he gave me so much love, and I gave him so much love that soon there wasn't anything left, when we'd finished, but You.
It's as though the pull toward faith were inevitable, if incomprehensible--perhaps as punishment for her sin of adultery. In her final years, Sarah's faith only deepens, even as she remains haunted by the bombing and the power of her own attraction to God. Set against the backdrop of a war-ravaged city, The End of the Affair is equally haunting as it lays forth the question of what constitutes love in troubling, unequivocal terms. --Melanie Rehak

(retrieved from Amazon Thu, 14 Feb 2013 13:43:46 -0500)

(see all 5 descriptions)

Maurice Bendrix is a sardonic and cynical writer who reflects on his affair with Sarah, a married woman, during the bombing of London in 1940.

» see all 6 descriptions

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