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Den uskyldige by Ian McEwan
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Den uskyldige (original 1990; edition 2002)

by Ian McEwan, Jørgen Nielsen (Translator)

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2,430496,215 (3.7)67
Leonard Marnham is assigned to a British-American surveillance team in Cold War Berlin. His intelligence work--tunneling under a Russian communications center to tap the phone lines to Moscow--offers him a welcome opportunity to begin shedding his own unwanted innocence, even if he is only a bit player in a grim international comedy of errors. Leonard's relationship with Maria Eckdorf, an enigmatic and beautiful West Berliner, likewise promises to loosen the bonds of his ordinary life. But the promise turns to horror in the course of one terrible evening--a night when Leonard Marnham learns just how much of his innocence he's willing to shed.… (more)
Member:Tonny
Title:Den uskyldige
Authors:Ian McEwan
Other authors:Jørgen Nielsen (Translator)
Info:[Kbh.] : [Gyldendal], 2002.
Collections:Your library
Rating:*****
Tags:None

Work Information

The Innocent by Ian McEwan (1990)

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» See also 67 mentions

English (41)  Spanish (4)  Danish (1)  Dutch (1)  Italian (1)  Norwegian (1)  All languages (49)
Showing 1-5 of 41 (next | show all)
A feel good Cold War story. It mainly takes place in the mid 1950s. Out outs a love story, a spy story and to a degree a murder story. It mixed German, American, and British cultures. The young couple, particularly the young man are well portrayed. Perhaps there is some betrayal here. Mainly the story OSS one of trying to recover from one war while enduring a Cold War. ( )
  waldhaus1 | Jan 1, 2024 |
Satisfying. ( )
  blueskygreentrees | Jul 30, 2023 |
I had to read "The Innocent" for school, which made it quite annoying to struggle my way through this novel. I never really related to the protagonist or the love story, and the mystery part was badly-executed, in my opinion. In addition, there was a lot of political and military talk about the post-WWII situation in Berlin which might have been shortened. Nevertheless, "The Innocent" was an engaging read with some interesting parts; sometimes implausible, but on the whole satisfying. I'm definitely prepared to read other novels by Ian McEwan later on. ( )
  Councillor3004 | Sep 1, 2022 |
I love a book that surprises me and this one definitely did that. Half way through, it becomes about something other than it had seemed up until that point. McEwan untimately cares about the individual more than the society. I did not think it as good as Atonement, but at the end I found they had more in common than it had appeared. ( )
  mattorsara | Aug 11, 2022 |
Even after reflecting on this book for a few days after finishing it, I'm still not sure if I actually enjoyed it. Like all of McEwan's novels that I've read it is very well written and highly engaging, but I am becoming less and less fond of his narrative style. In each of his books he presents us with relatively normal protagonists, living relatively normal lives. But then he makes them do horrible things because they "lose control" over their own actions (usually through an initial inaction or incapability of stepping back from making poor reactionary choices). I figured that maybe this novel would be different because it is set in Cold War-era Berlin, and the protagonist is a low-level government spy (more of a technician, but he gets drawn into more active espionage), but instead of writing outside his own narrative structure and focusing on the man's role in spying on the East Germans or his life in Berlin McEwan throws in an accidental murder and finishes with a mad-cap race to cover up the evidence. It made for some hair-raising moments while reading, but when compared to his other books (particularly the Cement Garden) this plot structure becomes quite passé. ( )
  JaimieRiella | Feb 25, 2021 |
Showing 1-5 of 41 (next | show all)
Ian McEwan has concentrated too much of his artistic energy on the surface of his story, has burnished it to such a high finish that not only the eye but the mind slides over and, ultimately, off the page.

Despite all that, I have to say that The Innocent is marvelously entertaining, filled with dark irony, with horror and regret.
added by jburlinson | editNew York Review of Books, John Banville (pay site) (Dec 6, 1990)
 
McEwan's latest—his best shot at a popular novel—is something of a departure from his previous work (The Child in Time, The Comfort of Strangers, etc.), but no less skillful in design or execution. Part romance, part murder mystery, and part spy intrigue, this cool tale of postwar Berlin relies on a number of historical and dramatic ironies for its punch.
McEwan's clinical account of dismemberment reminds us of the dark imagination displayed in his other work—it's also bound to turn off the wider audience who would otherwise enjoy this clean and clever fiction.
added by Richardrobert | editKirkus Reviews (May 15, 1990)
 
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It was Lieutenant Lofting who dominated the meeting. "Look here, Marnham. You've only just arrived, so there's no reason why you should know the situation. It's not the Germans or the Russians who are the problem here. It isn't even the French. It's the Americans. They don't know a thing. What's worse, they won't learn, they won't be told. It's just how they are."
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Leonard Marnham is assigned to a British-American surveillance team in Cold War Berlin. His intelligence work--tunneling under a Russian communications center to tap the phone lines to Moscow--offers him a welcome opportunity to begin shedding his own unwanted innocence, even if he is only a bit player in a grim international comedy of errors. Leonard's relationship with Maria Eckdorf, an enigmatic and beautiful West Berliner, likewise promises to loosen the bonds of his ordinary life. But the promise turns to horror in the course of one terrible evening--a night when Leonard Marnham learns just how much of his innocence he's willing to shed.

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