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The Man Who Was Thursday by G. K. Chesterton
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The Man Who Was Thursday: A Nightmare (Modern Library Classics)

by G.K. Chesterton

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2,021491,353 (3.92)59
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Modern Library (2001), Edition: New, Paperback, 224 pages

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There are good books, and ones that knock your socks off. This one knocks your socks off. Bizarre plot and incredible writing and a deep theme make this a great book. ( )
charlie68 | Jul 9, 2009 |  
You've got to be curious about any book described as a "surreal anarchist fantasy" (Wordsworth edition introduction). I was pleased to find the classic wit of Chesterton on every page.

This book's paradoxical. Chesterton's writing is expansive and leisurely, yet the pace of the mystery is breathtaking at times. It's difficult to find a writer who can make paragraph length blocks of dialogue come alive so effortlessly.

The plot itself is very curious. The story's about a group of seven anarchists (named after the days of the week), who have been infiltrated by a spy from Scotland Yard. I hesitate to share any more lest I give too much of the plot away. By the last couple chapters, I found myself questioning how Chesterton could possibly bring such a tale a fitting conclusion without being predictable. He exceeded my expectations. I'll return to that last chapter more than once to let it sink in.

Chesterton's at his best: relaxing and thrilling, silly and profound. The entire narrative is laced with Christian symbolism that comes to a poignant theological head without sounding preachy. This is a great summer read. ( )
StephenBarkley | Jun 28, 2009 | 1 vote
The question "What is your favorite book?" has always been impossible for me to answer, but this is the only book I have ever felt comfortable defaulting to. I've read it at least a half a dozen times since I discovered a copy of it in a used bookstore when I was in middle school; I will probably reread it a dozen more in the next ten years. I get something different out of it every time I reread it.

The story itself makes no sense, until you come back to the subtitle: A Nightmare. Like a dream, or a nightmare, there is a thread of sense beneath the nonsense, and the mad escapades of the Supreme Anarchist Council are some how more deeply real even in their absurdity. One could call the story a parable, or a fable, but like the costumes worn by the protagonists toward the end of the book, the disguised elements of the story serve only to reveal more of its inner truth.

This book is full of great quotes and is one of the finer examples of Chesterton's witty and unique style of storytelling. Like quite a lot of his fiction, it is a story with Christian meaning woven into it; it's not necessary to be a practicing Christian to understand or get something out of the story, but some of the allegory may escape a reader who is unfamiliar with the basics of the book of Genesis.

When I finish this book I always feel a little bit bewildered, sort of mentally out of breath. I usually end up reading it in one or two sittings, propelled irresistibly toward the fantastic (in the original sense of the word) conclusion.This book defies genre, plot summary, and most attempts at interpretation, so all I can say is that you should read it for yourself, and see what you make of it. ( )
Zathras86 | Jun 13, 2009 |  
Based on a dream Chesterton had after eating too much lobster pizza. Prose so purple no one has ever had to write such purple prose again. ( )
johnclaydon | Jun 7, 2009 | 1 vote
This book is part thriller, part fantasy, and even part comedy. It is certainly a strange combination, and not always successful.
The was written during a time of anarchist bombings in London, and takes the core idea of the plot from those events. Detective Syme is assigned by Scotland Yard to infiltrate a group of anarchists. Each man is named for a day of the week. As he gets to know the men, he begins to fear for his safety. But the more he learns, the more he realizes none of them are exactly what they appear to be on the surface.
The complete title of this novella is The Man Who Was Thursday: A Nightmare. I think one must keep that in mind when reading, as the events and situations can come at the reader at near breakneck speed.
The book's ending was a bit disappointing, but overall I will give this one 3-1/2 stars. ( )
TheBoltChick | May 27, 2009 |  
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The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset.
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Amazon.com (ISBN 0375757910, Paperback)

In an article published the day before his death, G.K. Chesterton called The Man Who Was Thursday "a very melodramatic sort of moonshine." Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from "the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon."

But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox:

He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.
Elected undercover into the Central European Council of anarchists, Syme must avoid discovery and save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As The Man Who Was Thursday proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. --Kerry Fried

(retrieved from Amazon Fri, 24 Apr 2009 07:58:24 -0400)

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