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Ariel: The Restored Edition by Sylvia Plath
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Ariel: The Restored Edition

by Sylvia Plath

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Sylvia Plath is about the most complex poet that I read. I hadn't actually ever read "Ariel" before. I'm glad I chose this edition because it had the poems written in more than once, and I found out that the second or third time I read them I seemed to understand them. ( )
  scote23 | Mar 30, 2013 |
I found three poems in Ariel that are worthy of comment here. The following is an article I wrote on the publication of this restored edition.

http://mewlhouse.hubpages.com/hub/Three-Decent-Poems-by-Sylvia-Plath ( )
  MSarki | Mar 29, 2013 |
The most compelling volume of poetry ever written. Disciplined by her craft, unrestrained in expression. ( )
  robertmorrow | Dec 28, 2010 |
Hell, yeah. ( )
  lindsaydiffee | Sep 30, 2010 |
This an intense book, filled with strong, intimist and caustic poetry.

But, even though it was on Sylvia Plath's desk when she commited suicide, this is not a sad book. It's not a book about depression, or even a depressing one. Plath is mostly remebered about "Lady Lazarus", "Daddy" and "Edge", and it seems that her life was all about these three poems...but thankfully, this restored edition shows us this is a book about many aspects of herself. Now we are reading what Plath wanted us to read...wanted us to feel. She takes un by the hand into her realm.

We can feel all the love she felt for her kids in the poem "Morning Song"; see her sensuality in "Fever 103º"; sense the freedom in "Ariel" and see her caustic anger in "Lesbos". No, Sylvia Plath's poetry is not just about sadness and suicide...it's about life, and all the experiences inside it, written with her unique style: raw, confessonal, slightly narcisistic.

Frieda's introduction is also very interesting and elightining. Any Sylvia Plath fan should read, specially the people who still have this ludicrous idea that Ted Hughes was her utmost enemy. He wasn't - he made mistakes. He hurt her. He was human. And so was she. A human and a great poet, who did not need someone else's betrayal or supposed abuse to write intense poetry. All that intensity, all that passion was inside herself. ( )
  vulpineways | Feb 23, 2009 |
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Amazon.com Amazon.com Review (ISBN 0060732601, Paperback)

Sylvia Plath churned out her final poems at the remarkable rate of two or three a day, and Robert Lowell describes them as written by "hardly a person at all ... but one of those super-real, hypnotic, great classical heroines." Even more remarkable, she wrote them during one of the coldest, snowiest winters (1962-63) Londoners have ever known. Snowbound, without central heating, she and her two children spent much of their time sniffling, coughing, or running temperatures (In "Fever 103°" she writes, "I have been flickering, off, on, off on. / The sheets grow heavy as a lecher's kiss."). Pipes froze, lights failed, and candles were unobtainable.

As if these physical privations weren't enough, Plath was out in the cold in another sense--her husband, Ted Hughes, had left her for another woman earlier that year. Despite all this (or perhaps because of it), the Ariel poems dazzle with their lyricism, their surprising and vivid imagery, and their wit. Rather than confining herself to her bleak surroundings, Plath draws from a wide array of experience. In "Berck-Plage," for instance, clouds are "electrifyingly-coloured sherbets, scooped from the freeze." In "The Night Dances," the poet stands crib-side, reveling in her son's own brand of do-si-do: "Such pure leaps and spirals--Surely they travel / The world forever, I shall not entirely / Sit emptied of beauties, the gift / Of your small breath..."

Though at times they present the reader with hopelessness laid bare, these poems also teem with the brightest shards of a life, confounding those who merely look for the words of a gloomy, dispassionate suicide. Plath rose each morning in the final months of her life to "that still blue, almost eternal hour before the baby's cry" and left us these words like "axes/After whose stroke the wood rings..."

(retrieved from Amazon Thu, 14 Feb 2013 13:33:34 -0500)

(see all 6 descriptions)

"This facsimile edition restores, for the first time, the selection and arrangement of the poems as Sylvia Plath left them at the point of her death. In addition to the facsimile pages of Sylvia Plath's manuscript, this edition also includes in facsimile the complete working drafts of the title poem, "Ariel," in order to offer a sense of Plath's creative process, as well as notes the author made for the BBC about some of the manuscript's poems." "In her foreword to this volume, Frieda Hughes, Sylvia Plath's daughter, explains the reasons for the differences between the previously published edition of Ariel as edited by her father, Ted Hughes, and her mother's original version published here. With this publication, Sylvia Plath's legacy and vision will be reevaluated in the light of her original working draft."--BOOK JACKET.… (more)

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