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Watchmen by Alan Moore
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Watchmen

by Alan Moore

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6,912216193 (4.42)157

Member recommendations

  1. bertilak recommends The Satires of Juvenal by Juvenal
  2. FFortuna recommends Astro City: Life in the Big City by Kurt Busiek
  3. jpers36 recommends Kingdom Come by Mark Waid
  4. FFortuna recommends V for Vendetta by Alan Moore
  5. JapaG recommends The Absolute Sandman Volume One by Neil Gaiman, "After the Watchmen, Sandman is probably the graphic novel that has most influenced the adult comic scene today. It has similarly deep storyline about humanity (see more) from the perspective of one outside of it. Also the magnificent art contributes to the great collection."
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It's 1985, but not as we know it. Superheroes are now outlawed. Dr. Manhattan, a being with control over matter and energy, forms the centre of America's strategic defence network against Russia, while the world slowly ticks closer to a nuclear confrontation. Welcome to the world of "Watchmen".

“Watchmen” follows Rorschach, a superhero who has not put away his costume after being outlawed, as he attempts to solve the murder of one of his fellow superheroes. His investigations begin to uncover a plot to do away with all of the superheroes. While the plot itself is extremely well worked out, it is just as much an excuse to delve into the world in which Moore has created, populated by an assorted cast of superheroes and secondary characters, and the world in which they live, which has unfolded differently to ours since their initial appearance in the late nineteen thirties.

There are so many facets that I appreciated from this novel. I love the characterisation; the superheroes in Watchmen feel like real characters. They have psychological problems, they are isolated from society, and they have to deal with the consequences of their fame and alienation. Their reasons for donning the superhero costume vary quite widely – a chance to do good, crass commercial plans, strong political opinions, sexual fetishes, and so many other reasons. Superheroes are not merely shining figures of light, and I quite enjoy that.

The alternate history that Moore creates is quite interesting, and well-fleshed out. Quite apart from the main story, which often discusses the history of superheroes in the world Moore creates, there are also a variety of supplementary materials to help to flesh out the histories of the characters involved. There are interviews, biographies, articles, photographs and the like, which all provide a sense of history to the story, help to flesh out the world in ways that would otherwise not be readily apparent.

There are also a lot of ideas to mull upon here – Moore’s view of an alternative history where superheroes arose, the varied views expressed by the characters on morality, Dr. Manhattan’s perception of time, and his views on humanity, and so many other ideas, which I won’t discuss so that I will not ruin the novel for future readers.

I thoroughly enjoyed Watchmen. Intelligent, insightful, an extremely interesting plot; a well-drawn and immersive look into a world of superheroes that feels realistic, insightfully mocking the traditional, gay tones that used to be a staple of this genre. Highly recommended. ( )
rojse | Jul 6, 2009 |  
This runs darker than my normal tastes, but I can't deny that it's really well done. No Mary Sues to be seen. Plenty of tragic flaws. This has been around for a while, so I doubt there's much I could say that hasn't been said. But for those who may not know, the superheroes of Watchmen don't have retractable claws or x-ray vision. Rather, they've got talent, tactics, training, drive, determination, no little bit of luck, and a whole lotta chutzpah...kinda like Batman...in a Shaolin martial arts movie. ( )
extrajoker | Jul 4, 2009 |  
feels overdone - story too complicated - illustrations great - feels sort of dated... ( )
BMaliner | Jul 4, 2009 |  
Published: 1987.
Setting: New York, Antarctica and Mars, October 1985.
First Line: Dog carcass in alley this morning, tire tread on burst stomach.

With the film coming out next month I thought I'd give this graphic novel a go. I think the last graphic novel I read must have been around five years ago, it was Ghost World, so I wouldn't say I was an expert or even a fan of this genre.
Watchmen is a Hugo award winning graphic novel which also holds the honour of being included on Time Magazine's 2005 list of the all-time top 100 novels.
Watchmen is based in New York in an alternate history where both Nixon's presidency and the Vietnam war had different outcomes. It begins with the murder of The Comedian, a former member of the defunct Watchmen group of costumed crime fighters. Rorschach, a fellow crime fighter, begins his own investigation into what he believes is a plot to eliminate constumed crime fighters.
What makes Watchmen stand out for me is the depiction of the traditional 'superhero' as a severely flawed human character, rather than as a saviour. It is easy to see why Watchmen has had such an impact on the world of graphic novels.
I enjoyed this not just for the quality of the artwork but also for the strength of Moore's writing; I'll definitely be seeking out more of his work. ( )
DeadGoodBooks | Jul 3, 2009 |  
Through the actions set in place by one of a cadre of retired Superheroes, Ozymandias, the world's smartest man, Alan Moore's seminal work explores some very big ideas. Central to this novel is Nietzsche's Übermensch--literally the "super man", and his ability to shape the course of humankind. Equally influential to this work is the Machiavellian question--does the end justify the means?

"The Watchmen" merits multiple readings. ( )
kivarson | Jul 1, 2009 |  
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
Dedication
With special thanks to Neil Gaiman, Mike Lake, Pat Mills, and Joe Orlando.
First words
Rorschach's Journal. October 12th, 1985:
Dog carcass in alley this morning, tire tread on burst stomach. This city is afraid of me. I have seen its true face.
Quotations
"Looked at the sky through smoke heavy with human fat and God was not there. The cold suffocating dark goes on forever and we are alone
"Live our lives lacking anything better to do. Devise reason later.
"Born from oblivion; bear children hell-bound as ourselves; go into oblivion.
"There is nothing else."
"Existence is random. Has no pattern save what we imagine after staring at it for too long.
"No meaning save what we choose to impose.
"This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs.
"It's us.
"Only us."
p. 26 of Chapter VI
...All this, it could be gone: people, cars, T.V. shows, magazines...even the word 'gone' would be gone. (Newspaper salesman, Ch. V, pg. 12)
"Why do we argue? Life's so fragile, a successful virus clinging to a speck of mud, suspended in endless nothing." (Dr. Malcolm Long, Ch. VI, pg. 28)
We're all puppets, Laurie. I'm just a puppet that can see the strings. (Jon Osterman, Ch. IX, pg. 5)
Come...dry your eyes for you are life, rarer than a quark and unpredictable beyond the powers of Heisenburg; the clay in which the forces that shape all things leave their fingerprints most clearly. (Jon Osterman, Ch. IX, pg. 28)
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Some consider Absolute Watchmen to be a notably different work from Watchmen. There is currently a discussion in Combiners! discussing whether or not this separation is needed. Please join the discussion. Please do not combine the two works until this is resolved.
Publisher's editors
Blurbers
Book description

Amazon.com (ISBN 0930289234, Paperback)

Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.

The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite

(retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400)

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