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Watchmen by Alan Moore
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Watchmen

by Alan Moore

MembersReviewsPopularityAverage ratingConversations
7,868237179 (4.4)165
Info:

DC Comics (2005), Hardcover, 464 pages

Member:ebnelson
Collections:Read but unownedRating:**1/2
Tags:2007 read, library, fiction
Recently added byron_right, private library, lycono, Peter_Bookling, bzisgr8, abrego, roninlc, peeter, GiulianoM

Member recommendations

  1. McMinty recommends Batman: The Dark Knight Returns by Frank Miller
  2. bertilak recommends The Satires of Juvenal by Juvenal
  3. FFortuna recommends Astro City: Life in the Big City by Kurt Busiek
  4. jpers36 recommends Kingdom Come by Mark Waid
  5. FFortuna recommends V for Vendetta by Alan Moore
  6. JapaG recommends The Absolute Sandman Volume One by Neil Gaiman, "After the Watchmen, Sandman is probably the graphic novel that has most influenced the adult comic scene today. It has similarly deep storyline about humanity (see more) from the perspective of one outside of it. Also the magnificent art contributes to the great collection."
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English (230)  French (2)  Dutch (1)  Danish (1)  Catalan (1)  Spanish (1)  All languages (236)
Showing 1-5 of 230 (next | show all)
It’s difficult to write anything new about Watchmen. I read this book about five years ago, pretty much before I really got into the whole sequential art as a way of story telling. I’ll admit I was fairly nonplussed when I read it then. This time around, for whatever reason, I just got the story. The plot is dense but superbly written and the art just somehow fits with the book. The prose background pieces inbetween each issue made compelling reading as well. It’s easy now to see why this book is held in such high regard. An undoubted classic. ( )
1 vote theforestofbooks | Nov 22, 2009 |
Reviewed by Mr. Kome ( )
  hickmanmc | Nov 18, 2009 |
Watchmen is as good as you expect. It answers the question we always ask ourselves: What would super heros be like if they were real? Well, for starters they would all have to be a little crazy. Superman would be more god than man. Batman would be insane. You get the idea. The ultimate conclusions Moore draws are ones I fundamentally disagree with. But regardless of your world view, you will find something to latch onto. Long live Rorschach! ( )
  SendersName | Nov 10, 2009 |
Yeah I know but I read it before it was cool. ( )
  Kuiperdolin | Nov 7, 2009 |
Watchmen is highly addictive – once I began it, I wanted to do nothing else but read it, but, alas, life and its duties called. The art work is beautiful, with an array of both dark and bright colors used, realistically drawn figures, scenes filled with extraneous background details (which do, however, shed light on the happenings of this alternative history version of the world), and violence that is stylized enough not to be too disturbing but that still conveys the atmosphere of the dystopia created by Moore. The story itself, plot wise, isn’t all that different from typical “action” stories and movies. However, the way it unravels is done with perfection. Moore gives all of his characters fierce emotions, motivations, and back stories. Flashbacks are frequent in the novel and are transitioned into very well, both visually and textually. Moore also inserts another comic book within the pages of Watchmen – a fictional comic called The Tales of the Black Freighter. The narrative of this comic is interspersed within the narrative of Watchmen to underscore specific points in the story. In addition, Moore does something I find quite innovative for a graphic novel – at the end of each chapter he includes an “excerpt” from something within his fictional world (a memoir by a former superhero, clippings from a newspaper, etc.) which is mainly textual. Overall, a wonderfully executed book, both visually and textually, which I think would appeal to many, even those who don’t normally read graphic novels. ( )
  sweetiegherkin | Oct 30, 2009 |
Showing 1-5 of 230 (next | show all)
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
Dedication
With special thanks to Neil Gaiman, Mike Lake, Pat Mills, and Joe Orlando.
First words
Rorschach's Journal. October 12th, 1985:
Dog carcass in alley this morning, tire tread on burst stomach. This city is afraid of me. I have seen its true face.
Quotations
"Looked at the sky through smoke heavy with human fat and God was not there. The cold suffocating dark goes on forever and we are alone
"Live our lives lacking anything better to do. Devise reason later.
"Born from oblivion; bear children hell-bound as ourselves; go into oblivion.
"There is nothing else."
"Existence is random. Has no pattern save what we imagine after staring at it for too long.
"No meaning save what we choose to impose.
"This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs.
"It's us.
"Only us."
p. 26 of Chapter VI
...All this, it could be gone: people, cars, T.V. shows, magazines...even the word 'gone' would be gone. (Newspaper salesman, Ch. V, pg. 12)
"Why do we argue? Life's so fragile, a successful virus clinging to a speck of mud, suspended in endless nothing." (Dr. Malcolm Long, Ch. VI, pg. 28)
We're all puppets, Laurie. I'm just a puppet that can see the strings. (Jon Osterman, Ch. IX, pg. 5)
Come...dry your eyes for you are life, rarer than a quark and unpredictable beyond the powers of Heisenburg; the clay in which the forces that shape all things leave their fingerprints most clearly. (Jon Osterman, Ch. IX, pg. 28)
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Some consider Absolute Watchmen to be a notably different work from Watchmen. There is currently a discussion in Combiners! discussing whether or not this separation is needed. Please join the discussion. Please do not combine the two works until this is resolved.
Publisher's editors
Blurbers
Book description

Amazon.com (ISBN 0930289234, Paperback)

Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.

The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite

(retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400)

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