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Skin Game: A Memoir by Caroline Kettlewell
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Skin Game: A Memoir

by Caroline Kettlewell

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Fantastic book about the journey of a teenage cutter. ( )
  coffeesucker | Dec 29, 2006 |
I read Kettelwell's "Skin Game" years ago when I was 16, and going through a rough patch in my life. It only took me about two weeks to read it. I have to say, I didn't like in the beginning when she refer to her scars as "Sins" but I did like how she threw in the whole Southern experience, "Scarlett O'Hara" and "Gone with the Wind," I'm a sucker for that culture.
Kettlewell writing is a little strong for me. She made me, the reader, feel benith her; She uses such words expressing her cutting that to the mind of an English teacher would understand, but to the simple minded reader...she needed to use small words...She jumps from first person point of view to third persons.

She writes of her life as a long script. She is the actor and this is her play. After a while, it becomes boring and tedious.

In the end, she brought everything together, when she writes "I stop cutting because I always could have stop cutting; that the pain and inelegant truth. No Matter how compelling the urge, the act itself was always a choice. I had no power over flood tite of emotions that drove me to that brink, but I had the power to decide whether not to step over. Eventually I decided not to......You have to make your journey, and bear its scars" I think that passage is so true and cleverly written, one of the best parts of the entire book.

I don't recommend this book for people dealing with self harm. Chances are, it won't help you at all. ( )
  HeatherLee | Sep 6, 2006 |
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Amazon.com (ISBN 0312263937, Paperback)

A number of recent books by journalists and therapists have probed the social and psychological forces behind the alarming practice of self-mutilation; this unflinching memoir tells readers what it feels like. Caroline Kettlewell made her first attempt at age 12 with a Swiss Army knife, too dull to perform satisfactorily, but she quickly graduated to razor blades. "There was a very fine, an elegant pain," she writes of her initiation. "In the razor's wake, the skin melted away ... then the blood welled up ... the chaos in my head spun itself into a silk of silence." Describing her tense but not unusually difficult youth, the author doesn't spend a lot of time trying to figure out why she was so unhappy, concentrating instead on making palpable her sense of dread and terror of being out of control, emotions relieved by the act of cutting. Some readers may wish for more self-analysis, but others will find Kettlewell's austere prose and sensibility refreshing. "I kept cutting because it worked. When I cut I felt better, " she explains. "I stopped cutting because I always could have stopped cutting." Not the fanciest way to put it, but those sentences, like the entire book, have the cadences of "the plain and inelegant truth." --Wendy Smith

(retrieved from Amazon Fri, 24 Apr 2009 07:58:18 -0400)

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