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Loading... Never Let Me Go (edition 2005)by Kazuo Ishiguro
Work detailsNever Let Me Go by Kazuo Ishiguro
Beautiful. Perfect. Best ending I've ever read. Truest story I've ever read. Perfect. ( )This book broke my heart into tiny bits. When I began it, I knew little about it: students, boarding school, something eerie, dystopian reproduction. I guess when I started I expected more explanation about the last element, but the farther I read, the more I realized that that would be superfluous. spoiler spoiler spoiler spoiler spoiler Spoiler: the students hope their art can show whether any of their pairings merit deferral from donation, so that someone -- whoever is in charge -- can see that the two people really are suited to one another. And their art does, in fact, show their souls, but not to merit deferral. It's supposed to prove they have souls at all. But they don't. If they had souls, they would mind their fate (singular). They are endearingly, nearly human, but not quite. They have no souls, and that broke my heart. thanks to my awesome brother, this book is currently playing in my truck's new cd player. i'm confused about it, though. or rather, the back cover. why don't they tell the reader what it's really about? it is not marketed as speculative fiction, and i wonder how many great books i miss because the back cover makes the inside seem like any old rosamunde pilcher falling in love in the english countryside kind of story. i've picked this book up a thousand times and read the back. and then i've put it back down again. well, thank god for the relatively slim selection at the public library. it's a different book from remains of the day, to be sure. so, despite the intentionally misleading back cover, i have to say not that it's not really that different of a book from remains of the day. it's written in a distinctly victorian manner, with all the richness and texture of place, nuanced conversation, important flashbacks consisting of nothing in particular. the isolation of the characters lent itself well to the form. but i was tired, by the end, of paragraphs that began with "if i had only known then what i know now..." and so forth. i think i'll think about it. it was a great truck book. thanks to my awesome brother, this book is currently playing in my truck's new cd player. i'm confused about it, though. or rather, the back cover. why don't they tell the reader what it's really about? it is not marketed as speculative fiction, and i wonder how many great books i miss because the back cover makes the inside seem like any old rosamunde pilcher falling in love in the english countryside kind of story. i've picked this book up a thousand times and read the back. and then i've put it back down again. well, thank god for the relatively slim selection at the public library. it's a different book from remains of the day, to be sure. so, despite the intentionally misleading back cover, i have to say not that it's not really that different of a book from remains of the day. it's written in a distinctly victorian manner, with all the richness and texture of place, nuanced conversation, important flashbacks consisting of nothing in particular. the isolation of the characters lent itself well to the form. but i was tired, by the end, of paragraphs that began with "if i had only known then what i know now..." and so forth. i think i'll think about it. it was a great truck book. I actually saw the movie first and realized I had the book on my Nook. As soon as the movie was over I immediately started reading the book. I loved both. There was just something about the story that had me hooked. I wanted everything to work out for them. I honestly keep thinking about this book months later I just can't imagine growing up and knowing that my whole purpose in life was to donate organs to other people.
Ishiguro is extremely good at recreating the special, oppressive atmosphere of school (and any other institution, for that matter)—the cliques that form, the covert rivalries, the obsessive concern with who sat next to whom, who was seen talking to whom, who is in favor at one moment and who is not. The eeriest feature of this alien world is how familiar it feels. It's like a stripped-down, haiku vision of children everywhere, fending off the chaos of existence by inventing their own rules. "Never Let Me Go" is marred by a slapdash, explanatory ending that recalls the stilted, tie-up-all-the loose-ends conclusion of Hitchcock's "Psycho." The remainder of the book, however, is a Gothic tour de force that showcases the same gifts that made Mr. Ishiguro's 1989 novel, "The Remains of the Day," such a cogent performance. This extraordinary and, in the end, rather frighteningly clever novel isn't about cloning, or being a clone, at all. It's about why we don't explode, why we don't just wake up one day and go sobbing and crying down the street, kicking everything to pieces out of the raw, infuriating, completely personal sense of our lives never having been what they could have been. Has the adaptation
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Offsetting the bizarreness of these revelations is the placid, measured voice of the narrator, Kathy H., a 31-year-old Hailsham alumna who, at the close of the 1990s, is consciously ending one phase of her life and beginning another. She is in a reflective mood, and recounts not only her childhood memories, but her quest in adulthood to find out more about Hailsham and the idealistic women who ran it. Although often poignant, Kathy's matter-of-fact narration blunts the sharper emotional effects you might expect in a novel that deals with illness, self-sacrifice, and the severe restriction of personal freedoms. As in Ishiguro's best-known work, The Remains of the Day, only after closing the book do you absorb the magnitude of what his characters endure. --Regina Marler
(retrieved from Amazon Fri, 03 Sep 2010 10:11:04 -0400)
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