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Never Let Me Go by Kazuo Ishiguro
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Never Let Me Go (edition 2005)

by Kazuo Ishiguro

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12,452563167 (3.83)842
Member:lilianboerboom
Title:Never Let Me Go
Authors:Kazuo Ishiguro
Info:Vintage Books USA (2010), Paperback
Collections:Your library
Rating:**
Tags:None

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Never Let Me Go by Kazuo Ishiguro

  1. 322
    The Handmaid’s Tale by Margaret Atwood (readerbabe1984, RosyLibrarian, ateolf, browner56)
    browner56: Two chilling, though extremely well written, reminders that liberty, freedom, and self-determination are not idle concepts.
  2. 242
    Brave New World by Aldous Huxley (sanddancer)
  3. 184
    Oryx and Crake by Margaret Atwood (jessicaskura, readerbabe1984)
  4. 90
    Do Androids Dream of Electric Sheep? by Philip K. Dick (EnriqueFreeque)
  5. 71
    Fahrenheit 451 by Ray Bradbury (joannasephine)
    joannasephine: A similar society, and a similar obliqueness to the most striking aspects of the story.
  6. 60
    The Children of Men by P.D. James (bucketyell)
  7. 60
    The Unit by Ninni Holmqvist (infiniteletters, bookcrushblog, bookwormjules)
  8. 51
    Unwind by Neal Shusterman (VictoriaPL, meggyweg, ahappybooker)
    ahappybooker: Similar themes of dystopia and vivisection
  9. 73
    Under the Skin by Michel Faber (Medellia, SqueakyChu)
  10. 52
    The Hunger Games by Suzanne Collins (Monika_L)
  11. 20
    The House of the Scorpion by Nancy Farmer (jennyellen22)
  12. 31
    The Unconsoled by Kazuo Ishiguro (Chenga)
  13. 10
    The Secret History by Donna Tartt (vnovak)
  14. 21
    The Pesthouse by Jim Crace (urania1)
    urania1: If you enjoy dystopian fiction or long for "literary" science fiction, read this book. It deals with the big questions, namely can people retain their humanity in dehumanizing conditions?
  15. 10
    The Children's Hospital by Chris Adrian (bookcrushblog)
  16. 10
    We by Евгений Замятин (joannasephine)
  17. 11
    Cat's Eye by Margaret Atwood (chrissybob)
    chrissybob: Explores similar themes around the relationships between friends
  18. 00
    The Postmortal: A Novel by Drew Magary (ahappybooker)
    ahappybooker: also a dystopian society where the government makes unethical choices to supposedly improve the world.
  19. 00
    The Testament of Jessie Lamb by Jane Rogers (Nickelini)
  20. 00
    MEAT by Joseph D'Lacey (hoddybook)
    hoddybook: The subject matter of both involves a dystopian future in which some people are more worthy of support than others. Ishiguro is more genteel than D'Lacey. Unless you really want to know what's in your daily pinta, I'd give Meat a miss, on the other hand...… (more)

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English (526)  Spanish (5)  Dutch (5)  French (5)  German (3)  Italian (2)  Swedish (1)  Galician (1)  Finnish (1)  Portuguese (Portugal) (1)  All languages (550)
Showing 1-5 of 526 (next | show all)
thanks to my awesome brother, this book is currently playing in my truck's new cd player. i'm confused about it, though. or rather, the back cover. why don't they tell the reader what it's really about?

it is not marketed as speculative fiction, and i wonder how many great books i miss because the back cover makes the inside seem like any old rosamunde pilcher falling in love in the english countryside kind of story. i've picked this book up a thousand times and read the back. and then i've put it back down again. well, thank god for the relatively slim selection at the public library.

it's a different book from remains of the day, to be sure.

so, despite the intentionally misleading back cover, i have to say not that it's not really that different of a book from remains of the day. it's written in a distinctly victorian manner, with all the richness and texture of place, nuanced conversation, important flashbacks consisting of nothing in particular. the isolation of the characters lent itself well to the form.

but i was tired, by the end, of paragraphs that began with "if i had only known then what i know now..." and so forth.

i think i'll think about it. it was a great truck book. ( )
  usefuljack | May 17, 2013 |
thanks to my awesome brother, this book is currently playing in my truck's new cd player. i'm confused about it, though. or rather, the back cover. why don't they tell the reader what it's really about?

it is not marketed as speculative fiction, and i wonder how many great books i miss because the back cover makes the inside seem like any old rosamunde pilcher falling in love in the english countryside kind of story. i've picked this book up a thousand times and read the back. and then i've put it back down again. well, thank god for the relatively slim selection at the public library.

it's a different book from remains of the day, to be sure.

so, despite the intentionally misleading back cover, i have to say not that it's not really that different of a book from remains of the day. it's written in a distinctly victorian manner, with all the richness and texture of place, nuanced conversation, important flashbacks consisting of nothing in particular. the isolation of the characters lent itself well to the form.

but i was tired, by the end, of paragraphs that began with "if i had only known then what i know now..." and so forth.

i think i'll think about it. it was a great truck book. ( )
  usefuljack | May 17, 2013 |
I actually saw the movie first and realized I had the book on my Nook. As soon as the movie was over I immediately started reading the book. I loved both. There was just something about the story that had me hooked. I wanted everything to work out for them. I honestly keep thinking about this book months later I just can't imagine growing up and knowing that my whole purpose in life was to donate organs to other people. ( )
  JenniferLynn | May 13, 2013 |
3.5 stars ( )
  bonniemarjorie | May 7, 2013 |
I think I really liked this book. I hate to say it, because it sounds like much of what I had previously heard that threw me off more than anything, but it was like a dream. Well, like a dream on TV or film anyway. What I mean is that there seems to be all this going on that I could not quite grasp, so much that even how I feel about the novel is hard to pin down.

I have to imagine this is partly intentional. Much of what really clicks is shrouded in the beginning and it does not really kick it into high gear until late, and there is so much to it and so many powerful issues, be it science and progress or society or knowledge or love and friendship that it pulls you in and spins you around.

The writing is unassuming and while some facets of the characters and the very conceit of the story sometimes wears thin from a practical perspective, the astute reader will catch an undercurrent of something brilliant.

I guess this is to say don't expect to fall in love with the characters by page 5 and don't expect to know what is going on even if you do figure out what it is. It is both obvious and not, bear it out.

Finally, I guess I can call it a very successful book based on the idea that a book's purpose is said by some to be getting the reader to continue to the finish. This one seemed to falter at times, but ended with me anxious to read it again. A rare quality ( )
  EricFitz08 | Apr 27, 2013 |
Showing 1-5 of 526 (next | show all)
Ishiguro is extremely good at recreating the special, oppressive atmosphere of school (and any other institution, for that matter)—the cliques that form, the covert rivalries, the obsessive concern with who sat next to whom, who was seen talking to whom, who is in favor at one moment and who is not.
added by jburlinson | editNew York Review of Books, Anita Desai (pay site) (Nov 22, 2005)
 
The eeriest feature of this alien world is how familiar it feels. It's like a stripped-down, haiku vision of children everywhere, fending off the chaos of existence by inventing their own rules.
 
"Never Let Me Go" is marred by a slapdash, explanatory ending that recalls the stilted, tie-up-all-the loose-ends conclusion of Hitchcock's "Psycho." The remainder of the book, however, is a Gothic tour de force that showcases the same gifts that made Mr. Ishiguro's 1989 novel, "The Remains of the Day," such a cogent performance.
 
This extraordinary and, in the end, rather frighteningly clever novel isn't about cloning, or being a clone, at all. It's about why we don't explode, why we don't just wake up one day and go sobbing and crying down the street, kicking everything to pieces out of the raw, infuriating, completely personal sense of our lives never having been what they could have been.
added by mikeg2 | editThe Guardian, John Harrison (Feb 26, 2005)
 

» Add other authors (15 possible)

Author nameRoleType of authorWork?Status
Kazuo Ishiguroprimary authorall editionsconfirmed
Bützow, HeleneTranslatorsecondary authorsome editionsconfirmed
Landor, RosalynNarratorsecondary authorsome editionsconfirmed
Novarese, PaolaTranslatorsecondary authorsome editionsconfirmed
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To Lorna and Naomi
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My name is Kathy H.
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(Click to show. Warning: May contain spoilers.)
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Wikipedia in English (2)

Book description
At the age of thirty-one, Kathy H. is coming to the end of her time as a carer – a milestone that prompts her to reflect on her unusual life. She begins, naturally, with her childhood at Hailsham, where she and her friends Ruth and Tommy negotiated the lessons and Exchanges set by their guardians, as well as the constant social pressures of school life. As her recollections progress, however, Kathy must take care not to delve too deeply into the tangled knot of her own emotions. The past holds no refuge for her; even since childhood, the knowledge of what the future holds has always been there, deep down – and some truths are too terrible to be confronted.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0307740994, Paperback)

All children should believe they are special. But the students of Hailsham, an elite school in the English countryside, are so special that visitors shun them, and only by rumor and the occasional fleeting remark by a teacher do they discover their unconventional origins and strange destiny. Kazuo Ishiguro's sixth novel, Never Let Me Go, is a masterpiece of indirection. Like the students of Hailsham, readers are "told but not told" what is going on and should be allowed to discover the secrets of Hailsham and the truth about these children on their own.

Offsetting the bizarreness of these revelations is the placid, measured voice of the narrator, Kathy H., a 31-year-old Hailsham alumna who, at the close of the 1990s, is consciously ending one phase of her life and beginning another. She is in a reflective mood, and recounts not only her childhood memories, but her quest in adulthood to find out more about Hailsham and the idealistic women who ran it. Although often poignant, Kathy's matter-of-fact narration blunts the sharper emotional effects you might expect in a novel that deals with illness, self-sacrifice, and the severe restriction of personal freedoms. As in Ishiguro's best-known work, The Remains of the Day, only after closing the book do you absorb the magnitude of what his characters endure. --Regina Marler

(retrieved from Amazon Wed, 02 Jan 2013 14:52:21 -0500)

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