This book starts off with no action but becomes a great book. i recomend this book for any one. ( )

A great read. The story is fast paced and exciting. ( )

Richie's Picks: THE SEA OF TROLLS by Nancy Farmer

"He dragged Jack to the campfire and selected a knife for him to carry. 'This is for your protection. You're not to join in the fight,' Olaf said.
" 'Don't worry,' said Jack.
" 'I know how exciting pillaging is,' the giant said fondly, ruffling Jack's hair. It felt like a blow. 'No matter how much you're tempted, just say no.'
" 'Just say no to pillaging. You got it.' "

Despite reading some of her consistently award-winning tales, many of you may not be aware of how funny Nancy Farmer can be. But for those who have gotten to spend any time around her it's no surprise to encounter all sorts of terrific humor in her fabulous, fantastical new adventure, THE SEA OF TROLLS. And for anyone who has read Gordon Korman's SON OF THE MOB, with all of Vince's so-called "uncles" bearing wacky names, you'll understand why that book comes to mind as Nancy Farmer introduces us to the likes of Ivar the Boneless, Einar the Ear-Hoarder, Pig Face, Dirty Pants, Eric Pretty-Face, Eric the Rash, and Magnus the Mauler.

Eleven-year-old Jack, who had been happily apprenticing with The Bard, and Jack's five-year-old sister, Lucy, are captured and enslaved by the Northmen and head off in their custody to destinations unknown. The Holy Isle that Jack sees through the haze is Lindisfarne. The Holy Isle's destruction in A.D. 793, which marked the onset of two hundred years of Viking raids on Great Britain, provides readers with a historic reference point for this year's great epic adventure story.

Farmer packs THE SEA OF TROLLS' 450 pages full of humor, history, mythology, and adventure. This is a deceptively complex story, beyond the mere fact that readers encounter Vikings, trolls, dragons, Beowulf, big-mouth fathers, and all sorts of other good stuff in the same book.

What readers (and Jack) are left to sort out at the end of the odyssey are their feelings about the berserkers--those Northmen invaders with whom Lucy and Jack spend all of that time.

On one hand, the siblings and the berserkers have all become so close to each other as they share stories, meals, and life and death struggles of immense proportion. Through those experiences, and despite their beliefs and customs being so different from his own, Jack has repeatedly seen and felt their humanity. As readers, we come to know and love the violent and smelly Olaf and Thorgil, and their wild and wacky comrades. On the other hand, even as Jack has to steel himself for having to say good-bye to them, he has to recognize (as we also have to) that the berserkers' intent--indeed their need, if their civilization is to survive--is to return to Jack's Britain again and again, robbing and pillaging and enslaving and murdering and partaking in those other activities that my eighth grade science teacher would repeatedly tell us about. "That's why you're genetically all a little bit of everything!" insisted old Mr. Max Krenis in his white lab coat and spectacles.

So how do we as readers feel about the berserkers' need to invade in order to survive?
How would we feel if we were Jack?
How does "Love thine enemies" relate to the story?
How does the Stockholm Syndrome fit in?
How will readers relate all this to our being at war right now, and to the widespread suspicion of all people from that part of the world?

But there's still more to THE SEA OF TROLLS. In fact, there is a whole 'nother story before Olaf One-Brow and his homies even show up in Britain the first time. The tale begins with Jack and Lucy, their family, and the Bard.

Jack's a bright kid with an overbearing father who dotes on little Lucy. The Bard is a mysterious old guy who showed up a couple of years earlier, moved into the ancient Roman house overlooking the sea, and is provided for by the community. One day when Jack is delivering provisions to the Bard, he invites Jack back for lunch.

The relationship that develops between Jack and the Bard is so heartwarming that I'd be happy to just keep going back and reading the first portion of the book again and again. The old man takes the beaten-down boy and, as he teaches him song, story, nature, and wisdom, he works to make Jack understand what a special kid he really is. And, oh what stories the Bard does tell him.

Then, that time as an apprentice ends for Jack with the arrival of the long ships. And the real journey begins.

THE SEA OF TROLLS nearly defies categorization, there are so many sides to it. And I couldn't begin to recount what Shari tried to explain to me about all of Nancy Farmer's allusions to traditional mythologies. But the humor, the excitement and danger, the history, and the characters who are real enough to cause you to really mourn the end of the book make THE SEA OF TROLLS the latest success in the career of one of the great storytellers of our time. ( )

This is an amazing historical fantasy about a boy named Jack who is captured and enslaved by viking berserkers. I'm no expert on this time period or culture, but as far as I can tell, Farmer slips a lot of historical and mythical details naturally into the story, as well as some magic and of course, trolls! ( )

Summary: Jack thought he was just an ordinary farm boy until he became an apprentice to the local bard - who is teaching him music, but also the magic of the Life Force. When his village is attacked by Viking berserkers, and he and his little sister are taken as thralls, he doesn't know the perils in store for him - in order to survive and maybe get home, he'll have to learn to deal with the Northmen, face down dragons, brave the perils of troll country, and learn more about magic than he ever thought possible.

Review: This book's got an excellent blend of fantasy, mythology, epic hero's quest, magic, morality, and coming of age story. I'm not sure exactly what the target age is - Jack's twelve, which would usually indicate mid-grade, but there's enough mythology, character development, plot complexity, and generally more mature feeling to the storyline that it reads as more of a young adult. Norse mythology is something I came to only very lately in my reading life, so it's interesting to see it worked into fantasy in a new way, and it would be a very palatable and memorable introduction for someone who doesn't know the myths themselves. Plus, there's some very interesting blending with Saxon magic/mythology, including a different perspective on the story of Beowulf that will probably be taken in stride by younger readers, but made me go "Wait, Beowulf?!?" All around, this is a solid, and solidly entertaining, piece of fantasy adventure, and my only real complaint is that the pseudo-romantic storyline that kept getting hinted at never went anywhere... although the kids *are* only twelve, plus there's a sequel - which I'll definitely be reading. 4 out of 5 stars.

Recommendation: Original, well-crafted, and enjoyable young adult fantasy. It may not be destined to become a favorite, but it's good fun, and well worth reading. ( )