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Three Day Road by Joseph Boyden
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Three Day Road (original 2005; edition 2005)

by Joseph Boyden

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1,330645,839 (4.27)324
Member:susanbooks
Title:Three Day Road
Authors:Joseph Boyden
Info:Penguin Books (2005), Paperback
Collections:Your library
Rating:****
Tags:fiction, ww1, memory, race, body, barbara

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Three Day Road by Joseph Boyden (2005)

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» See also 324 mentions

English (58)  French (3)  Dutch (2)  Italian (1)  All languages (64)
Showing 1-5 of 58 (next | show all)
Three Day Road a memorable story that will haunt, inspire and entertain.

Niska is a traditional medicine woman, a mix of Cree and Ojibway. She's been taught divining and traditional medicine by her mother and father, has seizures and sees visions. She's also the destroyer of windigo, an evil presence that sometimes takes possession of humans, a role she has inherited through the generations.

Niska is a "bush Indian", living alone in the wilderness of northern Ontario. She is coming by canoe to a small town to meet Xavier, her nephew and last remaining relative. She raised him in the traditional ways until WW I broke out and he and his friend Elijah enlisted in the Canadian Army and were sent to France.

Xavier and Elijah have used their hunting skills to become an outstanding snipers. In France they hunted men instead of game. It changed them.

Xavier arrives home a deeply troubled young man, his leg has been amputated at the knee, he's addicted to the painkiller morphine.

Niska meets him and so begins their journey back into the wilderness, back to sanity, back to healing.

Author Joseph Boyden uses these two main characters to tell the story. Xavier floats on a morphine high and remembers the trenches, the bombardments, the death of comrades, the calculated killing of the enemy one by one as a sniper.

In an effort to draw him out of his personal hell Niska talks to him of her early life, of her parents, of how she came to raise him, of the windigo.

Three Day Road is a moving story of love and sacrifice, of friendship and loyalty, of the horror of war and the pointlessness of it.

Immaculately researched, powerfully written, this is a story that will haunt, inspire, entertain and stay with you. ( )
  RodRaglin | Jun 4, 2016 |
I find World War One difficult to read about so I probably wouldn't have read this if it hadn't been recommended to me as part of a swap. I liked the Cree characters & the parts set in northern Ontario were the best parts for me. The interleaving of the Auntie's stories and Xavier's recollections of WW1 trench warfare was a good method for telling this story. However, I found the ending unrealistic and a bit abrupt but at least it was as happy an ending as possible!. ( )
  leslie.98 | May 23, 2016 |
Three Day Road was...an interesting kind of read. It was narrated by two different people: Niska, an Aboriginal medicine woman, and Xavier, Niska's nephew, and a soldier returning from war. In a nut shell, this story is pretty much the telling of and remembering of short snippets of their lives'. And all this happens while Niska paddles Xavier in a river back "home".

I confess: I read this book because I was promised bonus marks from my English 11 teacher. My English teacher also said that this book dealt with serious matters that wouldn't be suitable to the average eleventh grader. Apparently, young people won't be able to appreciate a book such as this. So you could also say that I read this book to prove him wrong.

I confess: so the beginning (and I mean the very first chapter), was already hard to read. I don't mean that the words were complicated, I mean my mind couldn't focus. While I read, my mind thought of everything BUT what I was reading on the page. So, I read the words aloud, hoping I'd be able to focus easier. It helped.

I confess: I skimmed through some of the descriptions. I would have died of boredom if I hadn't. Somewhere through the book, especially the first half, I was really starting to question my abilities as a reader. I've never met a book that I couldn't enjoy even a little...thankfully, after the halfway point, the story became a little more bearable.

I confess: I was ecstatic when I found out that I'd be learning about this war and Aboriginal involvement later on in the year. I was randomly flipping pages in my social studies textbook, and you wouldn't believe how irrationally happy I was when I saw the words, "trench", and "sniper", among many other familiar words.

A surprise: After I finished this book, my first thought was, "finally! Moving on to something more interesting!", and blatantly disregarded the book without a second thought. A day or two later, I was surprised when I caught myself thinking about the book while eating lunch. I had finally come to the realisation that this book was worth reading. I made the connections and the immensity of the book was a tad overwhelming. It was like the importance of this book smacked me in the face and said, "look at me! Really look at me."

To be frank, I really wasn't enjoying this book as much as I thought I would have. Sure, this isn't something I'd typically pick up, but a book can only be so bad, right? At first, I found it hard to follow the story. Yes, I'd understand the individual stories that were told, but I understood them as small snippets of their lives, nothing like the usual stories I've read. It was like I was reading the book with a filter. A blurry one at that. I felt that Xavier's story was told too extensively, and Niska's was a bit neglected, which was truly unfortunate since I liked hearing about her past.

My teacher held this book in such a high regard when he first introduced it to us, so you can't blame me for starting this book with high expectations. He promised us violence and action. Rape and drug addiction. At the word "rape", almost all the students in the class clamoured to the front of the class to collect a copy of this book. I kid you not.

I took it because 1) I'm greedy when it comes to bonus marks, and 2) I wanted to try a more mature genre.

Although this story didn't quite work with me in the beginning, by the end of it, I found the significance of it (thankfully!), and I appreciated it for all it was worth. Buuuut, I can also truthfully say that although it ended up being not so bad, I won't be reading something like this for quite some time. Call me immature, but I need some teenage problems to frustrate over, not the terror of residential schools and wars, and the impact they had on Aboriginals.
( )
  elizabeth1929 | Feb 1, 2016 |
This seemed like a serendipitous discovery when I stumbled on it in an Ontario bookshop last week. Not literally stumbled – although, come to think of it, there were several piles of books on the floor there which gave browsing something of a parkour flavour. But I had negotiated those hazards successfully. No, I meant stumbled on in the metaphorical sense that I found it by chance. Anyway, can we move on? I have a review to write.

So yes, I hadn't heard of Boyden before, but clearly he's something of a literary darling north of the 49th parallel (in Canada – less sure about Kazakhstan) and this novel, his first, begins with what seems to be an entire chapter's worth of adulatory press cuttings to whet your appetite for what follows. Apparently every critic and literary prize in Canada welcomed this one with open arms and legs. By the time you have crawled out of Roman numerals and made it to the start of the story at page 1, you have been primed to be disappointed by anything less than a new Ulysses written on the Stone Tablets of Sinai, with jokes by the ghost of Lenny Bruce.

It is easy to see why critics got excited about it. This story of two Cree boys from northern Ontario who become snipers in the First World War shines a light on an aspect of 1914–18 that most readers will know little about, and it does so in the uncomplicated, present-tense, flashback-heavy style that is so wildly popular these days.

Sure enough, there was a lot here I responded to and that filled a gap untouched by my other First World War reading. It is inspired in part by the real-life Ojibwe sniper Francis Pegahmagabow, the most lethal sniper of the war and one of Canada's most decorated (who, as ‘Peggy’, hovers just off-stage at several points in the novel). But the scenes of chaos and misery from the Western Front are never allowed to take over, and they are always interspersed with chapters describing Elijah and Xavier's Cree childhood and family, juxtapositions that offer the reader a range of unusual and productive comparisons that can be made at his or her leisure. This cross-cutting between industrialised slaughter in Europe and the very different ritualised violence of ‘native’ communities reminded me of what Pat Barker attempted with Melanesian islanders in The Ghost Road, though here the conceit is built much more fundamentally into the book's structure.

This is one of those books that goes for full-on immersive storytelling: it is all about spending plenty of time with these characters, seeing the trenches and the carnage of Ypres and Passchendaele through their eyes, learning, through Xavier's medicine-woman aunt, about how the boys ended up in this place so far away from home.

Perhaps the overriding motif is the windigo, that figure of Algonquian mythology associated with cannibalism and insanity. Just as First Nations communities sometimes suffered outbreaks of internal violence that saw people turning in desperation to eating human flesh, so too (we are encouraged to consider) have developed nations in 1914 begun to cannibalise their own population through what seems to be nothing other than collective madness.

I realized then that sadness was at the heart of the windigo, a sadness so pure that it shrivelled the human heart and let something else grow in its place. To know that you have desecrated the ones you love, that you have done something so damning out of a greed for life that you have been exiled from your people forever is a hard meal to swallow, much harder to swallow than that first bite of human flesh.

Much as I enjoyed the story and the general idea, I must admit there was something about the prose style that stopped me from ever loving this book the way I'm sure many others will love it. The prose isn't bad – it just doesn't display much intelligence or wit; there's a kind of flat, undemonstrative quality to it that, perhaps, is appropriate given its narrators but that left me slightly cold. I couldn't shake off a vague sense of Creative Writing courses, reinforced not only by the present-tense narration but by the alternating narrators in different chapters, and the metaphors that tried, I thought, a little too hard to show off their cultural background (‘His skin is the colour of cedar ash in the setting sun’). There is also a certain amount of ‘magic Indian’ stuff going on – a face-value acceptance of some of the Cree mythology and ritual – that sits very uneasily with me.

Still, this is a book I'd recommend. If you want to know more about Canada's involvement in the war, and First Nations participation in particular, it's a brilliant introduction – and you'd have to be a hard-hearted reader indeed to resist the melodrama of violence and insanity that Boyden skilfully builds up for his climax. ( )
  Widsith | May 9, 2015 |
Excellent! It was so incredible to read a book about Native people from the perspective of a Native person. No stereotypes, no white man to the rescue and no European mentality. ( )
  Jolynne | Apr 20, 2015 |
Showing 1-5 of 58 (next | show all)
He has illuminated a forgotten corner of the Great War and that, in itself, is a prodigious achievement.
 

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Joseph Boydenprimary authorall editionsconfirmed
López Lobo, ÁlexTranslatorsecondary authorsome editionsconfirmed
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Amazon.com Amazon.com Review (ISBN 0143037072, Paperback)

Joseph Boyden's first novel is the story of two Cree friends, Xavier and Elijah, who leave their pristine northern country to end up in the horrific trenches of World War I. Loosely based on the real life of a famous Canadian sniper, the story is told from two first-person views: those of Xavier and his old aunt and only living relative, Niska. After the war, Niska is taking her wounded nephew back home north to the bush in a canoe. Their trip is the three-day road of the title, which also refers to the journey taken after death. The story of the war is told in flashbacks on this journey as Xavier recovers from morphine addiction. Niska also relates various stories to Xavier, believing there is "medicine in the tale."

Boyden is a natural storyteller. Both the Native tales of the north and the grim accounts of the war in France and Belgium have the ring of truth. His images can be subtly appropriate--raiders who go over the top are "eaten by the night"--and his characterizations are excellent, especially the three main players and Xavier's Canadian trenchmates. Eventually, Elijah seems to feed on the death all around him, becoming a "windigo," while Xavier begins to question the sanity of the war and his friend's growing madness, realizing "we all fight on two fronts, the one facing the enemy, the one facing what we do to the enemy." Not for the squeamish reader, this is a powerful novel that takes a new angle on a popular subject, "the war to end all wars." --Mark Frutkin, Amazon.ca

(retrieved from Amazon Thu, 12 Mar 2015 18:21:15 -0400)

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"...It is 1919 and Niska, an Oji-Cree medicine woman, has left her home in the bush of northern Ontario to recieve Xavier Bird, her only relation who has returned from the trenches of Europe.Gravely wounded and addicted to morphine, Xavier recounts how he and his best friend, Elijah Whiskeyjack, prowled the battlefields as snipers of enormous skill and how the circumstances of their deadly craft led them to very different fates.Told with unblinking focus, this is a stunning tale of brutality, survival, and rebirth that marks the arrival of a prodigious new talent." From the bookjacket.… (more)

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