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The Oxford Book of American Poetry by David…
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The Oxford Book of American Poetry

by David Lehman

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This new edition is considerably larger than the previous ones, and I've been working on it for a month or so. I discovered some new poets, some old friends, and faithfully slogged through some poems I remembered hating. I was right about them, but one never knows. Poetry, I've found, is very fluid, and poems resonate differently for me through the years. There's no way I feel adequate to review a book on this scale, a book of this scope, except to say that if you like poetry it's certainly worth perusing. If you hate poetry, read the quote by William Matthews below, and be free.

The poems new to me with which I fell in love:
Amaze by Adelaide Crapsey
The House Was Quiet And The World Was Calm by Wallace Stevens
Before Disaster by Yvor Winters
Those Winter Sundays by Robert Hayden
The Lost Children by Randall Jarrell
Why Regret by Galway Kinnell
The Return by Philip Levine
At 65 by Richard Howard
Forty Something by Robert Hass
Celestial Music and
Vespers by Louise Gluck
Otherwise by Jane Kenyon
Form by Heather McHugh


And last, this gem from the blurb about William Matthews
"He once observed that most published poems fall into one of four thematic categories: '1. I went out in the woods today and it made me feel, you know, sort of religious. 2. We're not getting any younger. 3. It sure is cold and lonely (a) without you, honey, or (b) with you, honey. 4) Sadness seems but the other side of the coin of happiness, and vice versa, and in any case the coin is too soon spent and on we know not what.'" ( )
  satyridae | Apr 5, 2013 |
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Amazon.com Product Description (ISBN 019516251X, Hardcover)

Here is the eagerly awaited new edition of The Oxford Book of American Poetry brought completely up to date and dramatically expanded by poet David Lehman. It is a rich, capacious volume, featuring the work of more than 200 poets-almost three times as many as the 1976 edition. With a succinct and often witty head note introducing each author, it is certain to become the definitive anthology of American poetry for our time.

Lehman has gathered together all the works one would expect to find in a landmark collection of American poetry, from Whitman's Crossing Brooklyn Ferry to Stevens's The Idea of Order at Key West, and from Eliot's The Waste Land to Ashbery's Self-Portrait in a Convex Mirror. But equally important, the editor has significantly expanded the range of the anthology. The book includes not only writers born since the previous edition, but also many fine poets overlooked in earlier editions or little known in the past but highly deserving of attention. The anthology confers legitimacy on the Objectivist poets; the so-called Proletariat poets of the 1930s; famous poets who fell into neglect or were the victims of critical backlash (Edna St. Vincent Millay); poets whose true worth has only become clear with the passing of time (Weldon Kees). Among poets missing from Richard Ellmann's 1976 volume but published here are W. H. Auden, Charles Bukowski, Donald Justice, Carolyn Kizer, Kenneth Koch, Stanley Kunitz, Emma Lazarus, Mina Loy, Howard Moss, Lorine Niedecker, George Oppen, James Schuyler, Elinor Wylie, and Louis Zukosky. Many more women are represented: outstanding poets such as Josephine Jacobsen, Josephine Miles, May Swenson. Numerous African-American poets receive their due, and unexpected figures such as the musicians Bob Dylan, Patti Smith and Robert Johnson have a place in this important work.

This stunning collection redefines the great canon of American poetry from its origins in the 17th century right up to the present. It is a must-have anthology for anyone interested in American literature and a book that is sure to be consulted, debated, and treasured for years to come.

(retrieved from Amazon Mon, 30 Sep 2013 13:28:05 -0400)

This collection redefines the great canon of American poetry from its origins in the 17th century right up to the present. It features the work of more than 200 poets, almost three times as many as the 1976 edition. The book includes not only writers born since the previous edition, but also many fine poets overlooked in earlier editions or little known in the past but highly deserving of attention. Many more women and African-American poets are represented, and unexpected figures such as the musicians Bob Dylan, Patti Smith and Robert Johnson have a place.--From publisher description.… (more)

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