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Bad Things by Michael Marshall
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Bad Things

by Michael Marshall

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992061,761 (3.47)3
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I wanted to like this book more than I did. It was well written and I enjoyed the main charecter, John. But, somewhere towards the end of the book things seemed to fall apart for me. The first 90% of the drew me in, and the last 10% left me disappointed. ( )
  jrr731 | Oct 14, 2009 |
Marshall’s latest paranormal thriller is not up to the high standard he set in The Straw Men. The reader certainly wants to know exactly what happened to Scott, the small boy who dies in the prologue, but Marshall takes his sweet time getting to the answer, or even any clues to the answer. In the aftermath of Scott’s death, his parents’ marriage collapses and his father, John, abandons his successful and lucrative career to become a waiter in a small town pizza joint, avoiding life as best he can. But John is lured back into the world when old threats become new again, and his family, such as it is, is once again in danger. Bad Things is at least 50 pages too long for the story it tells, and a reader familiar with Marshall’s work cannot help but be disappointed in the lack of tension wrought by this mystery. I recommend the Straw Man trilogy or The Servants (written as Michael Marshall Smith) above this book, and hope that Marshall’s next outing will see him returning to the sort of book that compels you to keep reading. ( )
  TerryWeyna | Sep 20, 2009 |
Here's my belated review of Bad Things by Michael Marshall. :)
I'd have to give this one a B- to C+. I've also read Blood of Angels, Straw Men, and The Lonely Dead by this same writer, and would give those books the same grade. The fact that I've read most of this writer's books, yet would give them all the same general grade, points out a frustration (or puzzlement) that guides each reading experience.
These books all seem like the bizarre offspring of Lee Child and the X-Files in the Twilight Zone. While the semi-supernatural mystery is always interesting, each book seems a bit too long, with the action-adventure parts not quite meshing with the supernatural aspects. Maybe if they were more one or the other (and about 100 pages shorter), I'd be less confused. But despite the low grade, I have and will recommend this writer's books for both mystery and supernatural/horror fans.
  Ann_Louise | Jul 24, 2009 |
Very slow going to start, nothing really made me want to continue with the book. Wound up not finishing the book and passed it along to someone else. ( )
  cycoduck | Jul 10, 2009 |
I expected to be much more impressed with Michael Marshall’s Bad Things. Having read – no, devoured – many of his previous novels, I began this one with very high expectations.

Approximately the first 50 – 60 pages fully lived up to my expectations. I got very involved with the character of John Henderson and felt that I understood why he had made the decisions that he did. The set up for the mystery was also well presented and well written, and it was what kept me reading.

I began to have problems with some of the plot elements after this point, and while I didn’t lose interest in the story, I found myself confused by some of the twists introduced.

The supernatural angle of the story began to pull me back in, only to turn out to be very dissatisfying. When I got to the end of the book, my first thought was - not that original after all. This I think was my biggest disappointment because I had come to expect real originality from this author in the past.

Overall, his storytelling was as strong as ever, but was negatively affected by a weakly tied together plot. My recommendation would be to start with other books by this author, so that this one doesn’t unfairly turn you off his writing.
  sangreal | Jul 2, 2009 |
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Epigraph
Dedication
For Stephen Jones
Who knows the darkest parts of the woods — and the path from there to the pub.
First words
It is a beautiful afternoon in late summer, and there is a man standing on the deck of a house in the woods a fifteen minute drive from Roslyn, a nice, small town in Washington State.
Quotations
That night she checked the bolt thirty-two times when she went to bed, though she knew it was too late. Nobody was already inside the gates, and that's what panic actually was, she realized. It was the noise of the world whispering in your ear, when your life was ruled by something that wasn't there.
It was the sound of nobody talking, all the time.
I know how much difference a night's sleep can make, that what seems ungovernable and world-breaking at one A.M. can be made to feel like someone else's dream if you put seven hours of unconsciousness between it and you. Tomorrow's not just another day, another person lives it—and every time you go to sleep, you say good-bye.
There was an afternoon, three years ago, when my son died in front of my eyes, when I'd dived into the water and then stood exactly where I was now, holding something in my arms for which I had made a sandwich four hours before: when I stood knowing that the person for whom I'd slapped cold cuts and cheese between bread, and then sliced the result into the preferred triangular form, had gone away and was no longer there; and that the wet, heavy thing that remained was nothing but a lie.
What is the difference between those two states? Nobody has a clue. The local doctors and the coroner certainly didn't. All they could tell me was that Scott had been dead before he hit the water, and they had no idea how or why.
I'm sorry, Mr. Henderson. But he just died.
This difference is why our species makes sacrifices, performs rituals, repeats forms of words to ourselves in the dark watches of the night. Gods are merely foils in this process, and audience for the supplications of metaphor in the face of the intractable monolith of reality. We need someone to listen to these prayers, because without a listener, they cannot come true, and therefore there must be gods, and they must be kind, else they would never grant our wishes—in which case why would we pray to them in the first place?
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