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Little Boy Lost (Persephone Classics) by…

Little Boy Lost (Persephone Classics) (original 1949; edition 2008)

by Marghanita Laski, Anne Sebba (Afterword)

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3521231,026 (4.29)70
Title:Little Boy Lost (Persephone Classics)
Authors:Marghanita Laski
Other authors:Anne Sebba (Afterword)
Info:Persephone Books (2008), Paperback, 240 pages
Collections:Persephone, Your library (inactive)
Tags:Persephone Classics; (28)

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Little Boy Lost by Marghanita Laski (1949)



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Showing 1-5 of 12 (next | show all)
A beautifully written and interesting story, with a main character that it is easy to dislike. I enjoyed the book and even liked the serendipitous ending, though some feel it was too saccharine, it was in my mind the best way to end. ( )
  Cat-Lib | Jul 3, 2016 |
Set in the period post WWII, Little Boy Lost is the tale of a broken man and his conflicted search for his five year old child in France. I don't think I can easily say anything else about this book without giving away what makes it such a poignant and page-turning read.

Thoroughly enjoyable - an emotionally charged read.

3.5 stars - another Persephone classic that hits the spot. ( )
  AlisonY | Mar 20, 2016 |
This novel, first published in 1949 and republished by the magnificent Persephone Books, is a deceptively simple tale of a father searching for his young son in a France devastated by the war.

The English father, Hilary, has seen his son only once, shortly after the boy was born. His wife, rightly fearing she was in danger of being arrested by the Gestapo, gave the boy to a trusted friend to look after, but what happened to the boy in the turmoil that followed? Hilary doesn’t know. He no longer wishes to feel strong emotions, but he reluctantly allows Pierre to guide him to people who might know where the child could now be. But how will Hilary even know if the boy – shunted around, often in secrecy, at a time when identities were lost as easily as luggage – is his?

Hilary, his upper lip suitably stiff, isn’t a particularly sympathetic character, but then again there is absolutely none of the syrupy sentimentalising that might have found its way onto the page in the hands of a lesser writer. Hilary is deeply ambivalent about wanting to find his son, his emotions as shattered and conflicted as the post-war France Laski so brilliantly evokes. This is a man who can only come to terms with the past by locking it away and refusing to acknowledge the terrible things that happened during the war.

If Hilary isn’t exactly likeable, his tussles with his conscience and his emotions are engrossing, the will-he, won’t-he suspense kept up until the last page, by which time I was breathless, desperate for everything to turn out right – and then, finally, a killer last line that just about breaks the heart. [April 2015] ( )
2 vote startingover | Apr 3, 2015 |
This is the story of a young Englishman, Hilary, who after WWII is left knowing that his French wife was killed by the Gestapo and that his young son, whom he has not seen since his birth, is lost among the many orphans in the war's aftermath. Pierre, a friend of his dead wife, comes to Hilary and tells him that he has been searching for three years for the young lad and thinks that he may have found him. And would Hilary like to come with him to attempt to find out the truth of the boy's identity.
Pierre and Hilary set out to meet the lad in France at the Orphanage where he has been living these past years. He is only now just 5 years of age. As they get near to the city of the Orphanage, Hilary sends Pierre back saying that this is something he must do on his own.
Hilary is a writer and is used to having his time to himself and fights within himself if he could be a good father and if he has the stuff it takes to be a father to a young child. He goes back and forth about if or not the child could be his and how one would/could prove it before he even meets the little boy.
Once he gets to the city he finds a hotel and then visits the Orphanage. The head Sister has a letter from Pierre explaining the circumstances and has made ready for Hilary to meet John, the name given the young lad. Hilary comes daily to spend two hours with wee John, trying to find signs that this could or could not be his son.
Tis a marvelous story and one that not wanting to put down, I found that at times I must for I wanted to shake Hilary at times and I just needed to find a calm within myself before going on.

"The moon was rising over the grey roofs and the stars were shining in the black sky. He is clearly not unintelligent, Hilary was saying to himself as they walked along, but how in God's name can he be happy in this one-eyed town? I should die of boredom if I had to live in the provinces in England. I suppose, he thought resentfully, that he has this capacity for happiness Pierre was talking about. But does that mean, he questioned, that one is able to live anywhere, like people uncritically and just be happy? Yet how could one be happy if one had only fools to talk to? Is he perhaps imbued with the old sentimental belief that the recognition of true worth in anyone makes them a desirable companion on a level of common humanity?"

I am so thankful to those who very actively recommended this book to me and that I took their advice and read it. It is quite different from most of the books that I have read. I gave it 4 1/2 stars and highly recommend it. It is one that I will read again and probably again as I think there is much to be gained by a reread of Little Boy Lost. It was so intense at times that I know there are undercurrents and things that I missed in this read. I will probably do a reread sooner rather than later. I rated this one 4 1/2 stars and highly recommend it. ( )
2 vote rainpebble | Dec 18, 2012 |
Little Boy Lost is set during and just after WWII. Hilary Wainwright is an English writer who lost his wife during the Holocaust—and his son, John, is also lost but in a different way. Hilary receives a tip that his son may be living in an orphanage in France, and he goes there to investigate.

It’s a bleak novel—the theme of which is emotional expression. Hilary’s constant struggle is whether to repress emotion, or to let it out. There’s so much emotional fodder here—the death of his wife, the loss of his son—but he doesn’t allow himself to actually express what he’s feeling. This suppression of emotion is what makes this book so powerful, all the more so because this is a novel of self-discovery, too. It’s only when Hilary manages to “find” himself that he opens himself up. Then there are the larger questions that Hilary finds himself asking: is the boy in the orphanage his? And if so, should he take on the care of him? What does Hilary really want, anyways? A neat, albeit dirty, twist happens towards the end of the novel that throws a wrench in his plans—unexpectedly, but maybe for the better.

Apparently, the idea for the book comes from something that really happened—during the English Civil War, the young heir to a family that supported the Royalist cause was spirited away and taken to a French monastery to be educated. I always find the inspiration for a book fascinating; it’s interesting to see where a writer’s imagination can go. So I was fascinated by Marghanita Laski’s gritty, bleak modernization of the story. I’m not sure that I liked Hilary all that much or the young women he takes up with, but Laski’s depiction of a postwar France in which society has been shattered is chilling. It’s also a subtle acknowledgement of the corrupt choices that many people were forced to make during the war in order to survive. Very well done. ( )
1 vote Kasthu | Sep 9, 2012 |
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» Add other authors (3 possible)

Author nameRoleType of authorWork?Status
Marghanita Laskiprimary authorall editionscalculated
Hodgkinson, FrankIllustratorsecondary authorsome editionsconfirmed
Sebba, AnneAfterwordsecondary authorsome editionsconfirmed
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Father, father, where are you going?Oh, do not walk so fast!Speak, father, speak to your little boy,Or else I shall be lost.From 'The Little Boy Lost' by William Blake
For Jonathan
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It was on Christmas Day, 1943, that Hilary Wainwright learnt that his little son was lost.
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Hilary Wainright, poet and intellectual, returns after the war to blasted and impoverished France in order to trace a child lost five years before. The novel asks: is the child really his? And does he want him?

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