|
Loading... Freedomlandby Richard Price
LibraryThing recommendationsMember recommendationsLoading...
won't like
will probably not like
will probably like
will like
will love Sign up for LibraryThing to find out whether you'll like this book. I don't own this book, but I feel a need to review it. Warning - I will spoil virtually everything, so don't read it if you acutally want to read the book. Price has a good premise, but he can't seem to actually deal with the effect of it. From reading the back of the book, almost everyone can see two obvious endings. But Price seems disturbed by both, so he opts out and gives us a third ending. This is cheating. The premise, at the time it was written, was obviously supposed to be inspired by the Susan Smith case. A woman claims she has been carjacked, and her son was in the back of the car. This had a new resonance to me at the time, because of all the missing persons cases that have turned out to not be real. Almost everyone who reads it will think that the woman, Brenda Martin, killed her son and is trying to hide it. Not really. He's dead, but it was an accident and she for some reason dumped the body. When it was first revealed that he had died of an overdose of Benadryl, I assumed later we would find another cause of death, or she would confess to poisoning him. I was wrong. It really was an accident. Of course, since it was indeed this, dumping the body makes no sense. It seems like Price couldn't make her a murderer, but he also couldn't actually make the boy have been abducted, so he came up with a wishy-washy ending that pleases no one. Some people have complained about the length of the book; I personally didn't mind this and until the revelation of the boy's death, I was actually enjoying the book. But it's that ending which keeps the book from being good and moves it into badness. I decided to read this book when I saw the advertisements on TV for the movie which came out earlier this year. With a cast of Morgan Freeman and Julianne Moore, and a promising storyline, I thought it would be a great read. Unfortunately, while the story was interesting, I felt like I was reading another "gritty thriller" that had little to stand out from other books in this genre. The charactors seemed to want to break free of the stereotypes that they were based on, but never seemed to free themselves from the confines of the "troubled detective" or "gritty reporter". An okay read, but not one I'd revisit, nor would I seek out other books by the author. I hate to admit it, but this is one of those times when the movie was better, and that does not happen often. Not Price's best, but any read of Price's is guaranteed to be page-turning and thought-provoking. 0.012 seconds to build listing no reviews | add a review
Amazon.com (ISBN 0440226449, Mass Market Paperback)Actor Joe Morton takes on all the roles of this audiocassette's multicultural cast of characters. His grasp of New Jersey accents, dialects, and inflections is flawless, imbuing all of Richard Price's carefully drawn characters with a gritty sense of authenticity. Morton's crisp, controlled narration propels the story forward with taut, edgy suspense. As he reads, he glides effortlessly from his role as narrator to those of the main characters. Single mother Brenda Martin speaks with a breathy, stammering, and truly fear-permeated voice, while the introspective African American detective, Lorenzo Council, has a clipped, businesslike manner of speaking. Morton takes equal care in bringing to life Price's minor characters, whether portraying a no-nonsense, white New Jersey housewife whose voice has been made coarse by too many cigarettes, or an African American Muslim preacher whose commanding bass voice isn't quite powerful enough to spur his community to action. Morton's greatest achievement, however, is his characterization of Council's jaded, middle-aged white partner, Bump. When Morton slips into the role of Bump, his growling, Jersified Brooklynese is so startling, it almost seems that a life-long resident of Hoboken has stepped into the recording studio and appropriated Morton's microphone. The recording is slightly marred by occasional intrusions of synthesized music that are, for the most part, superfluous and distracting, but Morton's acting abilities and vocal agility are more than sufficient to keep any listener riveted. (Running time: four hours, four cassettes) --Elizabeth Laskey(retrieved from Amazon Fri, 24 Apr 2009 07:57:52 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
Abebooks |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||