|
Loading... Hip Hop Americaby Nelson George
LibraryThing recommendationsMember recommendationsLoading...
won't like
will probably not like
will probably like
will like
will love Sign up for LibraryThing to find out whether you'll like this book. no reviews | add a review
Amazon.com Amazon.com Review (ISBN 0143035150, Paperback)Although it's been part of the cultural soundscape for over 25 years, hip-hop has been the focus of very few books. And when those books do pop up, they tend to be either overtly scholarly, as if the writer in question has just landed on some alien planet, or a bit too much like a fanzine. If there's anyone qualified to write a solid, informative, and entertaining tome on the culture, politics, and business of hip-hop, it's Nelson George. A veteran journalist, George is one of the smartest and most observant chroniclers of African American pop culture. Much as he broke down and illuminated R&B with his acclaimed book The Death of Rhythm and Blues, George now tackles hip-hop with the clarity of a reporter and the enthusiasm of a fan--which is fitting, because George is both. A Brooklyn native, he began writing about rap back in the late 1970s, when the beats and the lifestyle were not only foreign to most white folks, they were still underground in the black communities. Hip Hop America is filled with George's memories of the scene's nascent years, and it tells the story of rap both as an art form and a cultural and economic force--from the old Bronx nightclub the Fever to the age of Puffy. Highlighting both the major players and some of the forces behind the scenes, George gives rap a historical perspective without coming off as too intellectual. All of which makes Hip Hop America a worthwhile addition to any fan's collection. --Amy Linden(retrieved from Amazon Tue, 05 Jan 2010 20:01:47 -0500) The first test round has been closed. Visit the Open Shelves Classification group for details. |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Mr. George shows us the roots of rap music and powerfully illuminates both the promise and the drawbacks of hip hop culture. Key to understanding hip hop culture, according to Mr. George, is its "consistent [and] . . . captivating, yet ever mutating sense of self." Although the spirit of competition and celebration of ghetto life are also strong currents, Mr. George explicates the message of hip hop culture—at its most ideal, that is—as one of self-definition.
I would suggest that any musichead read "Hip Hop America," as well as anyone interested in better understanding Black culture in the U.S. (However, be aware that Mr. George uses few citations and little background information, so going into "Hip Hop America" without some previous knowledge of the sociology and history of Black America may leave you with a distorted or incomplete image of the culture.) (