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The Poet's Companion: A Guide to the Pleasures of Writing Poetry by Kim Theresa Addonizio
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The Poet's Companion: A Guide to the Pleasures of Writing Poetry

by Kim Theresa Addonizio

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257421,683 (3.9)1
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Good insights on the process of writing and compelling writing ideas and exercises from two engaging, accessible poets whose work I admire and enjoy. I especially liked the "Twenty-Minute Exercises" section. ( )
  keely_chace | Aug 21, 2007 |
This book is very informative, concerning the art and craft of producing poetry, but the best part about it is the section titled "Ideas for Writing" that follows the lessons in each chapter. Try just a single exercise in each chapter, and you'll soon have a chapbook of fantastic poetry of your own! ( )
  ChuckB | Dec 4, 2006 |
I haven't finished reading this one yet, but it's great so far. ( )
  lizabethy | Dec 28, 2005 |
A lot of writing guides are total bunk, but this one is really quite good. ( )
  Crowyhead | Oct 25, 2005 |
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For our daughters,
Tristem and Aya;
and for our students,
who continue to inspire us.
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We've been told again and again to write about what we know, but we don't trust that advice.
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(Click to show. Warning: May contain spoilers.)
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Book description

Amazon.com (ISBN 0393316548, Paperback)

"We wanted to create a book," say poets Kim Addonizio and Dorianne Laux in their introduction to The Poet's Companion, "that would focus on both craft and process." The book they have created is an impassioned exploration of poetry writing that addresses subject matter, craft, and the writing life. The reigning wisdom is that poets, like other creative writers, should write what they know. "The trick," say the authors, "is to find out what we know, challenge what we know, own what we know, and then give it away in language." Elsewhere they add that, while "as poets, we need to write from our experience ... that experience may be mental, emotional, and imaginative as well as physical."

Addonizio and Laux are lively spokespersons for the poet's life; they pepper their thoughts with well-chosen poems from their contemporaries--including David Bottoms, Jack Gilbert, Linda Gregg, and Jane Kenyon--and they conclude each short chapter with an invigorating collection of ideas for writing. These "ideas" culminate in a terrific section of writing exercises at book's end: write a poem describing "your most acutely embarrassing moment"; "write a poem of praise for an unlikely group of people, things, ideas"; "write a poem about the last time you saw a loved one you lost." I found myself a bit frustrated by the brevity of the discussions (most chapters are under 10 pages) and a bit put off by the first person plural narrative (do Addonizio and Laux really agree on everything they say they agree on?), but these are mere quibbles. This is a fine book indeed. --Jane Steinberg

(retrieved from Amazon Fri, 24 Apr 2009 07:58:02 -0400)

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