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The Magicians by Lev Grossman
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The Magicians (original 2009; edition 2009)

by Lev Grossman

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3,6743081,312 (3.49)1 / 299
Member:wookiebender
Title:The Magicians
Authors:Lev Grossman
Info:William Heinemann (2009), Paperback, 416 pages
Collections:Your library
Rating:****1/2
Tags:None

Work details

The Magicians by Lev Grossman (2009)

2009 (31) 2010 (39) 2011 (32) 2012 (29) adventure (25) college (56) coming of age (85) ebook (38) fantasy (689) fiction (462) Kindle (28) library (21) magic (290) magicians (55) Narnia (37) New York (33) novel (40) own (21) read (54) read in 2009 (22) read in 2010 (32) read in 2011 (33) school (26) sff (27) signed (21) speculative fiction (24) to-read (77) unread (18) urban fantasy (57) wizards (37)
  1. 110
    The Secret History by Donna Tartt (middled, kraaivrouw)
  2. 70
    Fragile Things by Neil Gaiman (catfantastic)
    catfantastic: Read the short story "The Problem of Susan" included in this collection.
  3. 115
    Jonathan Strange & Mr Norrell by Susanna Clarke (Anonymous user)
    Anonymous user: Magic is real in a world we recognize--Napoleonic England and contemporary New York.
  4. 93
    The Chronicles of Narnia by C. S. Lewis (Jannes)
    Jannes: The Magicians wolud not exist if it wasn't for the Narnia books, and is really a kind of loving deconstruction of Lewis' work. What's better than giving the books that inspired it a try?
  5. 117
    Harry Potter and the Deathly Hallows by J. K. Rowling (sonyagreen)
    sonyagreen: It's like HP goes to college, complete with drinking and sex.
  6. 30
    The Chronicles of Chrestomanci, Volume I by Diana Wynne Jones (Anonymous user)
  7. 20
    Little, Big by John Crowley (rarm)
    rarm: Fairy tale worlds that reveal a hidden darkness.
  8. 20
    How to Live Safely in a Science Fictional Universe by Charles Yu (lobotomy42)
    lobotomy42: Similar combination of a genre setting, an unlikeable protagonist, and an inward-looking plot.
  9. 65
    Harry Potter Box Set (Books 1-7) by J. K. Rowling (elleeldritch)
    elleeldritch: An adult version of Harry Potter (and Narnia), albeit with a different (but still interesting) magic scheme.
  10. 10
    Bedtime Story by Robert J. Wiersema (ShelfMonkey)
  11. 21
    Among Others by Jo Walton (Jannes)
    Jannes: Both are fantasy or fantasy-sih books about fantasy readers and how the stories you read hape you and affect your sense of the world.
  12. 10
    The Book of Lost Things by John Connolly (rnmcusic)
  13. 21
    Never Let Me Go by Kazuo Ishiguro (vnovak)
  14. 10
    The Rules of Attraction by Bret Easton Ellis (Anonymous user)
  15. 10
    The Vanishers by Heidi Julavits (BeckyJG)
  16. 33
    American Gods by Neil Gaiman (marvas)
    marvas: A comparable mix of the fantastic and the all too real, proving fantasy can be an adult genre.
  17. 24
    Watchmen (Absolute Edition) by Alan Moore (Jannes)
    Jannes: Okay, I know it seems somewhat of a stretch, but the Magicians actually tries to do with fantasy fiction what Watchmen does with superhero comics: twists it around and looks at it from a completely different angle to try to find out what it is really all about.… (more)
  18. 13
    Sir Apropos of Nothing by Peter David (Alliebadger)
    Alliebadger: Both take fantasy conventions and make a fool of them. They also have protagonists that are self-centered. I didn't care for either one for the same reasons, so if you like one you'll probably like the other!
  19. 35
    Harry Potter and the Sorcerer's Stone by J. K. Rowling (kaledrina)
    kaledrina: Older YAs and above. Really for late teens and adults. Potter meets Narnia meet sex drugs and rock n roll.
  20. 25
    The Name of the Wind by Patrick Rothfuss (vwinsloe, libron)
    vwinsloe: traditional fantasy.
    libron: Grossman's effort is largely wasted: his magic is simple-minded, his plotting sophomoric, his characters are flat. I was relieved to give up half way through. Rothfuss, however, shines: his magic seduces, his characters breathe, his story beckons.

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Showing 1-5 of 305 (next | show all)
I didnt like this too much. It felt like harry potter but without the magic. ( )
  Atsa | May 23, 2013 |
I loved it for the first 300 pages, to the point I repeatedly declared this was the best book ever, and then it went all sword-and-sorcery and spun out of control. I knew it had to go that way eventually but I had higher hopes for how Lev Grossman would treat it or how I would tolerate it. I tolerate fantasy a lot better in children's books than in adult ones and I had lost patience with the Narnian critters well before the Tolkien demon showed up. And the ending was unresolved in an unsatisfactory way -- I can handle books that don't give a happy ending with all threads raveled, but this just felt like a gaping sequel-ready hole that allowed the protagonist to avoid the honest, existential issues that had confronted him.

I loved it because it stole from Narnia and reminded me of Pamela Dean's Tam Lin (school, loving school, not wanting to leave school, the "anticipatory nostalgia" before graduation, all of which I empathize with) and Mysterious Benedict Society (the examination) and Earthsea (having to know the balance of magic and adjust it to the world) and Winter's Tale (the mysterious place in upstate New York) and Secret History (the cloistering of those who specialize in something arcane). I love that Harry Potter books existed in this world to be mocked (that spells consisted of more than messed up Latin, that something was going to arrive in a chariot pulled by a threstral, welters as quidditch). I love that Grossman had someone use a phrase from Infinite Jest (the "howling fantods"). I love that Quentin's reaction to humanity after leaving the centaurs was like Gulliver's upon leaving the Houyhnhnms.

Nitpicks: Almost all the prose was lovely and alliterative but occasionally it squinted or had proofreading errors: "It took Quentin a minute for his eyes to adjust," "inspite," and a piece of sentence that ran "[subject:] did a lot of for [object:]."

One bit where Grossman revealed himself to be a New Yorker's New Yorker was when the group was in the different upstate New York place, where they were within a day's easy out-and-back driving distance to Buffalo for errands yet east of the Adirondacks (they watched the sun set behind the mountains).
  ljhliesl | May 21, 2013 |
Beware: this is not a cheery book. And its ending is bitter.

It is not about magic as an adventure, it is about the costs of magic. It is all about pain, and self-destruction, and disillusionment.

The first half of the book is a more realistic Harry Potter without the adventure. The second half of the book has an adventure, but with horrific consequences. The hero is driven by a desire to find a point to his existence, and a point to his powers, but all he finds is bitterness and sorrow.

I can't imagine why there are more books in this series. ( )
  AlexEpstein | May 12, 2013 |
Readers of my reviews would know by now that I’m not a big fan of fantasy books. I can handle time travel (like the Outlander series) and Harry Potter, but not much else. Maybe I’m just lazy when it comes to learning strange new worlds; maybe I can only handle the world we live in. So when the leader of my book club sold this as a ‘grumpier Harry Potter with drinking’, I was interested because you can never have enough Harry Potter, right?

Not really. Quentin is nothing like Harry Potter – he’s eternally morose and on the outer with the real world, so when he finds out that he is a magician and has been accepted to an otherworldly college, you would think he’d be happy. But he’s not. He’s still stressed, obsessing over spells, girls, strange events and what it all means. Plus, he can’t lose his childhood dream that the Fillory fantasy books are real. Nobody believes him until later, when some of his friends start investigating magically whether Fillory is real. This starts them off on a new tangent (other than smoking, sex and drinking, which they seem to do a lot of) which has huge consequences.

For me, this is an odd book. It starts off like Harry going to Hogwarts (but an adult version), which I really enjoyed. Then after Quentin leaves college, it’s really boring – little happens except he and all his friends drink and sleep around. Then, they use their magic to find themselves in a fantasy world, which is like those Final Fantasy battles over and over. After this, everything seems to normalise and the book looks like it’s about to end. Unfortunately, the actual ending really made me want to throw the book against the wall and scream to Quentin, “Did you not learn ANYTHING?”

Quentin’s not a likeable guy – he doesn’t seem excited or satisfied by anything, even when his biggest fantasies turn out to be true. He just shrugs and slouches off to the next thing to get cranky over. There are more interesting, quirky characters than him, but unfortunately they all get be killed off. In the end, I thought Quentin was a dill – and I didn’t really care whether he made the same mistakes again. (There is a sequel to this book, which I don’t plan on reading – it’s called The Magician King. I just read the synopses to see if my suspicions were right).

I found the battle sequences incredibly drawn out and hard to keep track of. The fact that I didn’t really care for most of the characters doing battle didn’t help. It would have been nicer if they were faster paced and different instead of enemy-fight-defeat and repeat. The narrative gets quite dark in this section – it would have been useful to have a lighter plot thread running concurrently to escape from the battle monotony.

Grossman does have some cool thoughts about magic – some of his thoughts on the basis of magic almost make sense! There’s no eye of a newt here – it’s all quite ‘scientific’. The college lessons were my favourite where the students were learning the spells.

Unfortunately, this book doesn’t do anything to change my idea of fantasy, just reinforce the parts I don’t like. It’s a pity, because the magician college idea is a good one, but the novel just lacked happiness.

http://samstillreading.wordpress.com ( )
  birdsam0610 | May 5, 2013 |
Unexpected. If I had to pick one word to describe this book, that would be it. Exert time I thought I had even the vaguest idea of where the story was going, something unexpected happened. I couldn't stop trying to guess what would happen next and failing at it.

This isn't your standard fantasy. It's an oxymoron. It's a 'real' fantasy. There are characters you'll like, characters you'll hate, and characters that'll make you say WTF? The writer tells the story with enough detail to get you into the world the characters live in but not so much that it distracts you from it.

I wasn't sure about this one but I decided to give it a shot and I was pleasantly surprised by the result. It was a good read. ( )
  quecojones | Apr 27, 2013 |
Showing 1-5 of 305 (next | show all)
This isn't just an exercise in exploring what we love about fantasy and the lies we tell ourselves about it -- it's a shit-kicking, gripping, tightly plotted novel that makes you want to take the afternoon off work to finish it.
added by lampbane | editBoing Boing, Cory Doctorow (Oct 20, 2009)
 
It’s the original magic — storytelling — that occasionally trips Grossman up. Though the plot turns new tricks by the chapter, the characters have a fixed, “Not Another Teen Movie” quality. There’s the punk, the aesthete, the party girl, the fat slacker, the soon-to-be-hot nerd, the shy, angry, yet inexplicably irresistible narrator. Believable characters form the foundation for flights of fantasy. Before Grossman can make us care about, say, the multiverse, we need to intuit more about Quentin’s interior universe.
 
Somewhat familiar, albeit entertaining... Grossman's writing is intelligent, but don't give this one to the kids—it's a dark tale that suggests our childhood fantasies are no fun after all.
added by Shortride | editPeople, Sue Corbett (Aug 31, 2009)
 
Grossman has written both an adult coming-of-age tale—rife with vivid scenes of sex, drugs, and heartbreak—and a whimsical yarn about forest creatures. The subjects aren’t mutually exclusive, and yet when stirred together so haphazardly, the effect is jarring. More damaging still is the plot, which takes about 150 pages to gain any steam, surges dramatically in the book’s final third, and then peters out with a couple chapters left to go.
added by Shortride | editBookforum, Michael Shaer (Aug 14, 2009)
 
Grossman, Time magazine's book critic and a frequent writer on technology, clearly has read his Potter and much more. While this story invariably echoes a whole body of romantic coming-of-age tales, Grossman's American variation is fresh and compelling. Like a jazz musician, he riffs on Potter and Narnia, but makes it his own.

Vladimir Nabokov once observed, "The truth is that great novels are great fairy tales." "The Magicians" is a great fairy tale, written for grown-ups but appealing to our most basic desires for stories to bring about some re-enchantment with the world, where monsters lurk but where a young man with a little magic may prevail.
 

» Add other authors (6 possible)

Author nameRoleType of authorWork?Status
Lev Grossmanprimary authorall editionsconfirmed
Bramhall, MarkNarratorsecondary authorsome editionsconfirmed
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Epigraph
I'll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I'll drown my book.

--William Shakespeare, The Tempest
Dedication
For Lily
First words
Quentin did a magic trick. Nobody noticed.
Quotations
He was either going to hit somebody or start a blog. pg 107
Space was full of angry little particles.  212
He had no interest in TV anymore - it looked like an electronic puppet show to him, an artificial version of an imitation world that meant nothing to him anyway. Real life - or was it a fantasy life? whichever one Brakebills was - that was what mattered, and that was happening somewhere else.
No one would come right out and say it, but the worldwide magical ecology was suffering from a serious imbalance: too many magicians, not enough monsters.
Last words
(Click to show. Warning: May contain spoilers.)
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Amazon.com Amazon.com Review (ISBN 0670020559, Hardcover)

Amazon Best of the Month, August 2009: Mixing the magic of beloved children's fantasy classics (from Narnia and Oz to Harry Potter and Earthsea) with the sex, excess, angst, and anticlimax of life in college and beyond, Lev Grossman's Magicians reimagines modern-day fantasy for grownups. Quentin Coldwater lives in a state of perpetual melancholy, privately obsessed with his childhood books about the enchanted land of Fillory. When he’s admitted to the surreptitious Brakebills Academy for an education in magic, Quentin finds mastering spells is tedious (and love is even more fraught). He also discovers his power has thrilling potential--though it's unclear what he should do with it once he's moved with his new magician cohorts to New York City. Then they discover the magical land of Fillory is real and launch an expedition to use their powers to set things right in the kingdom--which, naturally, turns out to be a much murkier proposition than expected. The Magicians breathes life into a cast of characters you want to know--if the people you want to know are charismatic, brilliant, complex, flawed magicians--and does what Quentin claims books never really manage to do: "get you out, really out, of where you were and into somewhere better. " Or if not better, at least a heck of a lot more interesting. --Mari Malcolm

(retrieved from Amazon Mon, 11 Oct 2010 09:48:44 -0400)

(see all 4 descriptions)

Haboring secret preoccupations with a magical land he read about in a childhood fantasy series, Quentin Coldwater is unexpectedly admitted into an exclusive college of magic and rigorously educated in modern sorcery.

(summary from another edition)

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