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Sons and Lovers by D. H. Lawrence
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Sons and Lovers

by D. H. Lawrence

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Showing 1-5 of 28 (next | show all)
Mmmm. . . DH Lawrence! And a Mummy! ( )
  solicitouslibrarian | Aug 18, 2009 |
It is always difficult to write a review on a book that was just okay. Sons and Lovers by D.H. Lawrence was just okay. The books is not a page turner. It doesn't make you want to just read and read until you get to the end. But it is easy to lose yourself in the pages and not notice the time go by. It's like Steinbeck's East of Eden in that perceptive (or East of Eden is like Sons and Lovers).

Sons and Lovers is a nice example of a character based storyline. There really is not plot. The story is a look in the life of Paul Morel. The story begins when his parents meet. Lawrence describes the circumstance of Paul's up bring and how he becomes the man he is.

The story mostly surrounds the complex relationship Paul has with his mother. They have a strong interdependent bond. The back of the copy of the book that I read called it Oedipus complex. But (for me) it seemed more like Paul was a mamas boy. They both provided each other with something that was initial missing in there lives. Paul provided comfort, understanding, and a listening ear to his mother. She provided him with a sense of direction. There was never the since that Paul wanted to get rid of his but rather that his father couldn't (or wouldn't) provide his mother with what she needed, so instead he did it.

There is also the relationships that Paul develops with two women, Clara and Miriam. Like the relationship with his mother, the relationships he has with these women are also based on co-dependency. With Miriam it is emotion and with Clara it is sexual. Paul seems to know this and the women seem to know this, yet they continue on with these relationships. It is a little frustrating. There is never the since that Paul is developing as a person, that any of the central characters are developing as people (except Clara, a little). They all seem to just go on and on with the same patterns of behavior. It gets a little tidiest after awhile.

The writing is great. Like a lot of classics Lawrence is good at giving details, sometimes to much detail. As stated earlier this book is not a page turner. It is really easy to put down and forget. Yet, it is also just as easy to pick up and finish were you started off from. The pages seem to pass by quickly and it never feels labor intensive.

Pros: Character based, Writing, Relationships
Cons: A lot of descriptions, Character based, Relationship

Overall Recommendation:
Sons and Lovers is a great example of a character based novel. It would not be the first classic that I would recommend if asked but it would be someone in the middle of the list. ( )
1 vote MahoganyRain | Jul 31, 2009 |
I really languished my way through this book...loving every page of the countryside and the ambience so artfull presented by this author. ( )
  justmeRosalie | Jul 16, 2009 |
This is my first D.H. Lawrence book, if you don’t count Lady Chatterley’s Lover, which I read in my early teens. I plunged in without doing any research first, and was therefore unaware that the story was autobiographical, though I doubt this would have ultimately altered my impression of it. Among the things I found appealing in this book are the descriptions of working class conditions and the struggle of Mrs. Morel to make the best out of difficult circumstances. I also enjoyed the way Lawrence delves into the minds of each of the characters, which seems to give the story multiple layers. However I had a hard time understanding the Nottinghamshire Dialect or why Clara—who is presented to us as a man-hating suffragette—would so easily accept to become Paul’s mistress. Some passages describing the scenery and the flora were a little bit tedious to my liking but ultimately this novel has so much substance that I was willing to pause and read about the local vegetation once in a while. ( )
2 vote Smiler69 | Jun 13, 2009 |
Interesting recreation of Lawrence's youth, excellent portayal of his mother. Women characters lamentably stereotyped, except mother. Protagonist disagreeable, a user. Lawrence probably reveals himself unintentionally in this. But well-written and engrossing. ( )
  xine2009 | Jun 13, 2009 |
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Amazon.com (ISBN 0375753737, Paperback)

Sons and Lovers was the first modern portrayal of a phenomenon that later, thanks to Freud, became easily recognizable as the Oedipus complex. Never was a son more indentured to his mother's love and full of hatred for his father than Paul Morel, D.H. Lawrence's young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him all his life--for his spiritual childhood sweetheart, here called Miriam, and for his mother, whom he transformed into Mrs. Morel. It is, by Lawrence's own account, a book aimed at depicting this woman's grasp: "as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives."

Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, which further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committing himself in either direction: "Why did his mother sit at home and suffer?... And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."

The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-class mining world to the spheres of commerce and art (he has fair success as a painter), he accepts that his own achievements must be equally his mother's. "There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers."

The cycles of Paul's relationships with these three women are terrifying at times, and Lawrence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spirit. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, complicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner. --Melanie Rehak

(retrieved from Amazon Fri, 24 Apr 2009 07:58:23 -0400)

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