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The Forest for the Trees: An Editor's Advice to Writers by Betsy Lerner
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The Forest for the Trees: An Editor's Advice to Writers

by Betsy Lerner

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The Forest for the Trees: An Editor's Advice to Writers by Betsy Lerner (2001)
  cdp02005 | Aug 3, 2009 |
Provides sometimes hilarious, sometimes brutal mental preparation for anybody who is thinking about writing a book. Should be read before even thinking about doing such a thing. ( )
  yapete | Jun 5, 2008 |
A professional editor offers her advice to writers, not so much how to write, but rather how to deal with being a writer and getting yourself published. Divided into two parts, the first lists the five types of writers and their psychology: the Ambivalent Writer, the Natural, the Wicked Child, the Self-Promoter and the Neurotic. She also deals with the issue of addiction and substance abuse, nearly occupational hazards for the writer.

In part two she looks at the publishing side of writing: dealing with rejection, "What Editors Want," "What Writers Want," and what to expect as the date of publication draws near. Reading this for the second time, I still think this in one of the best books of advice for writers, if not THE best. I see a little bit of myself in all the different kinds of writers, and I take great comfort in her chapter on rejection. If I ever am lucky enough to be published, then I feel as if I've gotten a pretty good idea of what to expect from this book. Her best insight though is on the subject of why writers write: it's not for money, because those who write for fame and fortune get discouraged pretty quickly. Writers write because the want to be loved. ( )
  jvalka | Nov 10, 2006 |
Tips on writing from the point of view of a publisher. Its pretty good advice. ( )
  MorgannaKerrie | Aug 8, 2006 |
Betsy Lerner (an editor, poet, and non-fiction author herself) offers some wonderfully practical and psychologically astute advice to would-be authors. You'll either be squirming in your seat or kissing her feet.
  anndouglas | Nov 1, 2005 |
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Epigraph
I really think that the great difficulty in bringing "The Valley of Decision" into final shape is the old one of not being able to see the forest for the trees. There are such a great number of trees. We must somehow bring the underlying scheme or pattern of the book into emphasis, so that the reader will be able to see the forest in spite of the many trees.
--Maxwell Perkins, in a letter to Marcia Davenport (A. Scott Berg, in his biography Max Perkins: Editor of Genius recounts that Davenport had turned in a completely disjointed manuscript of nearly 800,000 words, which she revised over a five-month period, according to the editor's extensive notes. The book went on to sell 600,000 copies.)
Dedication
"For My Authors"
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"I never dreamed of becoming an editor."
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(Click to show. Warning: May contain spoilers.)
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Book description

Amazon.com (ISBN 157322152X, Hardcover)

One feels for Betsy Lerner's writers. Oh, sure, Lerner must be a fabulous agent. But too bad for them: In gaining her as an agent, they lost her as an editor. How rare and wonderful it must have been to have such an advocate, advisor, and, yes, admirer so firmly ensconced in publisher territory (at various times, Houghton Mifflin, Ballantine, Simon & Schuster, and Doubleday). In The Forest for the Trees, Lerner reflects on writing and publishing from an editor's point of view. There are so many books by writers and agents promising to disclose what editors really want; here, finally, is one straight from the source. Like all experienced editors, Lerner has seen writers at their best, and at their worst. "Like shrinks," she says, editors "have a privileged and exclusive view into a writer's psyche, from the ecstasy of acquisition to the agony of the remainder table."

To writers, particularly unpublished ones, editors can seem imposing figures determined to thwart their success. They won't take calls, they don't offer feedback--sometimes they don't respond to queries at all. Guess what: Editors don't lug home hundreds of pounds of manuscripts to read each year because they aren't looking for good writing. "An editor gets off," says Lerner, "on the thrill of discovering a new writer." Editors crave "succinct, well-written cover letters," inspiration that comes from within (as opposed to from the bestseller list), and "catchy, clearly targeted title[s]." They detest unsolicited phone calls, "query letters that sound as if they were penned by Crazy Eddie," and writers who offer to "write it however I want it" (it's "like saying I'll be straight or gay; you tell me, I have no preference"). Lerner is aware of how excruciating it is for a writer to wait for feedback on his or her work. But she also lets writers in on a little secret of her own. "I'm always anxious about the author's response," she confides. "Will he or she take to my editing?" --Jane Steinberg

(retrieved from Amazon Fri, 24 Apr 2009 07:58:02 -0400)

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