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The Forest for the Trees: An Editor's Advice to Writers (original 2000; edition 2000)

by Betsy Lerner

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Title:The Forest for the Trees: An Editor's Advice to Writers
Authors:Betsy Lerner
Info:Riverhead Hardcover (2000), Hardcover, 240 pages
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The Forest for the Trees: An Editor's Advice to Writers by Betsy Lerner (2000)

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Showing 1-5 of 16 (next | show all)
A straightforward, honest, intelligent, and useful look at the business of writing from an editor's view. Not really a "how-to" guide, it is both informative and entertaining. An extremely helpful book for writers. ( )
  Hagelstein | May 12, 2013 |
Great advice for writers on everything from inspiration and craft to managing the publication process and handling crippling doubt. It's also full of wonderful anecdotes about literary and publishing history, and the bibliography alone, a treasure trove of writerly wisdom, is worth the price. ( )
  KatieANYC | Apr 2, 2013 |
This book surprised me on many levels. I bought it and expected a dry yet useful commentary on the publishing industry and what writers must do to survive. Instead, I discovered something that was highly readable--as smooth as fiction--and comparable to someone taking a writer by the hand to offer them advice. The Forest for the Trees is a gentle book. Lerner's approach is that she understands writers, with all their angst, writer's block, and depression, and that it takes more than talent to succeed in the business. She's blunt in her assessment of the rapid changes in the industry and that publishers never know what will be a hit or not. It's nice to see the viewpoint of someone with experience as an editor and an agent; the information is familiar from other writing and author blogs and books, but the angle is different and appreciated.

It's a useful read, but I admit it didn't resonate with me as much as Bird by Bird by Anne Lamott. Still, it's a solid read and a recommended book for any writer who is just starting out or has become disillusioned along the way. ( )
1 vote ladycato | Nov 11, 2011 |
This is an enjoyable, engrossing and unfailingly interesting book. The author is an experienced editor who is distilling her years of working with writers into a book about the editing and publishing process. Early chapters are about different types of writers she has encountered and how they get (or don't get) their writing done. Later ones are about different facets of the publishing process, leading inexorably towards the moment when the accepted, edited, jacketed, marketed, sold and distributed book sees the light of day. Her writing is economical and marked with deep insight into and respect for the creative process, and the mysterious synergy that is successful editing. At the same time she isn't mealy-mouthed; you are left in no doubt that some agents, editors and writers are creeps of the first order. Her literary preferences and judgements are clearly expressed and occasionally trenchant.

From her account of the publishing process, I get this sense of potential books swimming upstream like salmon to spawn, of which many get eaten, or just end up dead in the water. Yet amid the Darwinian carnage authors do get discovered and books do get published, because enough agents, editors, publishers and sales staff continue to care about writing.
  Feurmann | Mar 24, 2011 |
Does what it says on the tin, and does it well. Some of the book is perhaps a touch dated, but most of the advice surely still holds. Lerner advises gently and with a reassuring air of authority. Not really a "how to" book, but rather a meditation on things to keep in mind during the writing, submitting, and publishing process. ( )
  lycomayflower | Jan 28, 2011 |
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Epigraph
I really think that the great difficulty in bringing "The Valley of Decision" into final shape is the old one of not being able to see the forest for the trees. There are such a great number of trees. We must somehow bring the underlying scheme or pattern of the book into emphasis, so that the reader will be able to see the forest in spite of the many trees.
--Maxwell Perkins, in a letter to Marcia Davenport (A. Scott Berg, in his biography Max Perkins: Editor of Genius recounts that Davenport had turned in a completely disjointed manuscript of nearly 800,000 words, which she revised over a five-month period, according to the editor's extensive notes. The book went on to sell 600,000 copies.)
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"I never dreamed of becoming an editor."
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Amazon.com Amazon.com Review (ISBN 157322152X, Hardcover)

One feels for Betsy Lerner's writers. Oh, sure, Lerner must be a fabulous agent. But too bad for them: In gaining her as an agent, they lost her as an editor. How rare and wonderful it must have been to have such an advocate, advisor, and, yes, admirer so firmly ensconced in publisher territory (at various times, Houghton Mifflin, Ballantine, Simon & Schuster, and Doubleday). In The Forest for the Trees, Lerner reflects on writing and publishing from an editor's point of view. There are so many books by writers and agents promising to disclose what editors really want; here, finally, is one straight from the source. Like all experienced editors, Lerner has seen writers at their best, and at their worst. "Like shrinks," she says, editors "have a privileged and exclusive view into a writer's psyche, from the ecstasy of acquisition to the agony of the remainder table."

To writers, particularly unpublished ones, editors can seem imposing figures determined to thwart their success. They won't take calls, they don't offer feedback--sometimes they don't respond to queries at all. Guess what: Editors don't lug home hundreds of pounds of manuscripts to read each year because they aren't looking for good writing. "An editor gets off," says Lerner, "on the thrill of discovering a new writer." Editors crave "succinct, well-written cover letters," inspiration that comes from within (as opposed to from the bestseller list), and "catchy, clearly targeted title[s]." They detest unsolicited phone calls, "query letters that sound as if they were penned by Crazy Eddie," and writers who offer to "write it however I want it" (it's "like saying I'll be straight or gay; you tell me, I have no preference"). Lerner is aware of how excruciating it is for a writer to wait for feedback on his or her work. But she also lets writers in on a little secret of her own. "I'm always anxious about the author's response," she confides. "Will he or she take to my editing?" --Jane Steinberg

(retrieved from Amazon Thu, 14 Feb 2013 13:35:04 -0500)

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