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The Mill on the Floss by George Eliot
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The Mill on the Floss

by George Eliot

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When I finished reading this story, I thought that Maggie spent tragic time. At first I thought that this story is Tom's tragic story. Actually Tom had tragedy. But Maggie had caught tragedy of love. This may be bigger problem than Tom. And the ending was... I was really surprised. ( )
  kanjiy | Oct 13, 2009 |
Maggie's story is tragic, and the ending left me in tears. She was a character that acted impulsively, and drew my sympathies. Her brother Tom may have been annoying and sometimes cruel, but he was her connection to her past ... who she was, and with her in the end. The end...no longer divided, Maggie and Tom will be forever immortalized by unconditional love, despite their dysfunction. ( )
  SFM13 | Oct 11, 2009 |
Ooh, what an abrupt ending! I hadn't read any George Eliot, to my shame, and found this on my bookshelf. I'm so glad I picked it up, I thoroughly enjoyed all her observations and explanations of character and actions - a really mature, inspiring piece of writing. And I laughed so often. I think my favourite passage is her take on destiny:

"'Character' - says Novalis, in on eof his questionable aphorisms - 'character is destiny.' But not the whole of our destiny. Hamlet, Prince of Denmark, was speculative and irresolute, and we have a great tragedy in consequence. But if his father had lived to good old age, and his uncle had died an early death, we can conceive Hamlet's having married Ophelia and got through life with a reputation of sanity notwithstanding many soliloquies, and some moody sarcasms towards the fair dughter of Polonius, to say nothing of the frankest incivility to his father-in law."

Eliot is a really generous writer. Tom is pretty reviled by some of the readers who have written reviews here, but I think that's unfair. Maggie's love can be pretty incomprehensible, towards Tom and more so towards Stephen Guest, who isn't drawn particularly clearly but doesn't seem to merit the devotion of either Maggie or Lucy. But Tom is drawn in great detail, and Bob's affection for him, Uncle Deane's respect for him and the aunts' frustration with hm together with his own pride and moodiness all make sense. How delightful that awful Aunt Glegg comes good at the end as well with regards to Maggie. And Philip's last letter to Maggie is a beautiful piece of sincerety, deep love and a tremendously powerful understanding of a strength of reasoning, introspection and thoughfulness that saves him (and everyone else) from his suicide. ( )
  emmakendon | Oct 11, 2009 |
The Mill on the Floss details the isolation and evntaul death of Maggie Tulliver - a courageous, intelligent and likeable heroine too good for the narrow society she's condemned by, and certainly too good for her censorious, half-witted brother. ( )
  Johnny1978 | Aug 6, 2009 |
Mind-numbingly dull. Someone had compared Eliot's style of writing to Dickens... I can only laugh at the very thought of this. The only reason I finished this book is because I wanted to know what happened to Maggie.I'll be donating this one to the local library. ( )
  hazysaffron | Aug 6, 2009 |
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A wide plain, where the broadening Floss hurries on between its green banks to the sea, and the loving tide, rushing to meet it, checks its passage with an impetuous embrace. On this mighty tide the black ships -laden with the fresh-scented fir-planks, with rounded sacks of oil-bearing seed, or with the dark glitter of coal - are borne along to the town of St. Ogg's, which shows its aged, fluted red roofs and the broad gables of its wharves between the low wooded hill and the river-brink, tingeing the water with a soft purple hue under the transient glance of this February sun. Far away on each hand stretch the rich pastures, and the patches of dark earth made ready for the seed of broad-leaved green crops, or touched already with the tint of the tender-bladed autumn-sown corn. There is a remnant still of last year's golden clusters of beehive-ricks rising at intervals beyond the hedgerows; and everywhere the hedgerows are studded with trees; the distant ships seem to be lifting their masts and stretching their red-brown sails close among the branches of the spreading ash. Just by the red-roofed town the tributary Ripple flows with a lively current into the Floss. How lovely the little river is, with its dark changing wavelets! It seems to me like a living companion while I wander along the bank, and listen to its low, placid voice, as to the voice of one who is deaf and loving. I remember those large dipping willows. I remember the stone bridge.
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Amazon.com Product Description (ISBN 0140431209, Paperback)

`But it's bad - it's bad,' Mr Tulliver added - `a woman's no business wi' being so clever; it'll turn to trouble, I doubt.' Rebellious and affectionate, Maggie Tulliver is always in trouble. Recalling her own experiences as a girl, George Eliot describes Maggie's turbulent childhood with a sympathetic engagement that makes the early chapters of The Mill on the Floss among the most immediately attractive she ever wrote. As Maggie Tulliver approaches adulthood, her spirited temperament brings her into conflict with her family, her community, and her much-loved brother Tom. Still more painfully, she finds her own nature divided between the claims of moral responsibility and her passionate hunger for self-fulfilment. George Eliot's searching exploration of Maggie's complex dilemma has made this one of the most enduringly popular of her works. This edition offers the definitive Clarendon text with a new introduction that gives an account of the book's place in Eliot's life and the intellectual context of the time, as well as providing close textual analysis.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400)

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