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The Mill on the Floss by George Eliot
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The Mill on the Floss (1860)

by George Eliot

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MembersReviewsPopularityAverage ratingMentions
5,34665820 (3.78)278
  1. 90
    Jane Eyre by Charlotte Brontë (ncgraham)
    ncgraham: Two Victorian heroines approach the question of how to reconcile passion and morality in very different ways.
  2. 50
    Middlemarch by George Eliot (Booksloth)
  3. 31
    Jude the Obscure by Thomas Hardy (Booksloth)
  4. 00
    David Copperfield by Charles Dickens (kara.shamy)
  5. 34
    Wuthering Heights by Emily Brontë (roby72)
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» See also 278 mentions

English (64)  Spanish (1)  All languages (65)
Showing 1-5 of 64 (next | show all)
I read this when I was studying in England and I have distinct memories of sitting on benches in Regents Park with my library copy. The copy I was reading was one of those charming small British hardcovers with thin pages. I can practically feel the pages, the sun on my face, and the light wind tossing my hair around as I think about it. I'm sure that contributes to my fondness for the book. ( )
1 vote tercat | Nov 19, 2013 |
I read this because my high school English teacher assigned the class to read some book by [b:Toni Morrison|6149|Beloved|Toni Morrison|http://photo.goodreads.com/books/1165555299s/6149.jpg|736076] with excessive amounts of graphic sex (excessive means "any"). I had never heard of it, and I have hardly heard of it since, but I enjoyed it. ( )
  publiusdb | Aug 22, 2013 |
It is easy to fall in love with the heroine of this story, Maggie Tulliver. Although she wants to be the ideal Victorian female, she can't help herself. She is bold, affectionate, impulsive and passionate and just can't fill the role of the passive and obedient daughter. What Maggie wants more than anything is the love and approval of her older brother Tom. Tom is the opposite of Maggie. He is responsible and steady and where Maggie's personality overflows with warmth and affection, Tom is more cold and deliberate. Although Tom loves his sister, he can't help but disapprove of her inappropriate behavior. The Mill on the Floss follows Maggie and Tom as they grow from children into adults. The Tulliver family has owned the mill for several generations, but Maggie and Tom's father makes some poor choices and ends up losing the mill due to a legal dispute. Maggie and Tom's lives change as they have to work hard to survive, Tom entering business on the docks and Maggie working as a teacher. Although Maggie works hard to help out and be the obedient daughter, she continues to disappoint her family by first falling in love with the son of the man who caused the Tulliver bankruptcy and then falling in love with a man who is betrothed to her cousin.



Although I enjoyed the story and the writing, I was so disappointed with the ending. Maggie gives up everything to try to be that obedient daughter and finally get Tom's approval. It almost seemed like the 'moral' to this story is that reason is better than heart or passion. And Tom - what a smug condescending idiot! So undeserving of a sister like Maggie.
( )
  jmoncton | Jun 3, 2013 |
[SPOILER] This book really caught me. The super-charged melodramtic ending really hit me. The utter rapidity of its all-embracing solution jolted me: "The boat reappeared--but brother and sister had gone down in an embrace never to be parted, living through again in one supreme moment, the days when they had clasped their little hands in love, and roamed the daisied fields together." In this line, the whole book appears as a carefully sculpured whole--the long and rather dreary opening chapters are seen as an essential part to create the drama of the closing. The impact of the closing is so vivid, that the one-age Conclusion at first disturbed: but even it is just right: the following I thought overwhelming: "Near that brick grave there was a tomb erected, very soon after the flood, for two bodies that were found in close embrace; and it was visited at different moments by two men who both felt that their keenest joy and keenest sorrow were forever buried there." What a story--I now will certainly have to read more Geroge Eliot. ( )
  Schmerguls | May 24, 2013 |
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» Add other authors (94 possible)

Author nameRoleType of authorWork?Status
Eliot, Georgeprimary authorall editionsconfirmed
Byatt, A. S.Editorsecondary authorsome editionsconfirmed
Daiches, DavidIntroductionsecondary authorsome editionsconfirmed
Livesey, MargotIntroductionsecondary authorsome editionsconfirmed
MacNeill, AlysonIllustratorsecondary authorsome editionsconfirmed
Manning, WrayIllustratorsecondary authorsome editionsconfirmed
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A wide plain, where the broadening Floss hurries on between its green banks to the sea, and the loving tide, rushing to meet it, checks its passage with an impetuous embrace. On this mighty tide the black ships -laden with the fresh-scented fir-planks, with rounded sacks of oil-bearing seed, or with the dark glitter of coal - are borne along to the town of St. Ogg's, which shows its aged, fluted red roofs and the broad gables of its wharves between the low wooded hill and the river-brink, tingeing the water with a soft purple hue under the transient glance of this February sun. Far away on each hand stretch the rich pastures, and the patches of dark earth made ready for the seed of broad-leaved green crops, or touched already with the tint of the tender-bladed autumn-sown corn. There is a remnant still of last year's golden clusters of beehive-ricks rising at intervals beyond the hedgerows; and everywhere the hedgerows are studded with trees; the distant ships seem to be lifting their masts and stretching their red-brown sails close among the branches of the spreading ash. Just by the red-roofed town the tributary Ripple flows with a lively current into the Floss. How lovely the little river is, with its dark changing wavelets! It seems to me like a living companion while I wander along the bank, and listen to its low, placid voice, as to the voice of one who is deaf and loving. I remember those large dipping willows. I remember the stone bridge.
Quotations
Such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
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Amazon.com Product Description (ISBN 0141439629, Paperback)

Brought up at Dorlcote Mill, Maggie Tulliver worships her brother Tom and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother, a close friend who is also the son of her family's worst enemy, and a charismatic but dangerous suitor. With its poignant portrayal of sibling relationships, The Mill on the Floss is considered George Eliot's most autobiographical novel; it is also one of her most powerful and moving.

(retrieved from Amazon Mon, 30 Sep 2013 13:38:47 -0400)

(see all 8 descriptions)

Maggie Tulliver, passionate and imaginative, comes into conflict with the middle-class narrowness of the town of St. Ogg's and with her beloved brother Tom.

» see all 20 descriptions

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Audible.com

Fourteen editions of this book were published by Audible.com.

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Penguin Australia

Two editions of this book were published by Penguin Australia.

Editions: 0141439629, 0141198915

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