Daniel Mason's debut novel,
The Piano Tuner, is the mesmerizing story of Edgar Drake, commissioned by the British War Office in 1886 to travel to hostile Burma to repair a rare Erard grand piano vital to the Crown's strategic interests. Eccentric Surgeon-Major Anthony Carroll has brokered peace with local warlords primarily through music, a free medical clinic, and the "powers" of common scientific instruments, much to the dismay of warmongering officers suspect of such unorthodox methods. Drake is an introspective, well-mannered soul who, once there, falls in love with Burma and stays long past the piano-fixing to aid Carroll's political agenda. Drake's arduous journey to reach the outpost, however, takes far too long (nearly half the book) and the plotting is rather heavy-handed at times (one night, Drake learns of a mysterious "Man with One Story" who rarely speaks, and the very next morning the Man tells all to Drake). The story is ambitious, the language florid and sure to please, but the dialogue and melodrama are sometimes tedious. While out on the town with Carroll's love interest, Khin Myo (who enchants Drake), Mason offers the townspersons' view of Drake:
It is only natural that a guest be treated with hospitality, the quiet man who has come to mend the singing elephant is shy, and walks with the posture of one who is unsure of the world, we too would keep him company to make him feel welcome, but we do not speak English.... They say he is one of the kind of men who has dreams, but tells no one.
Drake's complexity is thin; perhaps the beauty of Burma takes over any real need for introspection. Despite these quibbles,
The Piano Tuner is a memorable achievement.
--Michael Ferch
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