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Loading... U is for Undertow (2009)by Sue Grafton (Author)
None. In Grafton’s mystery novel, Michael Sutton seeks out Kinsey Millhone with a story from his childhood about witnessing two men burying something and believing they were pirates. With nearly nothing to go on, Kinsey sets out to track down the burial site only to find herself digging into a deceit that stretches back twenty years. Complex and psychologically potent. Love Kinsey. Can't remember enough to distinguish one book from another in the alphabet series. Some are better than others. All are enjoyable. This is my absolute favorite of Grafton's Kinsey Millhone's stories. Did Michael Sutton witness the burial of a kidnapped child when he was just a boy? The story hooked me immediately. I was very interested in the characters and their lives. Well done Sue Grafton! I have to admit that this not the best Kinsey Millhone mystery I've read so far. It drags on a little and at first seems a bit misguided. The discovery of the real killer is not as satisfying as it should be; that being said, at least Kinsey's character is intact; her attitude has not changed a bit. This is not something you want to read as a cure for boredom; it makes you fell worse. Reviewed by K.R.
With U is for Undertow, Sue Grafton draws closer to the end of the alphabet and, presumably, to the finish of her marvelous mysteries featuring Kinsey Millhone, the smart and scrappy private investigator who helped validate that profession for several generations of female P.I.’s. So has this reliable series lost its addictive appeal? Not at all — though it’s a shock to realize that the stories, set in a California coastal town in the 1980s, now read more like historical narratives than contemporary novels with a slight time lag. But it’s an object lesson in disciplined storytelling to watch Grafton manipulate that time frame to broaden the story and deepen the mystery. U is for Undertow isn’t much of a mystery. Sure, there’s a baby who was kidnapped and murdered 20 years ago, and a 6-year-old boy, now grown, who may or may not have seen its burial. But what’s wonderful about the book is the sharp-eyed details Grafton packs into its frame.
No descriptions found. After a recent reference to a kidnapping triggers a flood of memories, unemployed college dropout Michael Sutton hires Kinsey Millhone to locate a four-year-old girl's remains and find the men who killed her. |
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With respect to the doggedness of Kinsey the book is as familiar as an old cardigan but the surprising element for me was that Kinsey’s is only one of several stories that unfold in this book. In addition there’s a thread that takes place in the 1960’s featuring people who may, or may not, have had something to do with the kidnapping of the young child. The person who features most strongly in that thread is a woman called Deborah Unrah whose grown son returns home greatly changed by the flower power movement and drug culture of the 1960’s. There’s also a parallel thread to Kinsey’s in 1988 featuring a middle-aged man called Walker McNally who is a rather repugnant alcoholic. These two characters, and several others who orbit around them both, are deeply and perceptively depicted as their colliding stories are told.
In some ways the ending of the book is fairly predictable but this book isn’t the same kind of procedural as its predecessors and relies less on that kind of suspense for its drama and conflict. Instead I was gripped by Grafton’s exploration of a single concept across all the disparate threads. All of the stories, even Kinsey’s own, relate in some way to the notion of family and the myriad ways that concept can manifest in society. This book is really about why things happen rather than what happened and it’s this that is something of a departure for this series.
Grafton is one of the few authors whose books I have read in order roughly at the time they were published and due to familiarity breeding a little contempt I have tended, of late, not to look forward to them with the same anticipation that I once did. However this outing shows that Grafton still has her story telling abilities well to the fore and she is not afraid to take the risk of trying something new. Apart from discovering anew that 69-year-old Grafton is still at the top of her game I’ve also been reminded that some authors stay on the best seller lists because they are good, not merely because they have great publicity machines.
I would highly recommend the book to both Grafton’s fans, who will have just enough of the familiar to satiate their needs (though not enough Henry for most I admit), and those who have never read Grafton before because this, more than most of her other alphabet tales, is a standalone book of the highest quality. All of the niggly things about the series (such as Kinsey’s failure to age and the ever-increasing gap between the technology available to Kinsey and that available to the rest of us) really take a back seat in this installment because here stories with undercurrents are all that matter.
I can also recommend to audio book fans the added treat of listening to Judy Kaye’s excellent narration which really did make the long-ish book simply fly by. (