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The Glass Bees (New York Review Books…

The Glass Bees (New York Review Books Classics) (original 1957; edition 2000)

by Ernst Junger

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Title:The Glass Bees (New York Review Books Classics)
Authors:Ernst Junger
Info:NYRB Classics (2000), Paperback
Collections:Your library

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The Glass Bees by Ernst Jünger (1957)



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In a weird world that went from 19th century cavalry charges to a world dominated by automatons in the space of a generation, the former cavalry officer Richard is looking for a job and Zapparoni, lord over an imperium of fantastic automats, needs a head of security. Their common friend Twinnings arranges for a job interview. As he prepares for this interview he muses about his childhood and the lessons learned during his training as a cavalry officer and his later service as a tank inspector, about his own strength and weaknesses and how he fits into this new world where the values he was brought up on are a liability rather than an advantage. Written in 1957 a lot of his thoughts and ideas are very fitting for today's world. And his fantastical creations are charming and disquieting at the same time. ( )
  sushicat | Jan 14, 2016 |
Jünger’s expertly formed portrayal of a mind pinging through memory and regret and uncertainty, culminating in an unsettling episode in a strangely beautiful garden, won’t be easily forgotten.

Cisco Grey Lady Ale
Goose Island IPA
  MusicalGlass | Jun 6, 2015 |
I enjoyed reading about Ernst Junger's vision of a dystopian future in "The Glass Bees." Junger seems to have been ahead of his time when thinking about the impact of technology on the human race.

The story follows a narrator who gets a job offer at Zapparoni Works, run by a wealthy man responsible for the growing use of luxury and other types of robots. The job offered is a bit unsavory and our narrator wrestles with questions of morality, showing how his background frames his views.

This was a quick little read and a pretty fun one. ( )
  amerynth | May 21, 2015 |
Jünger’s fiction is always interesting to read, primarily for the way he skirts around the edges of a genre while imbuing his works with a spirit all his own. Just as On the Marble Cliffs was a strange take on the fantasy genre, The Glass Bees is a (slightly less) strange take on a science fiction novel. Again, it’s an interesting work, but by splitting its attention in the manner that it does The Glass Bees sacrifices story for philosophical musings of varying quality.

Captain Richards, an old soldier who has always tried to live honorably and has failed to advance his career because of it, goes to a job interview with a reclusive inventor/industrialist named Zapparoni, during which he sees some things that emphasize to him that the age he grew up in is coming to an end. Besides the ending, that encompasses all of the action that actually occurs in The Glass Bees. You’re probably thinking that this doesn’t sound like enough material for a book, even one only 209 pages or so long, and you’re quite right. There are only perhaps 40 pages dedicated to the actual action, with the rest of the book consisting of memories Captain Richards recollects during the course of the day. Zapparoni will say hello to Captain Richards, but will do it in a way that Richards finds possibly insulting, and the entire next chapter will be a memory of Richards pertaining to that potential insult. It reminded me quite strongly of Zweig’s book Journey Into the Past, tracing the memories that arise as a man goes about his day, and in that way sketching the outline of the man’s life. Jünger uses these memories to expound upon the ways in which the world has changed since Richards’ youth, and many of these changes seem to coincide with changes that Jünger saw as well during post WW1 Germany and the rise to power of Hitler.

Richards tends to romanticize the past, unable to accept the changes that have occurred, and it’s hard not to feel as though Jünger also wouldn’t mind turning back the clock. There are some good lines and observations contained in these memories (“a name that is only whispered is more powerful than one shouted from the rooftops,” “I cannot dismiss it with the remark that the world is full of senselessness. Really, doesn’t everything make sense?”), but after a point they began to drag down the book. I was expecting the memories to provide us with Captain Richards’ backstory as well as to provide us some insight into what this future looks like, and for them to stop once Zapparoni made an appearance. After all, Zapparoni represents this new present, as well as the future, so it would make sense if he snapped the action back to the present and thereby brought some forward momentum to the story. Instead, although it occurs more than halfway through the book, Zapparoni’s introduction does nothing to stem the tide of memories. Despite some tension being created in the last 40 or 50 pages of the book, Jünger does a poor job of pacing. The ending is interesting, but ambiguous, and it feels as though it comes too soon in the story.

It’s interesting to consider why Jünger wrote this story as a work of science fiction. A story of a disenchanted soldier could, after all, take place during nearly any time period. I get the sense that Jünger used science fiction elements to recreate the feeling of being on unsure footing in the reader, just as Richards is experiencing. Subtle hints at the ways in which the world has changed (which Jünger drops in rather masterfully) as well as the introduction of the titular glass bees during the second half of the novel both keep the reader guessing as to what exactly this new world is, just as Richards is left guessing about what fate is going to befall him.

The Glass Bees is a work of science fiction different enough that you’d be hard pressed to find one that’s comparable beyond mere surface similarities. Still, this subtle and peripheral take on science fiction probably won’t satisfy most genre fans. Additionally, the pacing and lack of forward momentum will make this book frustrating for some people. Nevertheless, it’s a unique work, and experiencing such a take on science fiction is interesting enough that maybe it would be worth a read to you, if you’re okay with a plot that’s mostly drowned in the reminiscence of the protagonist.
( )
  BayardUS | Dec 10, 2014 |
scary prescient, sort of oddly written but then again neo-fascism is not a well developed literary trend. Absolutely worth your time if you sleep too well at night. ( )
  romanccm | Jun 25, 2014 |
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Author nameRoleType of authorWork?Status
Ernst Jüngerprimary authorall editionscalculated
Bogan, LouiseTranslatorsecondary authorsome editionsconfirmed
Mayer, ElizabethTranslatorsecondary authorsome editionsconfirmed
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When we were hard up, Twinnings had to step in.
His person and habits he carefully kept in semi-obscurity, since he was aware of the wearing and consuming force of publicity. He wanted to be talked about a great deal, but only vaguely and allusively.
A famous person whose face one does not know is generally thought of as being handsome and imposing. A person who is much discussed but whose residence is unknown is suspected of being everywhere - he seem to multiply himself miraculously. A person so powerful that one does not even dare speak of him become almost omnipresent, since he dominates our inner life. We imagine that he overhears our conversation and that his eyes rest on us in our closest and most private moments. A name that is only whispered is more powerful than one shouted from the rooftops.
The fact is - and it must be a strange, deep-rooted one - that a person, however many legal methods of action he has at his disposal is still dependent on loopholes for carrying out his plans. The legal sphere, small or large, always borders upon the illegal one. The borderline advances with the prerogatives. For that reason transgressions are found more frequently among those on top than among those on the bottom. When prerogatives become absolute, the frontiers tend to blur, and it is difficult to distinguish between right and wrong. At this point people are needed with whom one can "steal horses."
My query is this: Why are those who have endangered and changed our lives in such terrifying and unpredictable ways not content with unleashing and controlling enormous forces and with enjoying their consequent fame, power, and wealth? Why must they want to be saints as well?
The figures, it is true, still differed slightly from the human actors we are used to seeing, but they differed pleasantly: the faces were more brilliant, more flawless; the eyes of a larger cut, like precious stones; the movements slower, more elegant, and in moments of excitement even more violent and sudden than anything in our experience. Even the ugly and abnormal had been transformed into new, amusing, or frightening but always fascinating domains.
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Amazon.com Product Description (ISBN 0940322552, Paperback)

In The Glass Bees the celebrated German writer Ernst Jünger presents a disconcerting vision of the future. Zapparoni, a brilliant businessman, has turned his advanced understanding of technology and his strategic command of the information and entertainment industries into a discrete form of global domination. But Zapparoni is worried that the scientists he depends on might sell his secrets. He needs a chief of security, and Richard, a veteran and war hero, is ready for the job. However, when he arrives at the beautiful country compound that is Zapparoni's headquarters, he finds himself subjected to an unexpected ordeal. Soon he is led to question his past, his character, and even his senses....

(retrieved from Amazon Thu, 12 Mar 2015 18:07:20 -0400)

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NYRB Classics

2 editions of this book were published by NYRB Classics.

Editions: 0940322552, 1590174569

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