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will love Sign up for LibraryThing to find out whether you'll like this book.  LamontCranston | Nov 16, 2009 |  
 This is lurid material treated luridly, but with beauty and heft.  If this sounds confusing, it's also classic noir, which isn't about plot so much as drawing the reader into an entire world—from Communist Cuba to the seedy underbelly of Vegas. The prose has calmed down, too; it’s gone off the caffeine. It needed to—Blood’s a Rover is a more thoughtful, searching book than its predecessors. Ellroy's bleak, brooding worldview, his dense, demanding style and his unflinching descriptions of extreme violence will almost certainly alienate large numbers of readers. But anyone who succumbs to the sheer tidal force of these novels will experience something darker, stranger and more compelling than almost anything else contemporary fiction has to offer. In "Blood's a Rover," sleaze and skullduggery and dread drip off every page, and Ellroy has built both a myth and a monument. It'll blow your mind. From the gutter to the stars.
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Political noir as only James Ellroy can write it. The incendiary standalone sequel to American Tabloid and The Cold Six Thousand—a massive tale of corruption and retribution, conspiracy and cover-up.
It is summer, 1968. The country is exploding. We are running point with three men: a Klan-raised, Yale-educated FBI agent infiltrating black-militant groups at J. Edgar Hoover’s racist behest and obsessed with a leftist shadow figure named Joan Rosen Klein. An ex-cop and heroin runner paving the way for the mob’s casinos in the Dominican Republic. A young L.A. “wheelman” for divorce lawyers within tantalizing reach of the men who killed the Kennedys and Martin Luther King and took us to the threshold of Watergate. Their lives collide in pursuit of the “Red Goddess Joan”—and they will all pay “a dear and savage price to live History.”
Once again James Ellroy razes and reconstructs our recent past. Blood’s A Rover is his largest and greatest work of fiction.
(retrieved from Amazon Fri, 24 Apr 2009 07:58:10 -0400)
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Wikipedia in English (3)
Ellroys 'telegraph' style has been abandoned for straight prose, but this enhances the stories juggernaut-like drive to the finish and heightens the final emotional crescendo. (