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The Gunny Sack by M. G. Vassanji

The Gunny Sack (1989)

by M. G. Vassanji

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Read this many years ago and reread it to see if it was as good as I remembered. It's definitely still one of my favorite books set in East Africa. This is the story of an extended Asian family who live in Tanzania. The story covers several generations, but mainly through the eyes of the narrator, which helps keep it coherent. Lively characters and a humorous touch kept me wondering what would happen next. There is also sadness and disappointment in the story, but it is always kept light and somewhat distant. It really does read like listening to family tales from an elder relative. Wonderfully rich and gentle.
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  kaitanya64 | Jan 3, 2017 |
Good, but one of those books which requires a second or third reading in order to understand its complicated mix of characters, relationships and events. I'm not sure that Vassanji's prose is quite good enough to make me want to devote all that additional time to this book, but it's still worth the read, if only for the fictionalised introduction it gives to the history of Indian settlers in eastern Africa. ( )
  siriaeve | Jun 21, 2011 |
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For Nuru, With gratitude
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Memory, Ji Bai would say, is this old sack here, this poor dear that nobody has any use for any more. Stroking the sagging brown shape with affection she would drag it closer, to sit at her feet like a favourite child.
From man's blood-sodden heart are sprung Those branches of the night and day Where the gaudy moon is hung. What's the meaning of all song? "Let all things pass away." W.B. Yeats
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Amazon.com Product Description (ISBN 0385660650, Paperback)

Memory, Ji Bai would say, is this old sack here, this poor dear that nobody has any use for any more.

As the novel begins, Salim Juma, in exile from Tanzania, opens up a gunny sack bequeathed to him by a beloved great-aunt. Inside it he discovers the past — his own family’s history and the story of the Asian experience in East Africa. Its relics and artefacts bring with them the lives of Salim’s Indian great-grandfather, Dhanji Govindji, his extensive family, and all their loves and betrayals.

Dhanji Govindji arrives in Matamu — from Zanzibar, Porbander, and ultimately Junapur — and has a son with an African slave named Bibi Taratibu. Later, growing in prosperity, he marries Fatima, the woman who will bear his other children. But when his half-African son Husein disappears, Dhanji Govindji pays out his fortune in trying to find him again. As the tentacles of the First World War reach into Africa, with the local German colonists fighting British invaders, he spends more and more time searching. One morning he is suddenly murdered: he had spent not just his own money but embezzled that of others to finance the quest for his lost son.

“Well, listen, son of Juma, you listen to me and I shall give you your father Juma and his father Husein and his father…”

Part II of the novel is named for Kulsum, who marries Juma, Husein’s son; she is the mother of the narrator, Salim. We learn of Juma’s childhood as a second-class member of his stepmother’s family after his mother, Moti, dies. After his wedding to Kulsum there is a long wait in the unloving bosom of his stepfamily for their first child, Begum. It is the 1950s, and whispers are beginning of the Mau Mau rebellion.

Among the stories tumbling from the gunny sack comes the tailor Edward bin Hadith’s story of the naming of Dar es Salaam, the city Kulsum moves to with her children after her husband’s death. And gradually her son takes over the telling, recalling his own childhood. His life guides the narrative from here on. He remembers his mother’s store and neighbours’ intrigues, the beauty of his pristine English teacher at primary school, cricket matches, and attempts to commune with the ghost of his father. It is a vibrantly described, deeply felt childhood. The nation, meanwhile, is racked by political tensions on its road to independence, which comes about as Salim Juma reaches adolescence. With the surge in racial tension and nationalist rioting, several members of his close-knit community leave the country for England, America, and Canada.

I see this comedy now as an attempt to foil the workings of fate: how else to explain, what else to call, the irrevocable relentless chain of events that unfolded…

The title of Part III, Amina, is the name of Salim’s great unfulfilled love, and will also be the name of his daughter. He meets the first Amina while doing his National Service at Camp Uhuru, a place he feels he has been sent to in error. Amina is African, and their relationship inevitably causes his family anxiety, until the increasingly militant Amina leaves for New York. Salim becomes a teacher at his old school, and marries, but keeps a place for Amina in his heart. When she returns and is arrested by the more and more repressive government, Salim is hurriedly exiled abroad. He leaves his wife and daughter with the promise that he will send for them, knowing that he will not. The novel ends with Salim alone, the last memories coming out of the gunny sack, hoping that he will be his family’s last runaway.

(retrieved from Amazon Thu, 12 Mar 2015 18:15:57 -0400)

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