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Bel Canto by Ann Patchett
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Bel Canto (edition 2002)

by Ann Patchett

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8,711281325 (3.94)1 / 550
Member:AndrewPessin
Title:Bel Canto
Authors:Ann Patchett
Info:Harper Perennial (2002), Edition: 1st Perennial Ed., 2002, Paperback, 336 pages
Collections:Your library
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Bel Canto by Ann Patchett

Recently added bydianne47, ALC1, athula, gennyt, usefuljack, private library, joyceBl, meaghyn
  1. 60
    Parable of the Sower by Octavia E. Butler (the_awesome_opossum)
    the_awesome_opossum: Both novels are about human connections formed in the face of unusual crises. Very competent and well-written, both books had much the same vibe about them
  2. 60
    The Cellist of Sarajevo by Steven Galloway (wisewoman)
    wisewoman: In both books, music is a character in its own right, set against a backdrop of human violence and tragedy.
  3. 20
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  4. 42
    Reading Lolita in Tehran by Azar Nafisi (readerbabe1984)
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English (274)  German (3)  Dutch (2)  Korean (1)  French (1)  All languages (281)
Showing 1-5 of 274 (next | show all)
it a book about an unusual view regarding a story between terrorists and hostages.they live in the same building sharing same food and other entertainments until the last moment of the turning point.the author is successful in making the tale in a poetic manner due to the language she uses. ( )
  athula | May 18, 2013 |
Read this book years ago. Excellent. The reason I was interested in reading her new book.
( )
  librarian1204 | Apr 27, 2013 |
Time stands still in Bel Canto - for the hostages taken captive at a birthday party for a Japanese businessman in an unnamed South American country; for the terrorists, mostly teenagers, who hold them captive; for the Red Cross worker whose vacation in the unnamed country is suddenly extended for months; and especially for the reader who joins them in existential limbo. As the days stretch into weeks and months, the line between captor and captive blurs.

The novel appears to be based on the Japanese embassy hostage crisis in Peru in 1996-97. While sticking to the basic outline of the historical event, Patchett explores the effect of prolonged captivity on both the hostages and their captors. Each takes on a new role within their enclosed society. A high government official becomes a janitor. A business executive becomes an accompanist. A diplomat becomes a chef. Terrorists become students. The only thing missing is a prophet, for no one imagines life beyond a day-to-day existence, or what might happen when the crisis ends.

I wouldn't recommend rushing through this book. The middle is more important than the beginning or the end. It raises questions about the difference between who we are and what we do, about communication, about loyalty and friendship. This would be a great book group selection since it offers so many possible discussion topics. ( )
4 vote cbl_tn | Apr 27, 2013 |
I didn't want it to end...and then the ending threw me for a loop (thus 4 stars and not 5). ( )
  melissarochelle | Apr 13, 2013 |
This book got far too much credit. It was passable, but as it goes on, it gets more and more unrealistic (pet peeve: using magic realism techniques as a substitute for plot) and precious. It appeals on the same level as a romance novel, which is fine, but it bothers me that this author gets literary acclaim. ( )
  idyll | Apr 9, 2013 |
Showing 1-5 of 274 (next | show all)
''Bel Canto'' often shows Patchett doing what she does best -- offering fine insights into the various ways in which human connections can be forged, whatever pressures the world may place upon them.
 
Although this novel is entirely housebound, at the vice presidential mansion, Ms. Patchett works wonders to avoid any sense of claustrophobia and keeps the place fresh at every turn.
 

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Author nameRoleType of authorWork?Status
Patchett, Annprimary authorall editionsconfirmed
Fields, AnnaReadersecondary authorsome editionsconfirmed
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Epigraph
Fonti e colline chiesi agli Dei;
m 'udiro alfine,
pago io vovro,
ne mai quel fonte co 'desir miei,
ne mai quel monte trapassero


"I asked the Gods for hills and springs;
They listened to me at last.
I shall live contented.
And I shall never desire to go beyond that spring,
nor shall I desire to cross that mountain."

-- Sei Ariette I: Malinconia, ninfa gentil,
Vincenzo Bellini
Sprecher: Ihr Fremdlinge! was sucht oder fordert ihn von uns?
Tamino: Freundschaft und Liebe.
Sprecher: Bist du bereit, es mit deinem Leben zu erkämpfen?
Tamino: Ja.


Speaker: Stranger, what do you seek or ask from us?
Tamino: Friendship and love.
Speaker: And are you prepared even if it costs you your life?
Tamino: I am.

-- The Magic Flute by Wolfgang Amadeus Mozart
Dedication
For Karl VanDevender
First words
When the lights went off the accompanist kissed her.
Quotations
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
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Translator, a star
In hostage situation
Love and friendships thrive
(julienne_preacher)

Amazon.com Amazon.com Review (ISBN 0060838728, Paperback)

In an unnamed South American country, a world-renowned soprano sings at a birthday party in honor of a visiting Japanese industrial titan. His hosts hope that Mr. Hosokawa can be persuaded to build a factory in their Third World backwater. Alas, in the opening sequence, just as the accompanist kisses the soprano, a ragtag band of 18 terrorists enters the vice-presidential mansion through the air conditioning ducts. Their quarry is the president, who has unfortunately stayed home to watch a favorite soap opera. And thus, from the beginning, things go awry.

Among the hostages are not only Hosokawa and Roxane Coss, the American soprano, but an assortment of Russian, Italian, and French diplomatic types. Reuben Iglesias, the diminutive and gracious vice president, quickly gets sideways of the kidnappers, who have no interest in him whatsoever. Meanwhile, a Swiss Red Cross negotiator named Joachim Messner is roped into service while vacationing. He comes and goes, wrangling over terms and demands, and the days stretch into weeks, the weeks into months.

With the omniscience of magic realism, Ann Patchett flits in and out of the hearts and psyches of hostage and terrorist alike, and in doing so reveals a profound, shared humanity. Her voice is suitably lyrical, melodic, full of warmth and compassion. Hearing opera sung live for the first time, a young priest reflects:

Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven.
Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give, even in a novel so imbued with the rich imaginative potential of magic realism. But in a fractious world, Bel Canto remains a gentle reminder of the transcendence of beauty and love. --Victoria Jenkins

(retrieved from Amazon Thu, 14 Feb 2013 13:44:31 -0500)

(see all 7 descriptions)

Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of Mr. Hosokawa, a powerful Japanese businessman. Roxanne Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening -- until a band of gun-wielding terrorists breaks in through the air-conditioning vents and takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, as terrorists and hostages forge unexpected bonds and people from different countries and continents become compatriots.Friendship, compassion, and the chance for great love lead the characters to forget the real danger that has been set in motion and cannot be stopped.… (more)

(summary from another edition)

» see all 6 descriptions

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