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Loading... Carameloby Sandra Cisneros
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will love Sign up for LibraryThing to find out whether you'll like this book. This is a truly funny book, rich in details and insights about life and family. Definitely, worth reading. During her family's annual car trip from Chicago to Mexico City, Lala Reyes listens to stories about her family, including her grandmother, the descendant of a renowned dynasty of shawl makers, whose magnificent striped shawl has come into Lala's possession. I found myself thinking - all families are pretty much the same - brothers tease sisters, long car rides are boring and tiresome, grandparents are mysterious. I enjoyed myself while I was reading Caramelo. Sandra Cisneros uses a lot of Spanish - she quickly translates it - but I suspect that this may be a reason many people didn't like this book. (I haven't met anyone else who liked it! - yet) Wrapped Up in Caramelo Caramelo was a novel of epic proportions (eighty plus chapters) written by well-known author Sandra Cisneros (The House on Mango Street). The book was published in 2002 by Harper Collins. The audio book is read by author Sandra Cisneros. I both listened to and read Caramelo. This book seemed semi-autobiographical to me. Like the narrator, Lala Reyes, Cisneros was born into a large family and she was born in Chicago in the 1950s. Also, both are the only daughters born into the family. Each is of Mexican descent and, of course, each woman can really spin a thread. Nonetheless, the novel is prefaced with, perhaps, a caveat saying that not one bit is true. In fact, Cisneros disclaims, "If, in the course of my inventing, I have inadvertently stumbled on the truth, perdónenme." Caramelo came in a Spanish edition as well. The English version which I experienced is liberally sprinkled with authentic Spanish phrases. A few things about Caramelo caught my attention before I decided to read the book. The mention of the rebozo of San Luis Potosi, Mexico reminded me of mission trips I went on to SLP and my own search for a rebozo. Also, I read the back and saw that part of the book takes place in San Antonio, each Texan's second home town. Then, there was the curiosity about Cisneros's writing style. So, I gave Caramelo a chance. With Caramelo, the reader is given a chance to learn or brush up on Mexican history, immerse him/herself in the Mexican-American experience as well as learn the stories and, sometimes, the Reyes family history. The young narrator, Celaya "Lala" Reyes provides her audience a window into her heritage, weaving in strands to create a rich, poignant caramelo rebozo of a tale. Lala's paternal grandmother, Soledad Reyes, comes from a family of the legendary, Mexican shawl of San Luis Potosi. The book begins with an annual summer pilgrimage from Lala's native Chicago to visit the grandparents, the Awful Grandmother and the Little Grandfather, in Mexico City. Caramelo begins with one such summer when Lala was a little girl. Here, the Awful Grandmother rules the roost. The Awful Grandmother dotes on her favorite child, Lala's father, Inocencio, to the irritation of Lala's mother, Zoila, and to the exclusion of the rest of the Awful Grandmother's children. When Zoila reaches her breaking point with the Awful Grandmother, the story takes the reader on a journey to the time the Awful Grandmother was a sad, lonely little girl called Soledad Reyes. The reader finds the little Soledad being sent with her late mother's caramelo rebozo, a shawl of boasting the colors of toffee, licorice, and vanilla, (Cisneros 94) to Mexico City from San Luis Potosi and into a fateful introduction to Narciso Reyes (the Little Grandfather). In the midst of the Mexican Revolution (1911 - 1920), Narciso and Soledad come together, marry, and start of family. Inocencio, the first child and the favorite of Soledad, was born. As a young man, Inocencio moves to United States and works his way to Chicago, and meets Mexican-American Zoila. The Awful Grandmother moves in with the Chicago Reyeses after the death of the Little Grandfather. At first, they all live in Chicago. Then, they all move to San Antonio where the Awful Grandmother dies. Teenage granddaughter Lala is left with numerous loose ends and looks into the family histories and stories to better understand her late grandmother. Some reviewers have compared Caramelo to John Steinbeck's The Grapes of Wrath. I believe that while the Reyes family may not be monetarily wealthy, they are rich with stories and identity. At times this book was reminiscent of Forrest Gump in the numerous appearances of famous and/or infamous, true people. However, I did like the historical context these cameos lent the work. For the most part, I enjoyed listening to this book. Cisneros was able to better convey her points with her vocal characterizations - from the Awful Grandmother's whine to Inocencio's formality to Zoila's crackling sarcasm. Additionally, Cisneros can pronounce these words. She knows her own stuff and that's great. Still, it was good to have the book to see exactly how some of these words looked so I could say, "Oh, that's how you say that word." If anyone has as little understanding of Spanish as I, Caramelo may be a struggle. I appreciated that many of the characters had an oft-repeated sentiment throughout the work. Narciso (the Little Grandfather) was a man feo, fuerte, y formal although he was not ugly (Cisneros, 103) while Soledad (the Awful Grandmother) reminds herself "Just enough, but not too much (92). I am happy I stuck it out, though. I was able to see Lala make and wear her very own rebozo with the help of various relatives, especially her grandmother. Thus, I recommend this to the patient history buff out there. Caramelo receives three out of five pearls from me. 0.060 seconds to build listing
Amazon.com (ISBN 0679742581, Paperback)Caramelo, Sandra Cisneros's first novel since her celebrated The House on Mango Street, weaves a large yet intricate pattern, much like the decorative fringe on a rebozo, the traditional Mexican shawl. Through the eyes of young Celaya, or Lala, the Reyes family saga twists and turns over three generations of truths, half-truths, and outright lies. And, like Celaya's grandmother's prized caramelo (striped) rebozo, so is "the universe a cloth, and all humanity interwoven.... Pull one string and the whole thing comes undone." The Reyes clan, from Awful Grandmother Soledad and her favorite son Inocencio to Celaya, follow their destinies from Mexico City to the U.S. armed forces, jobs upholstering furniture, and to Chicago and San Antonio. Celaya gathers and retells, in over 80 chapters, the stories that reinforce her family's, and subsequently her own, identity as they travel between the U.S.-Mexican border and within the United States. Rich with sensory descriptions and animated conversations and peppered with Mexican cultural and historical details, this novel can hardly contain itself. Also an acclaimed poet, Cisneros writes fiercely and thoroughly, and her characters enter and exit the page with uncommon humanity. Although the book is long--over 400 pages plus a relevant U.S.-Mexico chronology--in many ways it's not long enough. The world of the 20th-century Mexican family, and of the Reyeses in particular, is as complicated, timeless, and satisfying as our own family stories. --Emily Russin(retrieved from Amazon Fri, 24 Apr 2009 07:57:54 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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Required some patience-- the first 2/3s of the story read like a precocious child's memory. But it took depth and dimension towards the end when the Grandmother became a rounded character and the protagonist underwent her own rite of passage. Fruitful only if the reader finishes the story and delves a bit. (