This is not just a transposition of one of Auster's most famous works in graphical form; it's a masterpiece on its own merit, interpreting the text in a very creative way, pushing the boundaries of sequential art. ( )

nonsensical and nonlinear

Characters seemed to have multiple personalities, names, identities, textures, grids, rhythms... If ever I thought I was losing myself in my self, this book would be a good map for it. Immediately after finishing this I reread it, not for the sake of enjoyment [though I did in a Through the Looking Glass Don Quixote kind of way], but more to try to understand it further. I felt like I got it while reading, but as soon as I put the book down, it slipped away. Rather than becoming frustrated by this though, I felt intrigued and drawn to Auster's layered circling ideas, conversations, inspired art work. ( )

This is a graphic novel adaptation of Paul Auster’s acclaimed book, created by Paul Karsik and David Mazucchelli. In many ways, it’s a surprising choice for a graphic adaptation. While the book has a distinct noir feel to it, as is the case for many of the newer graphic novels, Auster’s book plays heavily with language, words and identity. It’s an ambitious undertaking for an artist to attempt visually. Karasik and Mazzzucchelli have made an engaging read, though, with a stripped-down artistic style and an inventive use of imagery. I confess I’ve never read the original version, but the story has me hooked and that original is now on my "to do" list.

Excellent ( )

The premiere release of Avon's Neon Lit line of graphic mysteries, City of Glass captures perfectly the analytical despair and moody Kafkan atmosphere that characterizes Auster's masterful story without stumbling over the author's narrative shortcomings.

Full review: http://www.davidlouisedelman.com/revi...