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The Anatomy of a Moment by Javier Cercas
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The Anatomy of a Moment (original 2009; edition 2009)

by Cercas Javier

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Title:The Anatomy of a Moment
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The Anatomy of a Moment by Javier Cercas (2009)

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English (19)  Spanish (4)  Catalan (1)  All languages (24)
Showing 1-5 of 19 (next | show all)
Anatomy of a Moment is a fascinating look at the events around the 23rd Feb 1981 coup attempt in Spain. Whilst I have read a number of books on the Spanish Civil War, I had not read anything on the Franco years or the immediate aftermath so I found this book really enlightening. It covers the lead up to the coup, the background of the key players, the events of the coup itself and the aftermath. Undoubtedly, there is one figure that stands out above all others, the main focus of this book: Adolfo Suarez.

A minister under Franco, Suarez was chosen by King Juan Carlos I to lead the transition from dictatorship to democracy. He did so with great skill and cunning, outmaneuvering both left and right in trying to create a stable democracy. Before reading this book I knew little about Suarez or his role in the "transition". Now I am fascinated by this interesting and wily character. If it wasn't for the skill of Suarez, Spain might still be suffering under a military dictatorship. That they aren't is principally down to a man who understood the game of politics perhaps more than any of his contemporaries.

If you are interested in finding out more about the "transition" and the immediate post-Franco era, I would heartily recommend this book. And if you aren't, read it anyway. It is a worthy addition to the body of work exploring Spain's path in the last 100 years, from democracy to Civil War to dictatorship to democracy again. ( )
  ijclark | Mar 30, 2013 |
This review was written for LibraryThing Early Reviewers.
Historical account and personal reflections on events surrounding a 1981 coup attempt in Spain (called "23-F"). In-depth look at Spanish political life in the years just after dictator Franco's death. Author wanted to write a novel at first, but felt instead that the reality of 23-F "mattered more" than fiction. (Cercas is evidently a rising star in Spanish literature.) Started reading it on a whim because I know very little about modern Spanish history. Cercas presents a fascinating narrative, rich in detail. He presents evidence of considerable skulduggery among the power players in Spain at that time. My only complaint is the book lacked a general index and list of major figures. There were so many players (both political and military) involved, it was hard to keep them all straight. ( )
  walshga | Feb 7, 2012 |
This review was written for LibraryThing Early Reviewers.
Between fact and fiction, the story of a failed coup is delivered in the most fascinating way. Through Cercas we witness a critical moment in Spanish democracy. A personal account of a moment lived by a whole nation in vigil. Javier Cercas is an excellent storyteller who will transport the reader back in time to a moment when the future of the Spanish democracy looked bleak. ( )
  Lybia | Dec 7, 2011 |
This review was written for LibraryThing Early Reviewers.
The title of this book is not misleading; the author takes nearly 400 pages to examine a 35 minute scene. I found it to be a very dense read trying to follow along as the author picks apart the actions of the key players in an attempted coup in Spain in 1981. The book seems to be meticulously researched, but also has a boat load of speculation as to motives of these individuals. As I know little about Spanish history (I didn’t even know this coup took place), this book ended up being too technical to hold my interest. ( )
  aliciamay | Oct 21, 2011 |
This review was written for LibraryThing Early Reviewers.
Brilliant, moving, powerful. In Cercas' account of the 23 February 1981 hostage-taking in the Spanish Cortes, simple narrative and its components are denaturalized. Each moment is potentially transformational, and Cercas invests the fullness of his narrative talents in describing the meanings revealed in the momentary gestures of his actors. The narrative depends on thirty-five minutes of accidentally-recorded tape. It is Cercas' primary record and the framing device for his narrative, and he returns to it at the opening of each chapter.

Cercas' uncommon sympathy for what he calls the "hero of retreat" proves particularly moving. The few, great parliamentarians that resist their captors – Adolpho Suárez, the prime minister; Gutiérrez Mellado, his defense secretary; and Santiago Carillo, leader of the Communists – are at the end of their careers. They have lost their old allies. They have no friends in the new, democratic Spain that they had brought to life. In their resistance to their captors on 23 February, they are alone.

Cercas returns to the first years of democratization, and beyond to the Civil War. In their small, noble gestures on 23 February, he finds redemption – for Suárez, he finds a redemption from amoral politics, and for Mellado, a redemption from a Nationalist past. Cercas captures a fascinating coincidence of public virtue and private motive in his men, and each leg of his many trips to the thirty-five minutes is a minor revelation. Cercas gives the rebels Tejero, Milans and Armada far less moral depth, but he still details each decision they faced, and their every division over the aims of 23 February. His account is none the worse for it.

A delightful book. Strongly recommended. ( )
  AlexBMM | Aug 7, 2011 |
Showing 1-5 of 19 (next | show all)
The alluring but treacherous borderlands between fact and fiction have never been more attractive to writers and readers, and the Spanish novelist Javier Cercas knows the territory well. A previous book, The Soldiers of Salamis, was a brilliant and original semi-fictional exploration of the Spanish Civil War; here he returns to another crucial episode in the history of his country in this dense but gripping, almost Shakespearean account of soldiers, politicians, mixed motives and the lust for power.
added by kidzdoc | editTelegraph, Anne Chisholm (Feb 6, 2011)
 
Cercas is a major novelist who has written a fascinating account of a key event in Spain's recent history. Although 30 years have passed, the coup still reverberates. Many argue that, though the coup failed, it triumphed (one of the many paradoxes Cercas delights in): it forced the political class to grow up or, a more sinister consequence, it made politicians fall over each other to give the military what it wanted, a modernised NATO army and a more restricted democracy. Cercas's decision to write fact not fiction is vindicated. He forces us to abandon the fiction, the legends of the coup, and look at the pictures and story anew in all their complexity.
added by kidzdoc | editIndependent, Michael Eaude (Feb 4, 2011)
 

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Javier Cercasprimary authorall editionsconfirmed
McLean, AnneTranslatorsecondary authorsome editionsconfirmed
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In the middle of March 2008, I read that according to a poll published in the United Kingdom almost a quarter of Britons thought Winston Churchill was a fictional character.
A mediados de marzo de 2008 leí que según una encuesta publicada en el Reino Unido la cuarta parte de los ingleses pensaba que Winston Churchill era un personaje de ficción.
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In February 1981, Spain, still emerging from Franco's shadow, was in the process of electing a new prime minister. On the day of the vote in Parliament, while the session was being filmed by TV cameras, a band of right-wing soldiers burst in with automatic weapons, ordering everyone down. Only three men defied the order. For thirty-five minutes, as bullets flew and cameras rolled, they stayed in their seats. Javier Cercas originally set out to write a work of fiction about this pivotal event but determined it had already gained an air of myth, or, through the annual broadcast of video clips, had at least acquired the fictional taint of reality television. Instead, Cercas employs vivid descriptions of that archival footage to frame a true narrative of the attempted coup, which he comes to understand as a last gasp of the bloody civil war four decades earlier.… (more)

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