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| Epigraph |
Many African societies divide humans into three categories: those still alive on earth, the sasha, and the zamani. The recently departed whose time on earth overlapped with people still here are the sasha, the living-dead. They are not wholly dead for they still live in the memories of the living who can call them to mind, create their likeness in art, and bring them to life in anecdote. When the last person to know an ancestor dies, that ancestor leaves the sasha for the zamani, the dead. As generalized ancestors, the zamani are not forgotten but revered. Many ... can be recalled by name. But they are not the living dead. There is a difference.
-- James Loewen, Lies My Teacher Told Me  | |
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For My Dad  | |
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When the blind man arrived in the city, he claimed that he had traveled across a desert of living sand.  | |
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There was a flaw at the heart of their discussion, the blind man realized. They were mistaking the spirit for the soul. Many people tended to use the words casually, interchangeably, as though there was no difference at all between them, but the spirit and the soul were not the same thing. The body was the material component of a person. The soul was the nonmaterial component. The spirit was simply the connecting line.  Not forever, but long enough.  . . . orchardlike rows of the box springs . . .  | |
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It would happen in a matter of days or weeks. They would gather together in the clearing around the monument [in a park], however many thousands of them there were, and they would stand, shoulder to shoulder. They would listen to each other’s voices, and they would breathe each other’s breath. And they would wait for that power that would pull them like a chain into whatever came next, into that distant world where broken souls are wrenched out of their histories. (Click to show. Warning: May contain spoilers.) | |
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▾Common Knowledge (short form) | Canonical title | The Brief History of the Dead | | Original publication date | 2006 | | People/Characters | Laura Byrd, Luka Sims | | Important places | Antarctica | | Awards and honors | PEN-USA Award (Fiction, 2007), Borders Original Voices (2007), Book Sense Book of the Year (2007.7 | Adult Fiction Honor Book, 2007), Young Lions Fiction Award finalist (2007) | | Epigraph | Many African societies divide humans into three categories: those still alive on earth, the sasha, and the zamani. The recently departed whose time on earth overlapped with people still here are the sasha, the living-dead. ... (show all)They are not wholly dead for they still live in the memories of the living who can call them to mind, create their likeness in art, and bring them to life in anecdote. When the last person to know an ancestor dies, that ancestor leaves the sasha for the zamani, the dead. As generalized ancestors, the zamani are not forgotten but revered. Many ... can be recalled by name. But they are not the living dead. There is a difference.
-- James Loewen, Lies My Teacher Told Me | | Dedication | For My Dad | | First words | When the blind man arrived in the city, he claimed that he had traveled across a desert of living sand. | | Quotations | There was a flaw at the heart of their discussion, the blind man realized. They were mistaking the spirit for the soul. Many people tended to use the words casually, interchangeably, as though there was no difference at all... (show all) between them, but the spirit and the soul were not the same thing. The body was the material component of a person. The soul was the nonmaterial component. The spirit was simply the connecting line., Not forever, but long enough., . . . orchardlike rows of the box springs . . . | | Last words | (Click to show. Warning: May contain spoilers.)It would happen in a matter of days or weeks. They would gather together in the clearing around the monument [in a park], however many thousands of them there were, and they would stand, shoulder to shoulder. They would listen to each other’s voices, and they would breathe each other’s breath. And they would wait for that power that would pull them like a chain into whatever came next, into that distant world where broken souls are wrenched out of their histories. | | Blurbers | Whitehead, Colson, author of The Colossus of New York (The Brief History of the Dead is a brilliant high-wire act, at turns terrifying, wise, and humane. Kevin Brockmeier builds an intricate labyrinth, then guides us through with wit and aplomb.); Kevin Baker, author of Paradise Alley (Kevin Brockmeier's The Brief History of the Dead is moving and disquieting, a "futuristic" novel that is really an elegy for how we live now.) |
▾LibraryThing members' description ▾Book descriptions Amazon.com Download Description (ISBN 0719568307, Paperback)
Kevin Brockmeier is the author of The Truth About Celia, Things That Fall from the Sky, and two children’s novels, City of Names and Grooves: A Kind of Mystery. His stories have appeared in many publications, including The New Yorker, McSweeney’s, The Georgia Review, The Best American Short Stories, The Year’s Best Fantasy and Horror, and multiple editions of the O. Henry Prize Stories anthology. He is the recipient of a Nelson Algren Award, an Italo Calvino Short Fiction Award, a James Michener—Paul Engle Fellowship, three O. Henry Awards—one of which was a first prize—and a National Endowment for the Arts fellowship. He has taught at the Iowa Writers’ Workshop and lives in Little Rock, Arkansas. From the Hardcover edition.
(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400) (see all 2 descriptions) ▾Open Shelves Classification The first test round has been closed. Visit the Open Shelves Classification group for details.
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