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La Por by Gabriel Chevallier

La Por (original 1930; edition 2009)

by Gabriel Chevallier, Pau Joan Hernàndez (Translator)

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80None149,687 (4.04)3
Title:La Por
Authors:Gabriel Chevallier
Other authors:Pau Joan Hernàndez (Translator)
Info:Barcelona : Quaderns Crema, 2009
Collections:Literatura Francesa

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Fear by Gabriel Chevallier (Author) (1930)




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Gabriel Chevallier wrote a book that nobody wanted to read, about a moment in history nobody wanted to be reminded of and about a feeling everybody was ashamed of.

His war book “La Peur” (Fear) is not one of the more famous books coming out of la “Grande Guerre”. Chevallier’s name for instance has not the ring of an Ernst Junger or a Henri Barbusse, a Robert Graves or a Ford Maddox Ford, those better known writers who have attempted to capture the horrors of the trenches of World War I.
I say attempted, because no words can ever bring home the sheer terror soldiers from all sides experienced in one of the most scandalous episodes of human history. Chevallier’s book however comes close…

Gabriel Chevallier ( 3 May 1895 – 6 April 1969 ) is better known for his satirical novel Clochemerle. It brought him commercial success and allowed him to live from his pen. “Fear” however was a book which had always been very difficult to find, until recently, when several editions appeared in the wake of commemorations of the war of 14-18. “Fear” never had the success it deserved. It appeared rather late, only in 1930, 12 years after the hostilities ended. Then, from 1939 on, the book was forbidden for obvious demoralizing reasons and then in the fifties, when it became available again, the public was a bit weary of wars and turned to other topics.

“La Peur” is an autobiographic book. It relates Chevallier’s experiences at the frontline during the first World War. The narrator, his thinly disguised alter ego, Jean Dartemont, survives the four year war, but does not come out of this hell unscathed.

A most shocking thing, the writer insists on, is that the enemy for the common soldiers are not the Germans. Dartemont will come face to face with enemy soldiers only twice in his four year of battle experience. The real enemy in the trench war is invisible. And this makes it so terrible. The enemy comes in the shape of constant bombing, of lethal grenade rains, of invisible snipers, of mines that maim horribly, of gasses that kill slowly, of tunnels that cave in. Rarely is there a face to face battle. Worse than the Germans, for the front soldier, is one’s own officer, the ones who order him out of the trenches, against all common sense, into the open, marching towards the certain Death of German machinegun fire.

The soldiers in the trenches are beastly scared, Chevallier reminds us constantly. No, that is not strong enough. Soldiers are imbued with fear, soaked in fear, devoured within with fear. They whine, they cry, they shit their pants, they vomit their guts each time the attack orders are imminent or that the rumble of another bombardment approaches.

Dartemont does not experience this senseless fear immediately on his first tour. Like most of the French, like most of the enthusiastic young men, he does not know what to expect when he marches for the first time to the warzone, his head full of patriotic and heroic ideas. That is until he has his baptism of fire.

The battle scenes are really terrible; the horror hypnotizing, as when the soldiers who survived recall how they “stepped in flesh” ( marchait dans la viande ) when they walked over hundreds of their dead companions from the previous attack waves. Several times Dartemont cannot believe he is safe, because he is so covered in blood and pieces of meat. Unfortunately it is not his blood, not his pieces of skin and he has to remain in the trenches.

After his bloody defloration, another logic takes over, the logic of survival at all costs.
The more experienced soldiers are ingenious in these survival strategies. Self wounding, self maiming and suicide are easy solutions. Wounded, they are transported to the safe hinterland. They hide, they delay, they slow down their advance. They act constantly on the verge of desertion. Sometimes they do cross the line and are executed. Another trick is to interrupt fighting as soon as they can capture a German. It allows them to escort their happy prisoner to HQ behind the frontlines. Surrounding themselves with prisoners protects them from snipers too. Most crazy of all is when they come to an understanding with the poor buggers from the opposite trenches. They warn each other of coming fire so as to have the time to find cover and do dig in. The soldier’s common enemies are the officers. Not surprisingly that true communist ideals have sprouted from the horrors of the war…

It is not so long ago, it was the time of our grandfathers. Still we cannot fully comprehend to what horrors we send a whole generation of young men…

Not a book to enjoy, but not a book to miss either… ( )
16 vote Macumbeira | Dec 27, 2011 |
Sin lugar a dudas las mejores memorias de un ex-combatiente de la Gran Guerra. Sinceras, honestas, durísimas en cuanto a las razones del por qué de la guerra y el retrato de la retaguardia. La pintura del frente es sencillamente escalofriante.

Obra maestra indispensable. ( )
  Saltamontes73 | Aug 24, 2009 |
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Author nameRoleType of authorWork?Status
Chevallier, GabrielAuthorprimary authorall editionsconfirmed
Glock, StefanTranslatorsecondary authorsome editionsconfirmed
Hernàndez, Pau JoanTranslatorsecondary authorsome editionsconfirmed
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Graphically demonstrating the terrible experiences of soldiers during World War One , 'Fear' tells the story of Jean Dartemont, a young man who is called up in 1915. The original French novel was published in 1930 and has been unavailable for many years. It is now considered a First World War classic.… (more)

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